Bayreuth, August 2024
TVSTRANGERTHINGS

❣ Chile in a Photography ❣
2025 on Tumblr: Trends That Defined the Year

Origami Around

pixel skylines
Xuebing Du

if i look back, i am lost
let's talk about Bridgerton tea, my ask is open
RMH
KIROKAZE
Monterey Bay Aquarium
Three Goblin Art

oozey mess
trying on a metaphor
NASA
occasionally subtle

titsay
PUT YOUR BEARD IN MY MOUTH
AnasAbdin

#extradirty
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@classicist-society
Bayreuth, August 2024
my friend and i have been losing our goddamn minds over the photography in this zillow listing and i feel the need to share it with you all too
the lighting??? the fog?? the atmosphere???
this shit is like high art and it's a ZILLOW LISTING . and that's not even all the photos!!! what the fuck!!!
Ohhhhh I want to be there...
Venice, Palazzo Mocenigo
Joshua Reynolds (English, 1723-1792)
Jane Fleming, later Countess of Harrington
It's hard to be a dog. House beautiful. November 1937. Advertising art.
Internet Archive
Magazine uploaded by Tracey Gutierres
John Reinhard Weguelin, Lesbia, 1878
Paul Delvaux (Belgian, 1897-1994)
Woman With Rose, 1938
The Annunciation (1914)
by John William Waterhouse
Andrea Mantegna (1431 – 1506)
St. Sebastian, detail, 1506
Vision. Scene from Visby (Richard Bergh, 1894)
Japan's Ainu people have their own history, languages and culture. But, as the victims of colonialism, assimilation and discrimination, much
As a young boy in school, Masaki Sashima would be dragged out of his classroom and beaten by his fellow students.
Masaki, now 72, was different to the other kids.
He was Ainu, an Indigenous people from the country's northern regions, most notably the large island of Hokkaido.
"During recess, the hallway door would open, and several guys would yell at me to come out," he said.
"I clung to my desk in the classroom and kept quiet.
"Everyone would surround me and beat me."
Japan has long portrayed itself as culturally and ethnically homogenous, something that some have even argued is a key to its success as a nation.
More than 98 per cent of Japanese people are descendants of the Yamato people.
But the Ainu are distinct, with their own history, languages, and culture.
But, as the victims of colonialism, assimilation, and discrimination, much of that identity has been lost.
An Ainu woman named Chiri Yukie wrote down some of her people's oral traditions into Japanese because, as a child, her people were being displaced by Japanese settlers in Hokkaido. Her language was disappearing, so she (ironically) saw translating the stories into Japanese as a way to preserve them. She died at age 19.
Some of the objects from the Ainu exhibition at Japan House in London this year, showcasing traditional Ainu skills and culture. There is a campaign to get Ainu recognised as an official language, at least in Hokkaido, and small steps are happening, for example, bilingual bus stops. It reminds me of the struggle for Welsh to be revived after suppression for centuries.
second image ID: the cover of The Song The Owl God Sang: The collected Ainu legends of Chiri Yukie, Translated into English by Benjamin Peterson. end ID
Also, this is a good short ~25 minute documentary that shows Ainu people fighting to recover their ancestral bones and bodies from Hokkaido University that's worth a watch.
strongly encourage everyone who has access to it to check out Ainu activist and politician Kayano Shigeru’s Our Land Was a Forest: An Ainu Memoir — you can get a preview with the first chapter here, and it is findable Elsewhere online.
John Fabian Carlson (Swedish-born American, 1874--1945)
Outside the Opera, Paris, 1879 by Jean Béraud (French, 1849–1935)
“He who has not Christmas in his heart will never find it under a tree.”
~ Roy L. Smith … Artist - Paul Cornoyer
Louis Wièse (1852 - 1923), Gothic Revival Dragon Brooch. French, c. 1890. Tadema Gallery
This gold Dragon or Wyvern is closely related to the chimera of choice for the City of London's coat of arms and whose iconic presence can be seen 'guarding the city's boundaries'. The symbolism of this brooch is as a talismanic protector against evil represented by the attacking snake.
There was this woman poet in 4th century China called Su Hui (蘇蕙), a child genius who had reportedly mastered Chinese characters by age 3.
At 21 years old, heartbroken by her husband who left her for another woman, she decided to encode her feelings in a structure so intricate, so beautiful, so intellectually staggering that it still baffles scholars to this day.
Came to be known as the Xuanji Tu (璇璣圖) - the "Star Gauge" or "Map of the Armillary Sphere" - it's a 29 by 29 grid of 841 characters that can produce over 4,000 different poems.
Read it forward. Read it backward. Read it horizontally, vertically, diagonally. Read it spiraling outward from the center. Read it in circles around the outer edge. Each path through the grid produces a different poem - all of them coherent, all of them beautiful, all of them rhyming, all of them expressing variations on the same themes of longing, betrayal, regret, and undying love.
The outer ring of 112 characters forms a single circular poem - believed to be both the first and longest of its kind ever written. The interior grid produces 2,848 different four-line poems of seven characters each. In addition, there are hundreds of other smaller and longer poems, depending on the reading method.
At the center a single character she left implied but unwritten: 心 (xin) - "heart." Later copyists would add it explicitly, but in Su Hui's original the meaning was even more beautiful: 4,000 poems, all orbiting the space where her heart used to be.
Take for instance the outer red grid of the Star Gauge. Starting from the top right corner and reading down, you get this seven-character quatrain:
仁智懷德聖虞唐,
貞志篤終誓穹蒼,
欽所感想妄淫荒,
心憂增慕懷慘傷。
In pinyin, it is:
Rén zhì huái dé shèng yú táng,
zhēnzhì dǔ zhōng shì qióng cāng,
qīn suǒ gǎnxiǎng wàng yín huāng,
xīn yōu zēng mù huái cǎn shāng.
Notice how it rhymes? táng / cāng / huāng / shāng
The rough translation in English is: "The benevolent and wise cherish virtue, like the sage-kings Yao and Shun, With steadfast will I swear to the heavens above, What I revere and feel - how could it be wanton or dissolute? My heart's sorrow grows, longing brings only grief."
Now read it from the bottom to the top and you get this entirely different seven-character quatrain:
傷慘懷慕增憂心,
荒淫妄想感所欽,
蒼穹誓終篤志貞,
唐虞聖德懷智仁。
The pinyin:
Shāng cǎn huái mù zēng yōu xīn,
huāngyín wàngxiǎng gǎn suǒ qīn,
cāngqióng shì zhōng dǔzhì zhēn,
táng yúshèngdé huái zhì rén.
It rhymes too: xīn and qīn, zhēn and rén
And the meaning is just as beautiful and coherent: "Grief and sorrow, longing fills my worried heart, Wanton and dissolute fantasies - is that what you revere? I swear to the heavens my constancy is true, May we embody the sage-kings' virtue, wisdom, and benevolence."
That's just 2 poems out of the over 4,000 you can construct from the Xuanji Tu!
At the very center of the grid, the 8 red characters wrapped around the central heart, she "signed" her poem with a hidden message:
詩圖璇玑,始平蘇氏。 "The poem-picture of the Armillary Sphere, by Su of Shiping."
Or reversed:
蘇氏詩圖,璇玑始平。 "Su's poem-picture - the Armillary Sphere begins in peace."
Many scholars, and even emperors, throughout Chinese history have been completely obsessed by Su Hui's puzzle.
For instance, in the Ming dynasty, a scholar named Kang Wanmin (康萬民) devoted his entire life to the poems (kangshiw.com/contents/461/2…), ending up documenting twelve different reading methods - forward, backward, diagonal, radiating, corner-to-corner, spiraling - and extracting 4,206 poems. His book on the subject ("Reading Methods for the Xuanji Tu Poems", 璇璣圖詩讀法) runs to hundreds of pages.
Empress Wu Zetian herself, the legendary woman emperor of the Tang dynasty, wrote a preface to the Xuanji Tu around 692 CE (baike.baidu.com/item/%E7%BB%87…).
Incredibly, there's even far more complexity to the Xuanji Tu than just the poems:
- The name 璇玑 (Xuanji) - Armillary Sphere - is astronomical in meaning and the way the poems can be read mirrors the way celestial bodies orbit around a fixed center. It's a model of the heavens.
- Her original work, with the characters woven on silk brocade, was in five colors (red, black, blue/green, purple, and yellow) which correspond to the Five Elements (五行) - the foundational Chinese philosophical system that explains how the universe operates. So it's also a model of the entire cosmic order according to ancient Chinese philosophy.
- It's also of course deeply mathematical with this 29 x 29 perfect square grid, with sub-squares, lines and rectangles, and a structure which allows for symmetrical reading patterns in all directions
- Last but not least, the content of the poems themselves contain multiple registers. On top of expressing her personal grief and longing for her husband, it's also filled with accusations against the concubine (Zhao Yangtai) he left her for, reflections on politics (with many references to sage-kings) and philosophical reflections.
So the Star Gauge is simultaneously:
- A love letter (expressing personal longing)
- A legal brief (arguing her case against her rival)
- A cosmological model (structured like the heavens)
- A Five Element diagram (encoding the fundamental structure of the world according to ancient Chinese philosophy)
- A mathematical construction with perfect symmetry and precision
And yet, for all this complexity, we should not forget this was all ultimately in service of the simplest human message imaginable: a 21-year-old woman asking the love of her life "come back to me".
Her husband did, eventually. According to what empress Wu Zetian herself wrote in her preface to the Xuanji Tu, when he received Su's brocade he was so "moved by its supreme beauty" that he sent away his concubine and returned to his wife. As the story goes, they lived together until old age.
The heart at the center was filled after all.
alice mary lynch