the fact that these 37 seconds of swan song line up perfectly with 37 seconds of i know the end by phoebe bridgers
I’m going to kill you
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@cheshiredearest
the fact that these 37 seconds of swan song line up perfectly with 37 seconds of i know the end by phoebe bridgers
I’m going to kill you
Not a violent dog
(edt: The rose is just symbolic btw (although I do think Cas would literally give him flowers). The point is that from Dean's perspective Cas is probably hiding a weapon, that's why Dean looks frozen and tense. Dean can't really comprehend what else a man would hold behind his back approaching him if not a weapon, what intention would anyone have towards him other than violence. But also that's artist's intention solely Cas also would literally give Dean a rose in the middle of a hunt he has his dense moments lmao)
I love @alenseress ‘s written addition. for Dean, Castiel represents a breaking out from familiar cycles of pain. “Good things do happen.” For a man to whom bad things have happened since he was a child, that, along with Cas, is revelational.
starved people will eat anything .
The way their side profiles resemble one another, along with the composition, gives John an almost shadowlike quality. He looks like Dean’s literal shadow in this picture. It speaks to the way John haunts the narrative, always looming in Dean’s psyche. I love it sm.
It's often the most male-catered to and even misogynistic media that feature some of the deepest and borderline homoerotic relationships between men. But that is to be expected. People think that patriarchy enabling homoaffectionate relationships between men is a bug, but it's actually a feature. True love can only come from a place of respect, and men often don't respect nor esteem women. They don't see women as capable of intellect, or strength, or imagination or even humanity. Those attributes are reserved to men. Which is why men's true love is often reserved for other men while women are just props to them. That's why it's easier for a lot of male writers to create stories about supposedly heterosexual male characters having the most world-shattering (accidentally romantic) bonds with other men, but not with women that they're canonically attracted to. It's because they can't fathom their male protagonist being so deeply affected by a woman's character, since women are to be lusted for and kept as props for their little domestic fantasies but never truly respected or admired as individuals. The ancient greeks were more honest about this stuff because they understood that patriarchy and male/male affection went hand in hand.