I headcanon that a few of Queequeg's things were still in the coffin and Ishmael has a little shelf at home dedicated to Queequeg and he sometimes brings Queequeg's things with him on voyages. He's pretty much a grieving widow.
Game of Thrones Daily
noise dept.
Cosmic Funnies
occasionally subtle
Color Me Curious

Origami Around

No title available
No title available
KIROKAZE

PR's Tumblrdome
No title available
hello vonnie
No title available
Claire Keane
untitled
The Bowery Presents
EXPECTATIONS
Sade Olutola
ojovivo
macklin celebrini has autism
seen from United States

seen from Lithuania

seen from T1

seen from United States
seen from Canada

seen from Malaysia
seen from United States
seen from Malaysia
seen from United States
seen from Mexico

seen from Colombia

seen from Malaysia
seen from Colombia

seen from Slovenia
seen from Venezuela
seen from Hungary
seen from Germany
seen from Colombia
seen from United Kingdom
seen from Singapore
@corvusfrugilegus-rook
I headcanon that a few of Queequeg's things were still in the coffin and Ishmael has a little shelf at home dedicated to Queequeg and he sometimes brings Queequeg's things with him on voyages. He's pretty much a grieving widow.
These two are insanely adorable.
Infodump about my Moby Dick theory about Queequeg and how it all ties back to the Essex
I often see Queequeg depicted as vaguely Māori (which I’m sure he does share some aspects as he’s kind of a grab bag of polynesian traits) but I’ve come to believe that a lot more of the textual and historical evidence points to him being from somewhere in French Polynesia, specifically the Marquesas Islands and/or the Society Islands (which includes Tahiti).
One of the most telling points for me is how his tattoos are described. The Māori Tā Moko lends itself to intricate geometric swirling/spiral/rounded imagery where Queequeg’s tattoos, in contrast, are described as “black squares” on both his face and body with the book stating:
“But at that moment he chanced to turn his face so towards the light, that I plainly saw they could not be sticking-plasters at all, those black squares on his cheeks.”
“As I live, these covered parts of him were checkered with the same squares as his face; his back, too, was all over the same dark squares.”
While this description gives way to more intricate swirling patterns on his arms and legs in later chapters, overall the descriptions of his tattoo align far more with the striking and geometric Marquesan style, where large square/rectangle patches are filled in with black on both the body and the face (especially for men).
See here:
There are some other aspects of his description that make me lean more towards him being Marquesan as well, such as his hair style (similar to old depictions of people indigenous to the Marqueses), his filed teeth (while this is more of practice seen with Indonesian people groups, both Hawaii and the Marquesas practice a sort of tooth modification called ablation) as well as Yojo and his woodcarving skills, specifically how the designs reflect his tattoos (ornamental, figurine, and tiki carving with shared tattooed motifs are another thing the Marquesas are known for).
some carving examples:
Besides the textual evidence I also believe there to be plenty of historical evidence for this connection too.
Firstly (and honestly least importantly) the Marquesas and Society Islands were a frequent stop for whaling voyages in the 19th century.
Secondly, Melville himself actually spent some time on the Marquesas islands, specifically Nuku Hiva (anywhere between 3 weeks to a couple of months though his book claims it was 4 months). During that time he stayed with the native population and his experience led to the writing of his first novel “Typee” (his most successful novel in his lifetime) which was part adventure fiction, part memoir, and part proto-ethnography where he takes a far more empathetic approach to his interactions with the native Marquesans than what would be expected of his time (don’t get me wrong it still has its issues, but it really could’ve been worse. he’s a little confused but he’s got the spirit). What Melville lacked in his own experiences and understandings he made up for with (uncredited yet accurate) research to fill in the gaps (like the travelogues of Langsdorff). After his time on the Marquesas he eventually made his way to Tahiti (where he then participated in a mutiny and was imprisoned) which led to his follow-up novel “Omoo.” He (at least in the book) had less interactions with the indigenous Tahitians there though and spoke of the oppression of their cultural practices such as tattooing. After that he escaped and made it to the island of Moʻorea and eventually joined yet another whaling ship to make it to Hawaii (somewhere either on Tahiti or Mo’orea he also spent about a month as a beach comber). All to say, he had some more intimate knowledge of that area of the world and the people that lived there, thus it makes more sense that he’d write what he knew rather than butcher a description from a secondary source (there’s an argument on the wikipedia page that Queequeg is based on the Māori Chief Te Pēhi Kupe because of an encounter he had with a book in 1850 and while there may be some inspiration there character-wise, I just don’t think the descriptions line up). Again I lean more towards Marquesan influence since that’s where Melville (allegedly) spent the most time, but there’s likely a degree of overlap. All to say, I think Melville was more likely to write what he knew and what he’d seen.
Finally, and I think the biggest reason I even bring all this up, is that a good deal of Moby Dick goes back to the Essex. For those who may not know the tragedy of the Essex is essentially the true story Moby Dick was based on, in which a whaling vessel gets attacked and sunk by a sperm whale in November of 1820. Unlike Moby Dick though, the Essex had a good deal of survivors (3 whale boats full). Stuck in the middle of the sea, the survivors had to make a decision, they could either go towards the Marquesas Islands (about 1,200 miles west), go towards the Society Islands (about 2000 miles west), or turn east back towards South America (about 2000 nautical miles east). Despite the relative nearness of the Polynesian islands, the survivors of the Essex ended up heading towards South America because they’d heard tale of cannibalism on the Marquesas and other Society Islands. As a result most of them died and, ironically, resorted to cannibalism.
The story of the Essex is something Melville was obviously aware of and it deeply affected him. Pair that with his own experiences on the Marquesas and Society Islands, it all points to this idea that your prejudices will get you killed. The survivors of the Essex were, in the end, no more “civilized” than the natives they avoided and they had taken the chance with the unforgiving ocean rather than take a chance on the idea that their prejudices might be unfounded (both the Marquesas and the Society Islands were friendly towards mariners at that time).
Melville speculated on their decisions, writing: "All the sufferings of these miserable men of the Essex might, in all human probability, have been avoided had they immediately after leaving the wreck, steered straight for Tahiti, from which they were not very distant at the time. But they dreaded cannibals.”
I think it is anything but a coincidence that it’s ultimately Queequeg who indirectly saves Ishmael’s life. He is the epitome of every terrifying stereotype of Polynesia made human and made savior. There’s a lot more you could symbolically unpack there and throughout the novel in general (it’s the kind of book where everything means everything), but I digress. I know I’m probably not the first person to make these connections but I just needed to get it out and infodump or I would’ve exploded. Ultimately Queequeg is still, in many ways, a stereotype, but I think he’s a lot more nuanced than people think. Anywaysssss, thanks for reading this long ass post
(edited to add more details about Melville’s history, the Essex, and the influence of the Society Islands as well)
«На двоих одно сердце, девять королевских судеб...»
My friend Jace drew Ishmael and Queequeg for me. The joy of my soul.
@lazy-toad
Parliamentary investigation resumes into Nigel Farage hours after he wins Clacton by-election - live updates - BBC News
The Reform UK leader won the contest, which was boycotted by major political parties, but didn't attend the declaration.
Ohhh I think the whole thing that sparks Charlie killing Terry is her seeking him out to offer him help to get away from Richard
thats fucking evil dude
Like it makes sense like he's very directly confronted in that moment by the fact that he does infact have other options and could in fact escape from living under Richards thumb, but he choosed not to. Outwardly, out of fear of losing his power but inwardly out of fear of admitting/facing thr guilt he feels that previously he has always been able to chalk up to necessity. Now it isn't necessary anymore. And he freaks out. And he lashes out at Charlie not because he doesn't want to change but because he's scared to, because changing means facing the things he's done. And this is ultimately his downfall. I think this is the scene where we are made aware that to Terry, accepting Charlie's offer to help means admitting that the 200 years of violent murder he's been committing was all for nothing. He's shooting himself in the foot over and over because he feels he's too in deep to abandon this now, or else this was all for nothing. Or else he killed his little brother for nothing.
I have no words. God I love Terry he's so interesting and sucks so bad
My poor fucked up boy who wad never going to change. I think it makes how Charlie just kind of sits there after she kills him like ten times worse too because she just wanted to help. She came here to help him and now he's dead and there's blood everywhere and his face is half caved in and all she can think about is how he was just a kid. And how he cried And how scared he looked and how he hesitated for a moment at her offer. And now he's dead.
Ohhh I think the whole thing that sparks Charlie killing Terry is her seeking him out to offer him help to get away from Richard
thats fucking evil dude
Like it makes sense like he's very directly confronted in that moment by the fact that he does infact have other options and could in fact escape from living under Richards thumb, but he choosed not to. Outwardly, out of fear of losing his power but inwardly out of fear of admitting/facing thr guilt he feels that previously he has always been able to chalk up to necessity. Now it isn't necessary anymore. And he freaks out. And he lashes out at Charlie not because he doesn't want to change but because he's scared to, because changing means facing the things he's done. And this is ultimately his downfall. I think this is the scene where we are made aware that to Terry, accepting Charlie's offer to help means admitting that the 200 years of violent murder he's been committing was all for nothing. He's shooting himself in the foot over and over because he feels he's too in deep to abandon this now, or else this was all for nothing. Or else he killed his little brother for nothing.
Thank you Kane Parsons for giving us the Backrooms movie soundtrack because some od those songs are so Fablesden like People in San Jose and Handprint and Furniture Lament
*looks at polyamorous triad* so which of you is the soldier and which is the poet and which is the king
this is the perfect reblog post cancelled
@corvusfrugilegus-rook Yhana Marsin and Earis
Okay so obviously Yhana is the soldier but then obviously Msrsin is the poet but Earis is no king so is Yhana the King, Marsin the Poet and Earis the Soldier? Or Marsin the King, Earis the Poet and Yhana the soldier?
Soldier poet King as a song and a phrase has always been Yhana Marsin and Raynis. Yhana being thr Soldier, Marsin the Poet, and Raynis the King but the polucule is intriguing to place that phrase on.
Yhana Marsin ans Earis can all be musketeers and Yhana Marsin and Raynis can be serious abour it.
“Methinks we have hugely mistaken this matter of Life and Death. Methinks that what they call my shadow here on earth is my true substance. Methinks that in looking at things spiritual, we are too much like oysters observing the sun through the water, and thinking that thick water the thinnest of air. Methinks my body is but the lees of my better being. In fact take my body who will, take it I say, it is not me.”
—Herman Melville, Moby-Dick Or, The Whale (1851)
Suicide becomes mote and more viable as an option ever day <3
This school is going to be the death of me hahaahahah
Suicide becomes mote and more viable as an option ever day <3
Earis is a little shit and by that I mean he'd like flick spiders at Marsin or something like he's mischievous he's like a ferret like instead of it being "when you get to know the shy kid he gets really sociable" it's "when you get to know the shy kid he gets comfortable and starts with the pranking and banter." Yhana lives for it of course. He's also probably the most sarcastic. Can you tell his brainworms are back?
ALSO I think he's a trans man you were right, having already started physical and social transition by yhe time we meet him thanks to his whole "fucked off from my kinda insane family and made a new life qs a medics apprentice" stuff like I can imagine him doing it in an effort to try to hide himself further and then going "wait... I kinda ljke this."
hell yeah!!!!!!!!!!!!! I love this characterisation very much
Earis has been clicking in a lot of small ways to me recently lol. He's interesting to me as the third member of his trio with Yhana and Marsin because both of them are very very tangled together via the Prophecy and are experiencing things that they can understand between each other that he cannot really begin to understand. It must feel weird watching your two best friends break themselves down for the simple fact of fate like it must feel horrible watching Marsin and how his body is deteriorating or Yhana and how her anger is consuming her and just br able to do... nothing. Nothing other than try to keep them in bed after battles and try to force them to let themselves heal. Especially because these are two people who have been so vital in his arc of finding a life he wants for himself. They helped him find a way of living that made him happy and now he's having to watch them both live lives they hate, and that are slowly killing them.
Nope your too late I already died is a good Yhana Marsin song I think maybe? Just vibes based. As is the moon will song by crane wives. Also imawanokiwa is evil with the new lore
Also the cloakbridge brainworms are so fucking back AJSBDJDBDHJS most isolated trio of acquaintances in the world I love themmmmmmmm. Bethany and Hyde are taking my fancy right about now. They're so interesting to me like one's a child psychologist with repressed emotions and one's an adult going through therapy for probably hallucinations and it shows in the way they treat Nos. Hyde seems chill and Beth is horrified at first but it slowly flips over time. Nos is interesting too because it shouldn't even be real she died decades ago but it's here anyways. And even she knows. But it's here and no matter what goes on with the other two that fact isn't changing.
There are technically three Nos's in the story? Adult Nos, ghost Nos and child Nos. Child Nos exists only in descriptions and flashbacks, adult Nos is the flesh and blood, and ghost Nos is kind of a hallucination/supernatural entity made up of others's perspective of her. Like a hypothetical of child Nos in the present day..
Mostly follows Beth around but sometimes Nos has conversations with it. I'm unsure if Nos is even a vampire anymore???? I'm sticking with it for the aesthetics though.
You know that poem about someone coming back from the dead? It's like that
Hyde brainworms are there because I think she was raised to value family very strongly but because of her medical career and the way her parents acted she hardly sees them. And also is exposed to a lot of kids likely similar to herself and passes on a lot of the bad ideas she internalised onto them unintentionally. I think she has a habit of seeing those around her as more childish than they are too. I think often times she feels overlooked as a person and gets stuck in an idealistic image of nostalgia a lot, which is near completely opposed to Beth, who completely renounces as much as she can about especially her teenage years, but they keep catching up to her.
I think maybe Beth was an out trans guy as a teen? But detransitioned probably not long after Nos disappeared. Maybe as a way to bury the memory. Also she's an actor!
I'm probably gonna use she/he got Beth from now on? Just because really
That's all!!!!! I've been thinking about them a lot and you are now subject to it I hope you think it's cool
I do think it's cool very awesome! They've grown so much since you last spoke to me about them I adore all the new additions and shit very much. Especially Hyde and Beth as always lol
Moby-Dick, or, The Whale, or, Queequeg’s Coffin, or, A Simple Story About a Man who Hates an Animal, or, My Time on a New England Whaling Vessel Totally Changed My Life
Bets against the void by the scary jokes is an evil evil song btw. As is the whole burn pygmalion album honestly
Oooo awesome!!
Not sure if I’ll ever finish this but Queeshmael inspired by that one brokeback mountain frame and the monkey rope chapter. Yeah. I think Moby Dick Tumblr would enjoy 👍