writing filthy nasty smut + the softest sweetest aftercare like. my boner is nuanced n complex. my boner has emotional depth. #myboner
taylor price

Discoholic đȘ©
Xuebing Du
Cosimo Galluzzi
â
almost home
art blog(derogatory)
Cosmic Funnies
No title available

oozey mess
Misplaced Lens Cap
đ©” avery cochrane đ©”
No title available

No title available
h
Doug Jones
The Bowery Presents
2025 on Tumblr: Trends That Defined the Year
Noah Kahan

titsay
seen from Canada
seen from United States

seen from Angola
seen from Australia
seen from United States
seen from United States

seen from United States

seen from Japan

seen from South Africa

seen from Netherlands
seen from United States

seen from Malaysia

seen from Saudi Arabia
seen from Bangladesh
seen from Canada
seen from United Kingdom
seen from United States
seen from United States

seen from TĂŒrkiye
seen from United States
@chrissy-the-dreamer
writing filthy nasty smut + the softest sweetest aftercare like. my boner is nuanced n complex. my boner has emotional depth. #myboner
Creating a main character with depth requires a careful selection of traits
Avoid the temptation to overload them with a plethora of flaws, wounds, and virtues. Instead, focus on developing one dominant positive trait, one glaring flaw, and one profound pain. This approach allows you to delve deeply into each aspect, creating a character who is not only realistic but also compelling. By embodying these three elements to the fullest, your protagonist will be more than just a collection of traitsâthey will be a multifaceted individual with a clear, meaningful story arc. Embrace this approach, and your hero will stand out as truly unique in the literary landscape.
I always thought it would do the opposite. In my head, adding more personality traits would make them more complex, and multifaceted. But recently I discovered that choosing a key characteristic guides them into more nuances, including flaws. And suddenly, they no longer seem confused and distant.
WORLD BUILDING CHECKLIST
If you are writing a book/story that takes place in another world, I have provided for you the complete world building checklist to ensure that you know your world inside out.
Economy A. Currency B. Poverty rate/line
Government A. Crime & Legal System B. Foreign Relations C. Politics D. War
The Land A. Physical & Historical Features B. Climate C. Geography D. Natural Resources E. Population
Society & Culture A. Arts, Entertainment, & Recreation B. Architecture C. Calendar D. Daily Life. E. Diet F. Ethics & Values G. fashion & Dress H. History I. Dining Customs J. Education K. Language L. Gestures M. Manners N. Meeting & Greeting O. Religion & Philosophy P. Social organization
Magic A. Magicians B. Magic and science C. Magic & Technology D. Rules of Magic
Technology C. Technology D. Medicine D. Transportation & Communication you're welcome <3
Fell free to reblog and fill it out if you want. I am curious to see the worlds in my fellow writers heads.
Follow me @leisureflame for more posts like this!
Know Thyself: How This One Exercise Shaped My Writing
âKnow Thyselfâ Interpretations
Heraclitus: âIt belongs to all men to know themselves and think well.â
Charles H. Kahn: this fragment echoes a traditional belief that âknow thyself" had an essentially similar meaning to the second Delphic maxim, ânothing too much;â both sayings might be considered alternative ways of describing the virtue of sophrosyne.
Heraclitus defines sophrosyne as the art of âperceiving things according to their nature,â apparently referring to the perception of objective, material facts. If so, and if self-knowledge is the same as sophrosyne, then, as Kahn writes, âthe deepest structure of the self will be recognized as co-extensive with the universe in general ⊠so true self-knowledge will coincide with knowledge of the cosmic order.â
A fragment from Ion of Chios provides the earliest explicit reference to the maxim. It reads: âThis âknow yourselfâ is a saying not so big, but such a task Zeus alone of the gods understands.â
âThe unexamined life is not worth livingâ -Socrates
Soliloquies of Augustine: The book has the form of an âinner dialogue" in which questions are posed, discussions take place and answers are provided, leading to self-knowledge. The first book begins with an inner dialogue which seeks to know a soul. In the second book it becomes clear that the soul Augustine wants to get to know is his own.
The Consolation of Philosophy: Boethius writes The Consolation of Philosophy as a conversation between himself and a female personification of philosophy, referred to as âLady Philosophy.â Philosophy consoles Boethius by discussing the transitory nature of wealth, fame, and power (âno man can ever truly be secure until he has been forsaken by Fortune"), and the ultimate superiority of things of the mind, which she calls the âone true good.â She contends that happiness comes from within, and that virtue is all that one truly has because it is not imperiled by the vicissitudes of fortune.
Meditations: Marcus Aurelius likely didnât intend for Meditations to be published, as the work centered around his own self-analysis and self-guidance. Aurelius advocates finding one's place in the universe and sees that everything came from nature, and so everything shall return to it in due time. Another strong theme is of maintaining focus and to be without distraction all the while maintaining strong ethical principles such as âBeing a good man.â
...to think that all of these classic works are âregularâ people figuring themselves out. I decided to do the same.
Writing My Own âSoliloquyâ
Iâd like to clarify that I, in no way shape or form, see myself as this great thinker or philosopher or anything like that. I recognize that this practice is but one way to understand myself, especially since I struggle with mental health and a lot of spiritual questions (but thatâs another topic).
In choosing to write my own soliloquy, I am becoming my own Devilâs Advocate. Like Boethius, Iâve decided to structure my journaling as if I am arguing with someone. I will choose a topic that I am passionate about or that I am having my own crisis over, such as âWhy do I not believe I am a good person?â or âWhy do I prefer logic over emotion?â or even âWhat draws me to classical paintings?â
What I found is that anything and everything that I am attached to says something about me on a deeper level.
Here is where it gets a little tricky: in continuing to argue with myself, Iâve found that I get better at coming up with counter points. In other words, this self-analysis becomes more and more complex the more used to it you get. Itâs almost like youâre playing some mind chess and this fictional opponent, who is also you, as they are but your own Devilâs Advocate, is also getting better and learning with you.
But, to me, that is what makes this âKnow Thyselfâ maxim important. You are not meant to have a full-fledged answer. We are constantly evolving and changing, as will our knowledge of how we perceive ourselves and how we perceive the world in response to it.
How It Affects My Writing
To start with the obvious, the character development and creation changes so much when you get to know yourself. At least, for me, the world becomes less and less black and white (not that it ever was black and white to begin with). Because of that, my characters become more dimensional.
I am no longer afraid to write controversy. There is a... debate, for a lack of better words, on the media literacy rate nowadays. Because of this, I would fear that, just because I wrote about it, people would assume that I am in support of it; or, for example, just because there is a mainstream focus on one demographic, that nuances of that focus cannot be written about (again, another topic).
However, writing my soliloquies reminds me that my work is meant to be a message from myself to the audience first and entertainment second.
As artists, authors, creators, etc., there is a danger in losing ourselves to appease the masses. There is the question of whether we should create what we want or stick to what is trending, and Iâm not immune to that spiral, either.
In knowing yourself, you become your #1 advocate. You know what your boundaries are, what your morals are, and what your values are. It gets harder to allow those who donât do that same work to sway your pen.
Closing Words
Whatever form that takes, get to know yourself. For me, thatâs journaling whenever I can as if Iâm debating with someone. Grab a journal meant specifically for this exercise and go crazy! No oneâs going to read it (unless you become someone like Marcus Aurelius and your own version of Meditations comes out. In which case... sorry?)
Never stop challenging the way you think, too. It can be uncomfortable and hard, but change always is. Perhaps you will stick to your ideals, and thatâs okay, too! Do not live life on the easy path.
As always, these exercises are not a substitute for professional or medical help. I will always encourage those who need it to seek therapy, as I believe it is a great tool to use alongside this exercise, should one feel inclined to do so.
Do you have any advice for writers who are chronic perfectionist who never finish a manuscript?
i can definitely sympathize, anon. i'm a recovery perfectionist myself.
what's interesting is seeing what happens when you remove the word "perfectionist" from your vocabulary. when you do that, you're forced to look at it from a new lens and see it for what it really is: fear.
perfectionism can sometimes have this noble connotation. a perfectionist is supposed to be someone who's fastidious about details and patient about results. perfection in creative pursuits can sometimes be conflated as a drive for beauty. but things are beautiful because they're flawed, and beauty is appreciated for an awareness and understanding of those flaws. the greatest creativity happens at the ugliest and basest parts of you.
perfectionism hates revision. it says that you should get it right on the first try. perfectionism hates practice. it says you should already know how to do it. perfectionism hates discovery. it says what exists should already be known.
the hardest truth for perfectionists to face is that they are not yet good. the hardest task for perfectionists is to undertake is learning that they are not yet good and that's okay. the hardest belief for perfectionists to internalize is that they are not yet good and that's okay, and eventually they will be better.
you have to start small. you have to. you can't wake up one day and decide you're going to lift 200lbs above your head and then get mad at yourself for getting literally crushed beneath the weight of your expectations. you look at the tiny dumbbells and think, i'm too strong for those. but you're not strong enough for what you want to lift, so you have to start with the lightest thing you can carry. and then you lift the lightest thing a million times.
when i say start small, i mean haikus. i mean microfiction. i mean drabbles. you learn the iterative process by practicing it on small things and working your way up to bigger things. you might think, but i like to read books so i want to write books. but to write a book, you have to write a hundred shorter things first. start with writing and rewriting 100 words until you like them. then 200 words. then 400, 800, 1600. write a story that can fit on a post-it note, and then write it over again, and once more after that. move to a notecard and do the same thing with a new story. move to a piece of paper and do the same thing. offer yourself physical evidence of the process of revision, and then, by the time you work your way up to a whole manuscript, you have the knowledge, skill, and endurance to trust that you'll see it through to the end.
The greatest truth I've read, being a perfectionist since my first text.
Writing Purposeful Scenes
Youâll hear it said again and again:Â every scene of your book should have a purpose. However, some people mistake this to mean that every scene needs something big and important to happen. This isnât true. A well-crafted and purposefully paced novel will have a balance of conflicts and resolutions.
If youâre following the Three-Act Structure (which most stories will touch on at least a little bit) your story will consist of:
set-ups
conflicts
resolutions
The Hunger Games does this amazingly. Letâs take a look:
Chapter 1 (SET-UP):Â Introduces us to the dystopian setting that is District 12 and shows us Katniss in her daily life.Â
Chapter 2 (CONFLICT):Â Primâs name is drawn at the Reaping and Katniss must volunteer. This is the inciting incident of the story.
Chapter 3 (RESOLUTION):Â Katnissâs family and friends come to say goodbye and Katniss has time to reflect.
Of course, story structures do not have to be followed strictly. You can reorder these plot points or even skip some to further fit the story youâre trying to tell.
This post is simply to remind you that while every scene should serve some kind of purpose, that purpose does not have to always be big conflicts or huge plot movements.
Here is a list of just some purposes your scene could include:
Character Development:Â Does your character change in this scene? Have they realized something or learned a new piece of information? Do their emotions toward a person deepen?
Information Revealed:Â Does your cast find out something that progresses them forward in the plot? This can be done through dialogue, action or narrative. Do they find the missing map piece? Or does a wise wizard tell them where the magical key is hidden? Does your protagonist find out that theyâre adopted?
Further your World-Building: Does this scene deepen the richness of your world? Does the cast find out more about the culture or geography? Do they run into a mysterious creature or come across a magical plant?
Conflict: Is there a physical or mental obstacle in your protagonistâs way? Does an argument break out between two characters? Does an injury occur? Conflicts could be large, or minor⊠like a character forgetting something at home.
Build Tension:Â Does this scene further the suspense of your reader? Is your cast nearing the dark castle? Is a character on the brink of death? Is a steamy scene unfolding slowly? Does your protagonist feel like theyâre being followed?
Instagram: coffeebeanwriting Â
Skip Google for Research
As Google has worked to overtake the internet, its search algorithm has not just gotten worse. It has been designed to prioritize advertisers and popular pages often times excluding pages and content that better matches your search termsÂ
As a writer in need of information for my stories, I find this unacceptable. As a proponent of availability of information so the populace can actually educate itself, it is unforgivable.
Below is a concise list of useful research sites compiled by Edward Clark over on Facebook. I was familiar with some, but not all of these.
â
Google is so powerful that it âhidesâ other search systems from us. We just donât know the existence of most of them. Meanwhile, there are still a huge number of excellent searchers in the world who specialize in books, science, other smart information. Keep a list of sites you never heard of.
www.refseek.com - Academic Resource Search. More than a billion sources: encyclopedia, monographies, magazines.
www.worldcat.org - a search for the contents of 20 thousand worldwide libraries. Find out where lies the nearest rare book you need.
https://link.springer.com - access to more than 10 million scientific documents: books, articles, research protocols.
www.bioline.org.br is a library of scientific bioscience journals published in developing countries.
http://repec.org - volunteers from 102 countries have collected almost 4 million publications on economics and related science.
www.science.gov is an American state search engine on 2200+ scientific sites. More than 200 million articles are indexed.
www.pdfdrive.com is the largest website for free download of books in PDF format. Claiming over 225 million names.
www.base-search.net is one of the most powerful researches on academic studies texts. More than 100 million scientific documents, 70% of them are free
Female cinematographers: Mandy Walker, ASC, ACS Red Riding Hood (2011) dir. Catherine Hardwicke
Resources For Writing Period Pieces: 1600s
Major Events of The Century
First established English colony in Jamestown, Virginia. Pocahontas saves John Smith. (1606)
Laws of Planetary Motion published (1609) and Galileo sees Jupiterâs moons through telescope (1610) which both showed that planets orbit the sun.
King James version of the Bible published in England
Thirty Yearsâ War (1618-1648)
The first African slaves are brought to Jamestown. (Slavery is made legal in 1650.)
Pilgrims from England arrive at Plymouth, Massachusetts, on the Mayflower (1620)
English Civil War (1642-1651)
End of Ming Dynasty in China (1644)
Louis XIV begins personal rule as an absolute monarch and starts to build Versailles (1661)
Issac Newtonâs experiments with gravity (1664)
English seize New Amsterdam and rename it New York (1664)
The Great Plague in London kills 75,000 (1665-1666)
French Settlers movie into Mississippi and Louisiana (1699)
Extensive list of events in the 17th century (by decade)
Popular Culture and Society
1600s Food
1600s Musicians
1600s Visual Artists
1600s Literature
1600s Explorers
1600s Science and Philosophy
1600s Inventions and Discoveries
Names
Popular Girl Names of the 17th Century
Popular Boy Names of the 17th Century
Clothing
1600-1650 Western European Fashion
1650-1700 Western European Fashion
Chinese Clothing during Qing Dynasty
(Native)Â American Clothing during the 1600s
Western Womenâs Fashion in the 17th Century
By Country
1600s in Australiaâ
1600s in BrazilâÂ
1600s in the British EmpireâÂ
1600s in British IndiaâÂ
1600s in Canadaâ
1600s in the Caribbeanâ
1600s in Chinaâ
1600s in Denmarkâ
1600s in the Dutch Empireâ
1600s in Dutch Indiaâ
1600s in the Dutch Republicâ
1600s in Englandâ
1600s in Franceâ
1600s in Germanyâ
1600s in GreenlandâÂ
1600s in the Habsburg MonarchyâÂ
1600s in the Habsburg NetherlandsâÂ
1600s in the Holy Roman Empireâ
1600s in HungaryâÂ
1600s in IndiaâÂ
1600s in IranâÂ
1600s in Irelandâ
1600s in ItalyâÂ
1600s in JapanâÂ
1600s in the Majeerteen SultanateâÂ
1600s in MaltaâÂ
1600s in MexicoâÂ
1600s in MoroccoâÂ
1600s in New FranceâÂ
1600s in New SpainâÂ
1600s in NorwayâÂ
1600s in the Ottoman EmpireâÂ
1600s in the Papal StatesâÂ
1600s in the PhilippinesâÂ
1600s in the PolishâLithuanian CommonwealthâÂ
1600s in PortugalâÂ
1600s in the Portuguese EmpireâÂ
1600s in Romaniaâ
1600s in RussiaâÂ
1600s in ScotlandâÂ
1600s in SiamâÂ
1600s in the Kingdom of Sicilyâ
1600s in SpainâÂ
1600s in SwedenâÂ
1600s in SwitzerlandâÂ
1600s in the Thirteen ColoniesâÂ
1600s in TongaâÂ
1600s in the Grand Duchy of Tuscanyâ
1600s in the Republic of VeniceâÂ
1600s in Walesâ
So when youâre writing, and if youâre like me, you might have heard how beneficial this whole âmessy first draftâ thing is, and I agree! Itâs really true. But beginning to accept that mess and not self-edit and censor because it isnât *perfect already* can be really hard. So hereâs my strategy.
Letâs say youâre writing a scene of dialogue, and you know you eventually want to go into more detail about the charactersâ expressions or the feelings and movements, but youâre really in the flow and donât want fussing over the description to trip you up. Solution?
Brackets.
Character A says something to Character B that causes Character B to do a brief little bit of soul searching. You want this line to be important but canât really figure out how to phrase it this instant. I might write something like,
âOh,â Character B said. [He considers this, itâs important, soul-searching]. âI hadnât thought of it like that before.â
I put brackets around my thoughts, what Iâm trying to say but just donât have the *perfect* way to say it right now. For me, it really helps because it allows me to be as messy as:
He walked into the room. [The curtains were blue or some shit idk]
in the middle of a scene and keep my flow moving the way it wants to at that point in time. It also makes for some hilarious moments to revisit when editing. Use brackets as notes for yourself to remember or things you want to go back and describe later. Use brackets when youâre stuck. Use brackets to give yourself permission to give up in the middle of sentences or entire paragraphs until you find the words later.
When youâre writing first drafts, itâs really just important to get the words and ideas out. If words are tripping you up, slowing you down, causing you to get âstuckâ in a chapter or scene, use a bracket to write the gist of it. It will come to you later.
I think the brackets work for me because they visually help separate the *words on the page* from the âmistakes/obstacles/hiccups/road bumps/less than stellar phrasing.â And it helps to just keep me moving but in a way that I can still retain the concept for a scene which is the most important thing of all.
This is legit, though. Saves my writing flow constantly. I actually have a system of different brackets, too â for word choice (repetitive word, word I canât think of or need to thesaurise later) they go in the () brackets. (Technically I think theyâre called parentheses? Though I also think thatâs an Americanisation.) Stuff I need to check later â like timeline, whether that chair actually exists, etc â go in square brackets []. And then curly brackets are for things like {cannot think of witty response rn} if that ever comes up. đ
If youâre struggling with moving forward because you just canât find the right word or phrase or movement or whatever, I highly recommend giving this a try!
How to Worldbuild Without Knowing Everything
Worldbuilding can be one of the most daunting tasks that a writer can embark on, but fear not! Siera Schubach, an awarding-winning author, is here to save the day and give you a great guide to building your fantasy world without knowing every detail.
Have you ever wanted to write a fantasy story but felt overwhelmed by the concept of worldbuilding?
As a fantasy writer myself, Iâm going to tell you a little secret: Worldbuilding isnât as complicated as it is made out to be.Â
Here are a few steps you can take to build a strong, layered, and interesting fantasy world without any prep.Â
The Plot is the Point
Do you know every single language on Earth? Do you know the customs and cultures of every person on the planet? I expect the answer is ânoâ (unless youâre an all knowing oracle in which case, I have some questions). We donât know every detail of the world we live in now, and you donât need to know all the details of the world you are creating either.Â
There are over seven different species (that I know of) in my fantasy world, but the only ones I know much about are those that factor heavily into the story. You donât need to know the vast history of a character who is only mentioned in passing.
Keep reading