Constance Wu in The Feels (2017) (x)

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@constancewufan-blog
Constance Wu in The Feels (2017) (x)
I’m very privileged. I have a show; I have a guaranteed paycheck. I could be financially fine for a really long time based on this show alone. Fame is not something I’ve been very comfortable with; I don’t love it. I don’t even love money all that much. But I have it, and that gives me a certain semblance of freedom that another actor might not have. So I’m going to try and use that for good.
Constance Wu & Anthony Anderson for Awardsline Deadline, June 2015
So what you’re saying is, it doesn’t matter if you’re gay or straight. The one thing we can all agree on is that I am hot.
Fresh Off The Boat has been renewed for season 4!
Constance Wu photographed by Jessica Chou
Constance Wu portrait session, December 2015
Constance Wu as Jane Lee in Bob from Dimension 404
Dimension 404 - “Bob” (1x05)
Constance Wu is Jane, a military psychologist who would love to spend Christmas with her wife and daughter, but first has to treat the strangest patient of her career - and the only one who can save Christmas - BOB, a depressed NSA supercomputer.
wonstancecoo @gemma_chan is the coolest 😎 #crazyrichasiansthemovie
Constance Wu for Zooey Magazine, January 2015
I think the problem is when producers don’t want to tell an Asian story. They still want to have their white lead actors, but they feel bad, so they want to make sure that they surround the lead actor with people of color. So often, I’ll go to an audition that’s for, like, the best friend and the only character description, aside from being best friend, is all ethnicities except Caucasian. It could be a Latina girl, it could be a Black girl, an Asian girl, it just can’t be white because we already have our white people. In a way, it’s like their bastardized version of trying to be more diverse, without giving props to what diversity really means, which is our individual stories.
“thinking with my mind… i don’t do that a lot.”
Constance Wu attends The 22nd Annual Critics’ Choice Awards at Barker Hangar on December 11, 2016 in Santa Monica, California.
Constance Wu photographed by Maarten de Boer for EMMY Magazine
Asian-American Ladies ❥ Constance Wu
“It’s not a Chinese arc, it’s not an Asian arc; it is an Asian-American arc, and I’ll probably get shit for saying this, but in terms of the Hollywood or media perception of nonwhite cultures, one thing I have noticed is they’re more comfortable hiring the Chinese-Chinese actress who is a star in China and who has bankability there and who they understand as a thing to celebrate if not exoticize. The Asian-American experience [is something] a lot of us as Asian-Americans really haven’t explored, because they lump us all into one. Asia can be Japan and it can be India; it’s a balance, and it’s not easy, and that’s probably why it’s easier for Hollywood to hire Chinese-Chinese actresses as opposed to people who fit the Asian-American mold, because a lot of people like to simplify problems. It’s terrifying to say, ‘This is a thing that is complex and worthy of our time,’ but it is complex, and that’s why you’re not going to always find an easy, palatable answer. I think [the show is] trying to approach that complexity in a very traditionally simplistic form. And I think if we can do that, it’s almost its own type of activism.”
Also, you kind of want to say “Fuck you!” to the haters who gave you shit. How do you do that? By saying “Well, you know what? My kid got a 1600 on his SATs, and he’s better than yours.” That’s your way of showing up all the haters. So that’s how you open up the stereotype into a person. I almost think it’s impossible not to have a stereotype, except in white culture we call them “archetypes,” right? It’s true!