a form of psychological blood-letting

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Excerpt from The Book of the Most Precious Substance A novel by Sara Gran

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Marina Abramović and Ulay (Frank Uwe Laysiepen) »

[EXCERPT] Footage posted: two performances from Relation Works, a collaborative series spanning 1976–1980 that tested the artists’ physical and psychological limitations, gender dynamics, and the notion of shared identity.

Art Vital Manifesto:

“No fixed living-place, permanent movement, direct contact, local relation, self-selection, passing limitations, taking risks, mobile energy, no rehearsal, no predicted end, no repetition, extended vulnerability, exposure to chance and primary reactions.”

GIF 1: Rest Energy (1980)

Widely considered one of the most physically perilous pieces of performance art ever recorded, this work was executed in Amsterdam over the course of 4 minutes and 10 seconds. In it, the artists utilize a lethal weapon to probe the limits of human trust, vulnerability, partnership, and interdependence. Small microphones were attached to both of their chests. The rapid, dramatic acceleration of their heartbeats and their irregular breathing were broadcast live to the room as the physical strain and psychological terror escalated.

GIF 2: Light/Dark (1977)

In this performance, the duo kneels face-to-face and takes turns slapping each other until one of them decides to stop. The work examines trust, duality, and the physical boundaries of the body.  Performed under harsh studio lights, the piece explores endurance, pain, and the dynamics of a destructive partnership. 🔗 VISIT ❤️

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Engraving of I am the Resurrection and the Life (The Village Funeral) Frank Holl, 1872

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“Observing my clean, respectable image in the glass I open my mouth wide in an attempt to catch a glimpse of the Darkness within me, to spy it peeking out of me, slick and muscular and toothed, like a lamprey swallowed whole.” — Victorian Psycho by Virginia Feito

My love letter disguised as a review is posted HERE 📚❤️

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Paris Sadonis of E.X.P., Shadow Project, Christian Death, et al Screencap from a video I shot in 1996

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The Deadly Sins Dominated by Death (1904) James Ensor

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Hazel O'Connor in Breaking Glass (1980) Dir. Brian Gibson Referenced and revered in "A Tribute to Defiant Women" ❤️

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Nick et Matt (2004) Mixed media collage by Scott Treleaven

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Holly Woodlawn in Scarecrow in a Garden of Cucumbers (1972) Dir. Robert J. Kaplan HAPPY PRIDE MONTH 🏳️‍🌈❤️🏳️‍⚧️ to all my LGBTQIA+ lovelies and ever-essential allies! BECOME THE IMAGE OF YOUR OWN IMAGINATION BE WHO YOU WERE MEANT TO BE 💫

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Wigging out on PCP with Helen Hunt right now!  Having a real good time.

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Skeletons Warming Themselves (1889) James Ensor