Marlene Dumas’ Dead Girl (2002), on display in Image as Burden (2015) at Tate Modern.

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Marlene Dumas’ Dead Girl (2002), on display in Image as Burden (2015) at Tate Modern.
Hans Haacke's The Gift Horse (2015), currently on display in Trafalgar Square.
William Morris’ News from Nowhere (1892) on display in Love is Enough (2015) at Modern Art Oxford.
Evan Roth’s Voices Over the Horizon (2015) show at Carroll/Fletcher.
Leon Golub's Gigantomacy IV (1967) and Napalm (1969) on display in Bite Your Tongue (2015) at the Serpentine Gallery.
Dor Guez's The Sick Man of Europe: The Painter (2015), on display in The Sick Man of Europe (2015) at the ICA.
Ronnie Close in conversation with Ben Burbridge and Stephanie Schwartz at The Photographers' Gallery.
Henning Christoph's Untitled (1981), on display in Human Rights, Human Wrongs (2015) at The Photographers' Gallery.
Franco "Bifo" Berardi speaking at the ICA (February 2015).
Society for the Promotion of Permanent and Universal Peace's Fourth Annual Report of the Society for the Promotion of Permanent and Universal Peace: for 1820 (1820), on display in Duty and Dissent: The Great War and British voices of resistance (2015) at Senate House Library.
TJ Demos in conversation with Alex Farquharson and Kodwo Eshun at The Showroom (February 2015).
Mona Hatoum's Measures of Distance (1988), on display in History Is Now (2015) at the Hayward Gallery.
Ronnie Close: We Are Here (2015), on display at the International New Media Gallery; curated by Tom Snow and myself.
Henry Tonks' sketches of First World War facial surgery (c.1916-17), on display in War, Art and Surgery (2014) at the Hunterian Museum.
Judith Butler speaking at the London School of Economics (February 2015).
Claudio Hils' series Red Land, Blue Land (2000), on display in LCC's Staging Disorder (2015) exhibition.
Helen Carmel Benigson's video installation in Anxious, Stressful, Insomnia Fat (2014) at Carroll/Feltcher.