
@theartofmadeline
Xuebing Du

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oozey mess
let's talk about Bridgerton tea, my ask is open

★
Lint Roller? I Barely Know Her
noise dept.
wallacepolsom

if i look back, i am lost
$LAYYYTER
Sweet Seals For You, Always
🪼
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One Nice Bug Per Day
YOU ARE THE REASON

祝日 / Permanent Vacation

izzy's playlists!
"I'm Dorothy Gale from Kansas"
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@chuchedecianuro
Console-free Camping
If you like to play The Last of Us, then try Rot & Ruin by Jonathan Maberry
If you like to play Beyond: Two Souls, then try The Girl With All the Gifts by M.R. Carey
If you like to play Call of Duty: Black Ops (Zombies), then try World War Z by Max Brooks
If you like playing Grand Theft Auto, then try American Psycho by Bret Easton Ellis
If you like playing Sid Meier’s Civilization, then try A Game Of Thrones by George R. R. Martin
If you like playing Final Fantasy, try playing Fullmetal Alchemist by Hiromu Arakawa
If you like playing Mass Effect, then try Illuminae by Amie Kaufman and Jay Kristoff
If you like playing Alice: Madness Returns, then try Madness So Discreet by Mindy McGinnis
If you like playing Halo, then try Starship Troopers by Robert A Heinlein
If you like playing Portal, then try House Of Stairs by William Sleator
If you like playing Mario Kart, then try The Lovely Reckless by Kami Garcia
If you like playing Dark Souls, then try Anna Dressed in Blood by Kendare Blake
If you like playing Life Is Strange, then try We Are Okay by Nina Lacour
If you like playing Stardew Valley, then try How I Live Now by Meg Rosoff
If you like playing Fable, then try Young Elites by Marie Lu
If you like playing Borderlands, then try Velocity by Chris Wooding
If you like playing Dishonored, then try Airman by Eoin Colfer
If you like playing The Oregon Trail, then try Under a Painted Sky by Stacey Lee
If you like playing the Elder Scrolls series, then try The Naming by Alison Croggon
If you like playing Red Dead Redemption, then try Vengeance Road by Erin Bowman
If you like playing Bioshock, then try Dark Life by Kat Falls
If you like playing Fallout, then try Razorland by Ann Aguirre
If you like playing Assasin’s Creed, then try The Way of Shadows Night by Brent Weeks
If you like playing Dragonage, then try Ember in the Ashes by Sabaa Tahir
If you like playing The Legend of Zelda, then try Graceling by Kristin Cashore
If you like playing Until Dawn, then try Ten by Gretchen McNeil
If you like playing Sonic, then try Maximum Ride by James Patterson
If you like playing Overwatch, then try Bluescreen by Dan Wells
If you like playing Uncharted, then try Passenger by Alexandra Bracken
If you like playing Pokemon, then try Fantastic Beasts & Where to Find Them by JK Rowling, and Newt Scamander
If you like playing Mario Party, then try Hunger Games by Suzanne Collins
This is amazing!!
I have to reblog for two reasons:
1)This is actually a good way to get people into reading.
2)That passive aggressive joke in the last one is pure genius.
JOIN THE INTROVERT NATION MOVEMENT
Curiosidades aprendidas en Veterinaria
1. La rata es el único mamífero masculino que ha perdido los pezoncillos (inútiles en los machos).
2. Las vacas son negras con manchas blancas.
3. Las patas de los caballos terminan en UN dedo. Se encuentra dentro del casco.
4. Se puede vomitar caca, sí, incluidos los humanos.
5. Los perros tienen un hueso en el miembro.
6. Los camellos/dromedarios son capaces de beber hasta 170 L de agua en pocas horas.
7. El seguro para los perros potencialmente peligrosos tiene que cubrir como mínimo 120.000€ porque esa es la cantidad de dinero que vale una persona, según el Gobierno.
8. Los perros y los gatos andan de “puntillas”. El hueso que sobresale un poquito en las patas traseras del perro es más o menos su talón.
9. Existen serpientes con patas y lagartos sin patas.
Enviado por Kelevra
Católicos Solteros: el Tinder de Flos Mariae.
La familia Asperger Bellido Durán en su nueva aventura empresarial: Contactos Católicos.
Olvídate de mojar en la primera cita.
Pensaba que solo habían tenido hijas, pero no, la prole del señor Bellido Durán podría repoblar Marte.
Profesor: *enseña 5 temas en una clase de 50 minutos* ¿Lo habéis entendido todo?
Yo:
I’ve been asked many times what someone should look for when trying to find a good artist. The best way you can do this is to look at their portfolio, whether it’s in a book at their shop or online. If they don’t have good work in their portfolio, they’re probably not good artists.
The shop may be clean, the people there might be nice, and the design they draw up for you might be exactly what you want, but if your artist doesn’t stand up to the points listed above, then you’re going to get a bad tattoo.
It’s okay to walk into a shop, talk with an artist for a while, and decide you don’t want a tattoo from them. Even if the artist has a bad attitude about it or tries to convince you to just let them do it, remember this is going to be on your body for the rest of your life.
This is fucking fantastic thank you!!
STOP MAKING EVERYTHING MULTIPLAYER I DON’T HAVE FRIENDS YOU ASSHOLES
Not every character needs to be in a romantic relationship reblog if you agree
Anderson Cooper saving a boy in Haiti during a shooting. A slab of concrete was dropped of the boys head.
Anderson fucking Cooper, everyone.
Some journalists like to be strictly observers. they don’t intervene, they don’t participate. they just document what they see, even if what they see is terrible. But the way I see it, journalists don’t exist in a vacuum. They are human beings, living and working in a very human environment. And that humanity is essential in relating to their stories. When you lose your humanity, you lose any kind of journalistic integrity you have left.
#nevernotreblog
this is the guy who found out one of his ancestors was killed by one of his slaves and was like “he had it coming”
Every now and then I run across this post, and every time I do, I feel the need to say something, especially since @flowers-without-reason felt the need to speak on behalf of a massive career field that he/she is not part of.
It’s really easy as a bystander to pass judgment on how/why journalists do things. I will not presume to speak on behalf of all journalists, but I was one and I can explain the “strictly observer” thing from at least one perspective.
You see, any time you are not actively observing - ie, taking photos/videos/recording observations - you are missing the story. When you miss the story, you miss the opportunity to tell the story.
Since we live in the digital age, it’s easy to forget that 1) we didn’t always have the ability to record, transmit, and view information across the globe instantaneously, and 2) not everyone has access to that utility now.
In 1992, James Nachtwey took this photo:
Because he took this photo (among the other equally horrifying and heartbreaking images he brought back from Somalia) and it was published to a large Western audience in the New York Times, The Red Cross received the largest influx of donor aid since WWII, and they were able to save 1.5 million people. Representatives from The Red Cross have directly cited the Nachtwey photos as inspiring that flood of help.
These photos helped save more than a million lives.
It is easy as a bystander - someone who isn’t a journalist, who probably hasn’t been in a war or famine zone - to make sweeping judgments about what journalists should or shouldn’t be doing.
Like this photo from the Sudan by Kevin Carter:
Hundreds of people contacted the paper questioning whether the little girl had survived to which the paper responded through an unusual editor’s note saying that the girl garnered enough strength to walk away from the vulture but her ultimate fate was not known. It was a rule for the journalists in Sudan not to touch victims of the famine, to avoid the risk of transmitting diseases. Carter though came under a lot of criticism for not assisting the girl. The St. Petersburg Times wrote this about him: “The man adjusting his lens to take just the right frame of her suffering might just as well be a predator, another vulture on the scene.”
He chased the vulture away after taking this photo. Note that journalists in the Sudan were not supposed to touch the famine victims to avoid the risk of transmitting disease.
You’ll be pleased to know he committed suicide in 1994, shortly after winning a Pulitzer for this photo, leaving behind a note that talked about the horrors he saw and photographed.
“I am depressed … without phone … money for rent … money for child support … money for debts … money!!! … I am haunted by the vivid memories of killings and corpses and anger and pain … of starving or wounded children, of trigger-happy madmen, often police, of killer executioners…I have gone to join Ken if I am that lucky.”
Now that we just blissfully assume everyone has both a smartphone and access to unrestricted internet, I guess it’s safe to feel critical of the people still putting themselves in the trenches to tell these stories.
These people told stories, and they are continuing to tell stories, that need to be told. We talk about silencing and rewriting history, then criticize the people trying to document it.
When people talk about immigration and refugees, you can show them this picture of the actual human beings sent to their deaths when we turned away the St Louis:
If you want to talk about the violent militarization of law enforcement, you can show someone this photo from the Kent State shootings:
Or maybe the horrific futility of war:
Or maybe the impossible way we connect with each other:
Or you want to showcase dignity:
And bravery:
I won’t disagree that “when you lose your humanity, you lose your journalistic integrity,” but I will disagree that intervention is a key component to maintaining journalistic integrity.
Journalistic integrity is telling an authentic story.
The social justice corner of Tumblr often discusses what one person can do to make a difference in the world, yet posts like this get 700,000+ reblogs crapping all over one of those things a single person can do to make a difference.
Net neutrality in the US is on the chopping block and states are debating the ethics of lying in history text books. I’d dare say that the journalists who are out there documenting the world as it exists are doing a job that is as important today as it was in WWII when a single photo from Iwo Jima helped turn the tide of the Pacific campaign.
We’re in a time and place where filming police officers in public is an arrestable offense. So yeah, documenting is an act of intervention and resistance. It’s you saying, “I am not going to let anything stop me from telling the truth.”
I feel like this is a very important thread considering a lot of people cut Hollywood abusers a lot of slack just because “they’re work is very good and entertaining”. There are plenty of other Hollywood actresses/actors that don’t pull off gross shit like this, support them instead…. At the end of the day, we need to put the victims first and stop letting this shit slide.
Full access to the thread incase anyone wants to open the sources.
Gaten Matarazzo explica por qué habla raro.
Nació con displasia cleidocraneal:
La displasia cleidocraneal (DCC) es un trastorno genético raro del crecimiento de los huesos que se caracteriza por clavículas hipoplásicas o aplásicas, persistencia de fontanelas y suturas abiertas y múltiples anomalías dentales.