Canal Walk reaserach
cherry valley forever
Show & Tell
Alisa U Zemlji Chuda

@theartofmadeline
Cosimo Galluzzi

Love Begins
almost home
we're not kids anymore.

PR's Tumblrdome
Stranger Things

★
sheepfilms

No title available

Kaledo Art
DEAR READER
PUT YOUR BEARD IN MY MOUTH
noise dept.
h

Origami Around
KIROKAZE
seen from Argentina
seen from Bangladesh
seen from Bangladesh
seen from Bangladesh

seen from Argentina

seen from India
seen from Germany
seen from Slovakia
seen from Türkiye
seen from Bangladesh
seen from Brazil

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
@claradailey-viscom-blog
Canal Walk reaserach
Research into typography pieces
Fedrigoni x Dalsons
‘Create a physical, tactile campaign to super-size awareness for Dalston’s—with Fedrigoni paper at the heart of it.’
Dalsons and its design agency, B&B, are partnering with Fedrigoni the paper company. The brand is born out of integrity with a big appetite for ethical values and is committed to making drinks which are stainable and environmentally friendly whilst also supporting the local community. It’s a challenger towards artificial fizzy drinks companies and desire to do the right thing and win over customers because of its cause. Campaign Message reads ‘SODA LOVERS UNITE’ and speaks about the idea of the community and bringing people together. The design and individual branding is inspired by urban east London aesthetic. It combines bright and tasty colour with scribbled graffiti-style illustration and protest-style slogans.
Background to Fedrigoni
Since 1717 when the San Colombano paper mill was set up in vallaesa-Roverto in Italy, the Fedrigoni family has consistently been at the forefront of the paper industry. Developing pioneering techniques and process that makes paper beautiful.
It has been refining the art and science of making fine-quality special papers, producing striking surfaces, tactile textures and vivid colours. Their papers are extremely functional but also expensive.
They have a studio on London’s Clerkenwell road called The imaginative Papers studio and brings Fedrigoni paper close to the design and print industry.
What They want you to achieve
They want to put Dalson’s on the radar of its target audience in a tactile, physical and attention seeking way. The campaign needs to focus on one key element, or be a campaign made up of a number of elements. And think about window displays, mailers, street handouts, pop ups, installations and anything that can exist physically and incorporate Fedrioni paper within the challenge.
Target Audience
Their product is aimed at anyone who loves soda and wants to have a healthier drink and an ethical alterative to artificial ingredients and corporative giants. They want to target a mind-set rather than a demographic and find people who stand for something and expect the brands they chose to stand for something too.
Other Information
The brief is open and are welcome to demonstrate your thinking in anyway fit towards the project. Work with Fedrighoni paper and technology though the use of Fedrigoni plus.
Fedrigopni plus is a curated collection of its papers that are held in and are available for next day delivery. The website lets you order samples and find details of each paper including theirenvironmental credentials, specifications and instructions for best use. It also features high resolution images of each paper which are available for download. This is helpful for creating moc-ups and for use of temporarily visual samples.
Sigmund Freud, the inventor of psychoanalysis, appreciated the many ways in which our minds are troubled and anxious. It isn't us in particular: it's the hum...
RESEARCH ON PHYCOANALYSIS
CONSUMERISM
Capitalism
- Steve Lambert; Artist, 2013 installation, Capitalism works for me! (True/False).
- Does it work for You?
Value
- Subjective Theory; Depends on the situation/Value does not determine the actual value of something.
- Human History; Value and cost linked, pineapple is a good example of this.
- 1700s changed people’s views of value; industrial revolution.
- Do children have a better sense of value than adults?
Commodity Fetishism
- MARX (Karl); 1867 the product of labour has no effect on how much it is worth.
- Macklemore ‘Wings’; helps the viewer to understand the term ‘fetishing’ products.
Start of Capitalism
- 1500s; not much to their name, clothes etc.…
- 1700s; wages rose so normal people could have little luxuries
- More luxuries meant more money spent, more businesses needed leading to more jobs and more wages.
- Change in fashion in 1700s influenced graphic art.
- Capitalism has a big link with images.
- Fable of the bees; being able to shop for pleasure showed your wealth, resulting in driving the economy.
EXAMPLE
- Adam smith; the wealth of nations, supported in capitalism.
Benefit of Capitalism
- Made people able to afford anything they would like.
Bad Reasons of Capitalism
- Jacques Rouseal; against it, got back to a simpler time.
- ‘Hard Times’ Charles Dickens; how the industry can destroy people.
- John Ruskin; ‘some treasures are heavy with human tears’
- Karl Marx; profit making is theft.
- 1999; fall of communism protest a year after
- Exploitative; rigged, optimistic, environment, working conditions
- Virtue/ wealth; Environments VS Free Marketeerism, Consumerism VS Capitalism.
- Susan Songtag; Capitalism is a society built on images.
Maslow’s Hierarchy
- Made people able to afford anything they would like.
FINAL COVER EXPERIMENTS
SELF DEVELOPMENT
MY WEBSITE:
claradailey.uk
For my self development I’ve been working on my website and portfolio, Linked in, freelance work. I have a main domain name I use already for emails and my website. We website hold all my best work as well as commissions I have already done. I have three sections, Commissions, photography, and projects. From my website I can assess work that I can use is specific company portfolios when needed. I am also working on a printed portfolio which I can take to events and meetings. My printed portfolio hilights my best work and shows my strengths. It also corresponds and has links to my website.
I use my instagram to keep my follows up to date with my current work and informed about any special commissions I am doing. This also has a link to my website as well as both being on my business cards.
I am currently working on and updating my linked in profile and trying to find suitable connections within the industry. I have also contacted one of my friends about there connections with graphic designers and if they are willing to do book crits.
BOOK COVER EXPERIMENTS FROM SCAMP TWO
COVER EXPERIMENTS FROM FIRST SCAMS
ENVELOPE INSPIRATION
07/01/19
NOTES FROM SEMESTER ONE
TRICLOPS STUDIOS
Blueskies
Blueskiescareers.co.uk
Amy Bradbury
Freelance creative Recruiter
Home Conbties, Oxfordshire and Northamptonshire
Working with clients in house
Natasha Price
West mindlands Warwickshire Worcestershire, Leicestershire
Working with clients in house
Freelance creative Recruiter
About
Founded in 1998
Recruitment agency
Benefits; insider knoldage access to companies and contacts, advice and guidance
CV and Portfolio Advice
PDF CV that runs into Portfolio
Rebrand Yourself, colour screen typeface
Make it as visual as possible
Colour scheme/typeface/style runs into portfolio
Range of work in portfolio, start and end pieces best work
Find a recruiter, a specialist to what you want to do
Send CV and call/meet you
Don’t Blanket send
Cover Letter, don’t blanket send, take time writing it
Good practice working with a recruiter, always be honest, they are working for you.
8-12 of your best pieces of work
Interview prep
Recruiter will have all the info
Research
Press releases
Insight, blogs
Creative awards
Know a bit about them because they will ask you
Practice talking through your portfolio
Know the roll and what they are looking for, taller your portfolio
understand the culture of the business
Be aware of the interview format
What to wear, body language, handshake, engagement
Have questions prepared, team roll, company
Portfolio can be PDF or website, PDF portfolio more tailored
Work experience and internships
Get as much experience as you can, freelance work
You can get payed/unpayed internships
comercial work is needed
Blogging, make sure your always active, social media
Linkedin, find best tallent, find and many names you can and link to them
Career path
Inhouse/agency
Detail leisure technology charity
INHOUSE; PT and social Digital integrated design advertising brand
AGENCY; Who you want to be as a creative
Roll, designer, artworker, digital, art director, creative artworker, conceptual designer
Don’t turn down freelance work always good experience
Look at linked in for agencies/people
60′s POP ART IMSPIRATION
SOURCE: https://www.tate.org.uk/art/art-terms/p/pop-art
Emerging in the mid 1950s in Britain and late 1950s in America, pop art reached its peak in the 1960s. It began as a revolt against the dominant approaches to art and culture and traditional views on what art should be. Young artists felt that what they were taught at art school and what they saw in museums did not have anything to do with their lives or the things they saw around them every day. Instead they turned to sources such as Hollywood movies, advertising, product packaging, pop music and comic books for their imagery.
Modernist critics were horrified by the pop artists’ use of such ‘low’ subject matter and by their apparently uncritical treatment of it. In fact pop both took art into new areas of subject matter and developed new ways of presenting it in art and can be seen as one of the first manifestations of postmodernism.
AMERICAN POP VS. BRITISH POP
Although they were inspired by similar subject matter, British pop is often seen as distinctive from American pop.
Early pop art in Britain was fuelled by American popular culture viewed from a distance, while the American artists were inspired by what they saw and experienced living within that culture.
In the United States, pop style was a return to representational art (art that depicted the visual world in a recognisable way) and the use of hard edges and distinct forms after the painterly looseness of abstract expressionism. By using impersonal, mundane imagery, pop artists also wanted to move away from the emphasis on personal feelings and personal symbolism that characterised abstract expressionism.
In Britain, the movement was more academic in its approach. While employing irony and parody, it focused more on what American popular imagery represented, and its power in manipulating people’s lifestyles. The 1950s art group The Independent Group (IG), is regarded as the precursor to the British Pop art movement.
Title: The Godfather
Author: Mario Puzo
Artist: S. Neil Fujita
Classic, simple, striking, heavy/gothic typeface, puppeteer pulling strings, links to film made after.