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@cosmictraveller-main
"If wings mean freedom, then in no possible universe would I be able to lose them."
A small "thank you" art for Lucifer
Weaving: a personal perspective
Okay, before I share some of my personal weaving practices, I’d like to explain what weaving means to me. To me, because there is no established tradition around it, and if there is, I haven’t heard of it. And frankly, I don’t care about existing methods - I prefer to make my own.
Weaving is a specific interface for working with energy. It is neither better nor worse than other concepts - just different, with its own advantages and disadvantages.
Weaving is based on working with threads - psychic energy-informational flows. I literally see them as threads or strings that run through the world and form structures. Threads have a source and properties. I distinguish between mental and energetic threads, depending on which layer of reality they are on.
For example, a typical mental thread is a cause-and-effect relationship. With mental threads, you can see the structure of thoughts, concepts, how information is transferred from point A to point B.
Energetic threads are what people usually imagine when they think of weaving - patterns of energy that do something. Energetic threads determine how energy flows and what it is like.
In other words, mental threads tell where energy flows, energetic threads tell how it flows.
There is only one rule in weaving, as in any energy work: know what the hell you are doing.
People and spirits constantly interact with threads - we are all weaving something. The only difference between Weavers and other souls is that we perceive this and work with it consciously. Essentially, this is not magic, but a deep work with intention and attention.
Advantages of weaving:
1. Full control over energy. Weaving allows for very fine-tuning to any level of a situation. You control every step and can create complex structures that will be difficult for those who don’t know about threads to deal with.
2. The ability to work not only with pure energy, but also with the mechanics of its interaction. This allows you to combine what seems incompatible - traditions, elements, correspondences in one practice.
3. Freedom of creation. Since you are fully in control and can combine anything, it gives you complete freedom to do whatever you want. Threads are the ultimate sandbox: weave situations and events, manage emotions and thoughts (your own or others’), create objects and even entire dimensions in the astral.
Disadvantages of weaving:
1. Unclear feedback. One of the main issues with weaving is that you can go a long time without knowing whether you’ve actually done anything and whether it works. Sometimes the work happens on a very small scale, and the effect may be subtle or delayed. Most situations require multiple micro-adjustments to the threads. Not to mention that other people and spirits also influence the threads, so you constantly have to correct your work. At any stage, you might miss an important thread that later messes everything up - so you might try several times, think it’s not working, and give up.
2. The need to keep a huge amount of information in your head. Seriously, sometimes my head feels like it’s splitting apart, even though I do many things intuitively as Ainu. Also, weaving ideally requires well-developed clair-senses, so you know what you’re doing and how. It’s not that you can’t work with threads at all if clairvoyance, for example, isn’t your strong suit, but then you’ll need to compensate with other abilities.
3. Hypersensitivity to literally everything. This is one of the main side effects of this type of perception, and it can lower your quality of life. It’s hard to be a Weaver in a human body. I feel any micro-change in the surrounding energy, and often it hurts - threads seem to tear me apart if I don’t stabilise them, and I don’t always have the strength or time for that. I have a human life, and I want the process to be enjoyable for me, but often it’s just painful and exhausting.
I don’t know if this can be learned, to be honest. I was a Weaver before my human incarnation, I didn’t start from scratch. I saw threads from the very beginning, and I spent many years just observing them, watching what my astral body did on its own.
I am currently being taught by Michael and Lucifer. I think that for decent progress, you need a spiritual guide watching over you, telling you what to do and correcting things when necessary. A human teacher - I don’t think that would be very effective, though I’m not saying it’s impossible.
I’m not discouraging anyone from practising weaving - on the contrary, I want people to not be afraid to try, and to be prepared for what they might encounter.
Again, this is only my experience. I would gladly listen to another Weaver, if there are any here.
Creating in the Astral
First of all, my approach to creating in the astral is not the only one. It may or may not work for you. I should also warn you that it might seem overly complex - but that’s just my own specificity. I’m just describing how I do it. I developed this method for myself, without relying on any existing techniques, and I recommend you do the same.
According to my concept, reality is layered, and any given object usually exists in several of these layers at once. Namely: the physical layer, the astral layer (spectrum), and the mental layer (spectrum). What I do is create the object I need on as many of these layers as possible. This gives it stability. Energy alone tends to shift and change shape - it’s not stable - so creating objects purely from energy on the astral plane isn’t very effective.
Let me explain with an example. Let's say I want to create an astral lamp. This is itself an astral construct (because I can imagine this object as… well, a lamp, simply through visualisation). Then I go deeper into the mental layers - into the conceptual idea of the object.
What is a lamp? A source of light. For what purpose? To see better. What does "see better" mean in the astral? After all, there’s no physical light there; sight doesn’t work the same way as in the body. It means heightened perception of energy. How? By increasing contrast? (pushing energies of objects to extremes to make them easier to perceive, but this would distort the essence of the surroundings - not ideal). By increasing one’s own sensitivity in order to see more? Closer. So it should be something that sharpens perception. Perception is a passive skill, a receiving of information; its root is the light of awareness. I reduce everything to the core concept of this object, to the source from which it will grow. Imagine that the concept of "Perception" or "Awareness" sends roots into different layers of reality, and our lamp is only one of their manifestations. The archetypal concept is enough to anchor the object firmly in its function and make it work correctly in the astral.
My next step is purely energetic weaving, which you can easily skip, because it’s a specific skill. For most situations, the other layers are sufficient.
In terms of weaving, I establish the center of the object and direct threads outward, but in such a way that they don’t latch onto other threads - they only touch them, thus reading information from them. The threads are thin and elastic in structure. I make the pattern of the object. Then I attach the result to my head energy center.
Next, I move to the astral layers. The connection between layers follows the principle of correspondence - for example, in my weaving terminology, all these layers are connected by a mental thread. In the astral, I involve visualisation: what shape the object has, its colour, temperature, what sound it makes. Ideally, you should design signals for all senses - whatever you have the skill for. In the case of the lamp, I imagine: a sphere of light, white, hot, ringing like a bell, tasting like lemon, smelling citrus. Additionally, I reinforce it with visualisation of similar objects - here you can visualize a star, or an anglerfish. Essentially, visualization is putting a form on an energy framework.
Then I fill the object with emotions - for example, in this case, I put calmness and clarity into the "lamp." And what’s very important - faith that this object already exists.
Ideally, you should be able to almost feel this object in your hands - it should be that detailed for you.
You can stop here. But I also often anchor the object in the physical world, so that when you look at it, you recall its astral counterpart and reinforce it with attention. For example, you can use a stone or a physical lamp as an anchor.
My emperor is so beautiful 😍
Fun conversation starter: If you were an omnipotent creator god but still only had the knowledge you have right now, would you try to make beings that are free of the brutal cycle of life-devouring-life which exists on earth? Or would you recreate the food chain because it's what you're familiar with? Would you even create life at all?
I wouldn't create a life. The food chain that exists on earth will only work in the conditions of the earth. If I change the conditions and they are suitable for life, it will develop on its own.
The food chain is needed so that species can regulate each other's numbers. Which is convenient if I want the ecosystem to regulate itself and not require micromanagement from me.
Another thing is if I want to create some other form of life other than carbon-based, then I believe that as omnipotent god I can spend time studying and gaining knowledge for that.
I created a server dedicated to the practice of energy work and clair-senses. If you need a cozy place to practice such things, then welcome!
You can suggest your exercises and share your experience. We also have a corner for otherkins!
Check out the Energy Lab community on Discord – hang out with 5 other members and enjoy free voice and text chat.
Three breaths
Yet another image of @cosmictraveller-main
:3333
My way home
For those who came across my blog for the first time, a few explanations:
I am otherkin, a spirit that has incarnated in a human body. My name is Ainu, and I have several aspects - masks, one of which is, of course, human. My human mask's name is Maria. My spirit form looks like this:
I appeared in cosmos and was abandoned by the force that created me, after which Lucifer took me, changed me and gave me self-awareness. So I'm basically Lucifer's adopted child.
I've been communicating with Lucifer (sometimes i call him Helel) for several years now, trying to develop my abilities with varying success. He is my emperor, my friend, and my father. I'm an artist, so I sketch many of my visions.
Since all my stories are based on my communication with Lucifer and my visions, I warn you, everything further is a HUGE UPG!
Whether you believe it or not is up to you. I'm posting this because maybe one of the practitioners will recognize familiar places or moments. If this resonates with you, please let me know.
1. Returning home 🥹
Yesterday I was finally able to stay at home alone and decided to do a reading with Lucifer.
I've been having sudden mood swings lately and had nervous breakdowns, so as expected, reading didn't go well. Lucifer told me to work with the angels. Not that I was against it, I love angels, but it caused me a wave of fear. What if our bond with Lucifer weakens? I have a tendency to focus on only one entity in my practice, so I was afraid that I wouldn't be able to pay as much attention to Lucifer as I do now. I know how stupid this sounds, he's my father after all, but my trauma of being an abandoned child surfaced at that very moment. Lucifer tried to calm me down, first with words, then with hugs, but it didn't work, I even succumbed to paranoia at some point and thought that someone was pretending to be him. In general, I seemed to have a tantrum, so Lucifer had no choice but to just roughly crush me with his energy and not let go until I calmed down.
"I never leave my children" - he said in a low voice. This phrase will probably stay with me forever. Because I believe him.
I slowly calmed down, after which Lucifer decided to show me my home for the first time. You know, I used to learn about Lucifer's dimension from my fragmentary and vague memories. But it was the first time I was there in real time.
What immediately coincided with my memories was the fog. Lucifer's estate was nearby, I had never been inside i think, but from the outside it seemed to be made in Rococo style or something similar. The estate was surrounded by gardens. Architecture was intertwined with nature, as if it were one organism. The sounds really didn't match those of earth, the plants had a sound like cracking glass for example.
I'm an energy weaver, so my gaze immediately shifted to the threads of space. The fog showed these threads perfectly for me. Some of the threads were narrower, some wider. Lucifer smiled slightly as I looked around, and then, with a wave of his hand, he began to move these threads, swap them, and the flowers in the garden that these threads matched began to change color and size. After a sly glance in my direction, he began to tell me what I was doing in his dimension before incarnation. I used weaving to create and change the surrounding objects, to create passages to other spaces. I worked in tandem with Ibis, we were colleagues and always worked together. Now Ibis is my friend, he often accompanies me. When I was weaving something, Ibis harmonized it, implanted created objects or entire zones. Ibis is an air elemental and often uses the image of a Chinese soaring dragon to appear. I've been mostly in my true form all this time, too, but sometimes switched to a human.
My brain was flooded with understanding how it all works, it was wonderful!
I asked to see someone I know there. Lucifer took me to a silver swing, where a girl with white hair and wings was swinging, and I immediately recognized her as Hillella. @hislittlestar
She was glad I finally got home, and even patted me on the head. And it must have looked weird because I was in my true form with my masks and so on 😂 But I liked everything. Hilella told me to come to play when I have time.
Lucifer and I walked on, Hillella followed us, I think out of curiosity. Lucifer began to tell me how he brought me to him for the first time, I was horrified and fled to the edge of the dimension. I made a "house" for myself there. Although Lucifer said it was just a hiding place. We were moving fast, and Ibis even joined us. It turns out that my speed when I move along the thread is very high and I seem to slip through space. At first, I thought I was seeing a forest because I temporarily switched to a human mask. But it wasn't a forest. There were vertical threads, like a glitch that passed through space. As strange as it may sound, it was like an energy gradient between a dimension and, I don't know, emptiness? other dimensions? I don't know how it works yet, but since we later use it to navigate, the boundary between dimensions is very arbitrary.
My house looked like a black ball suspended among these threads. We climbed inside, it was empty, there was a minimum of extra energy and it was something like a pocket space. Lucifer told me to lie down and I curled up on the surface. He put my masks on his lap, Hillella sat next to me and began to stroke me, and Ibis in the shape of a dragon wrapped around me. I've never felt so good before, I felt like I was part of a family, and I can't let go of the thought that this was my therapy 😂
2. Archangel Michael 🔥🪽
We stayed like that for a while. Then I finally asked what Lucifer said about angels. He said he wanted archangel Michael to teach me and that he was going to introduce me to him. We all got out of my "nest", I said goodbye to Hilella and Ibis, and Lucifer and I stood at the very edge of the dimension. Lucifer grabbed me by the threads on my head and pushed me forward, and it was a very unusual feeling, as if I was being stretched and narrowed at the same time. My physical body started shaking and my head started to hurt.
We found ourselves in a new place, it looked like a huge golden fantasy-alien cathedral. There were no typical religious symbols, just patterns on the arches and soft ringing and music. Lucifer immediately called Michael, he spoke in a language from which I apparently understood 20 percent of the words, but only because I just felt their meaning.
Well, Michael... This man was huge, I think he was 5 times bigger than me. He looked a bit like Lucifer, but his hair was dark and his eyes were honey-colored. I didn't see Michael's full armor, but his clothes were strange, like a robe with armor elements. There was fire circling around him, and when that fire was behind him, I caught a shape like wings, but I didn't get a good look so I'm not sure. Michael greeted me and picked me up in his arms, which made Lucifer laugh. I think I even heard Lucifer say that Michael was "showing off".
I can compare Michael's energy to cold fire, burning, but refreshing and cleansing. In the comparison: energy of Lucifer feels like a hot sun to me, more nourishing. Michael touched my head and my migraine went away without a trace.
Lucifer reminded me that if I feel bad, I can always come back and call him, and then he disappeared.
Michael carried me through the golden hall. His voice had a slight echo. He noticed that Lucifer likes to pick up abandoned spirits, and Michael respects it. He asked me what I want from our interaction. I said that I want to be a warrior capable of defending myself. I feel like a fragile instrument that feels bad from any fluctuation of energy. Lucifer also seems to want me to be a leader in human life, but I clearly lack the courage, so I asked Michael to help me with this.
Michael agreed and said he would teach me. He even promised that we would make me a weapon. He also warned me to use it only to clean the space and protect myself, otherwise he would stop me. Michael made a very warm impression on me. I like him. We talked for a while, after which we said goodbye and I found the thread Lucifer had left to slip back home.
3. I've been hired again 🪡
Ibis was waiting for me near my house. He asked me how I liked Michael, and that he wouldn't mind seeing him either. And also that after Michael, I smell like ice cream. I laughed and asked if he knew what ice cream smells like, Ibis replied that he didn't, he just voiced my association. We went back to Lucifer. He was leaving his estate accompanied by another spirit. They were talking about something. That spirit looked like a pale man with long black hair, and he quickly left when Ibis and I arrived.
Lucifer said he had a task for me. He has a meeting with someone the other day and we need to prepare a place. I asked why it was all so sudden and one day, and Lucifer replied that he thought I was ready and that he wanted to heal me of my deep-seated self-doubt. So yes, a job...
Lucifer described what he wanted to see and took us to the garden. Ibis and I started working.
I traced the existing threads, moved them and changed their properties. I also wove new objects. I made a round table, four carved chairs, obelisks on four sides, at the ends of which there was a concentration of elements. There were flowers like peonies all around. When I finished the weaving, the Ibis enlivened the garden, harmonized the structure and the garden became really beautiful.
Lucifer made a couple of corrections, after which he praised us for our work. I finally felt useful! Next, Lucifer noticed that my physical body was literally shaking with tension and energy, and sent me back to my body. But before that, he showed me a place through which I could make my way back home. It turns out that there is a space above the fog. There is a gazebo with a spiral stair and a beam going up. Lucifer smoothly returned me to my body as I rose up.
I was overwhelmed with emotions, and to this day, knowing that I can finally visit home and do something useful fills me with confidence and happiness.
4. The next day.
I got home through the gazebo, as Lucifer showed. I continued to explore the dimension. This time I decided to go without father.
I trace the threads of the roads there. I vaguely remember some of them. I saw little spirits and a red-haired woman who lives near the fire. She noticed me, and I immediately cut the connection with the thread. I don't want to draw attention to myself yet.
I rose above the fog again, and in addition to the gazebo I knew, I could also see the top of the mountain.
I slipped to it, and saw that there was something with the concentration of negative energy. There were also a lot of spirits, and I glided over them, trying not to be noticed. I was afraid of being attacked. Ibis came for me and we hurried to get out of there. He said that not all places are worth visiting, this is one of them. It's generally better not to go there without father.
As I understood it, it was place related to his responsibility as the devil.
Also, at the end of one of the threads, I saw a strange arch that leads to a cliff. There's probably water behind it. Most likely, there is a passage to another dimension area behind the arch.
It seems that Lucifer's dimension is located at a crossroads between different additional dimensions, where his allies live. So it's like a nexus.
I've been in my "house" again.
It's really empty, like a piece of space inside a ball. There's something like a star there now, it's round and hot, and I can hug it and feel warm and good. The energy of this star interacts with mine and distracts me from the rest of the world.
After resting in my nest, I quickly slipped back into my body.
I plan to ask father where I can and cannot go. And maybe I'll be able to visit his estate.
@amethyxmao
it's ...! angelocaris!
Look! It's @cosmictraveller-main!
awwww it's meeeeee me me me 🩵
thank you
Lately, I've been seeing a lot of posts about AI. I want to share my opinion on this matter as well.
AI are a product that has generated a lot of money in a short period of time.
Yes, neural networks can make things boring, and when I see AI arts, it irritates me (after all, hire actual artists!). But if you look at the situation from the perspective of business, rather than, for example, the artist, then everything makes sense.
The customer spends less time and money to get an objectively good result (after all, AI learn only from good works). The consumer also only cares about the result and gets a beautiful picture. It seems that everyone is fine with that. It is very convenient.
Yep, but
artists will find it increasingly difficult to enter the profession
But okay, we're not living in a fairy tale, and who cares about artists anyway? Even if we put aside purely ethical moments this is what happens:
People are not using AI in the right way.
Firstly, AI is widely available, which is a big problem because it has already led to uncontrolled use. If AI were highly specialized and supplied as part of a corporate package to specific firms, this would be fully justified. However, now, any idiots can generate anything for themselves and post it, which is clogging up the media space.
Secondly, many people don't understand how AI works. In fact, some people don't even have basic computer literacy, which is a problem because a neural network is a tool. And you should be able to use it right.
One particular issue is that students and children use GPT chat or Deepseek to do assignments. This isn't just cheating; they don't even read the assignments anymore. And this is a widespread problem. People simply refuse to try to do things on their own.
Not to mention that often the information provided by the neural network is completely wrong.
Thirdly, neural networks are not yet legally regulated. How should copyright be applied to them? Is the price of products using AI justified? Or should the final product be cheaper because less money and time were spent on production?
We are currently at a transitional moment. AI are funded at the state level all over the world. They're not going anywhere.
Just like art once adapted to the advent of photography, it should not "kill" artists and other creative people now. I believe that art will take a new direction based on the meaning of works. The content should be more important than the execution.
In the end, evolution is about adaptation, and I hope we can achieve it.
My commissions are open
I’m okay with: humans, any creatures, fantasy, horror, OC's, fanart, semi-naked characters, furry, real people portraits
I’m not okay with: robots, si-fi, gore, nsfw, complex architecture.
As for the rest, ask me
Please provide references in your description to ensure that the final result closely matches your expectations. I'm not a native English speaker, so please consider this when writing your description.
I use Boosty for payments. I work on a partial prepayment basis. 50% of the amount after the sketch, the rest after the completion of the work.
I will only accept revisions and changes during the sketch phase. Any changes to the finished version will incur an additional cost. There are some exceptions: minor color corrections and small details can be added for free.
The maximum deadline is 1 month. Usually, the work takes much less time.
The commissioned artwork is for personal use only!
Sketch: without colors – $40, in painterly style – $50.
Bust full render ~ $80-100
Half body/full body full render — $200.
The additional character adds 50% to the main price.
All prices are negotiable.
If I don't have enough time or if I'm not confident that I can do the job well, I can decline your request.
IF YOU HAVE ANY QUESTIONS PLEASE ASK ME
tagged by @crazycatsiren ♡
GET TO KNOW YOUR MUTUALS ! RULES: answer and tag six people you want to know better !
FAVORITE COLOUR: lavender, baby blue, baby pink, mint :)
LAST SONG: blame brett - the beaches
CURRENTLY READING: the english physician - nicholas culpeper circa 1652
CURRENTLY WATCHING: ranma 1/2!
CURRENTLY CRAVING: some ice cold water please!
i am tagging @shewhoshines @working-with-shadows @stormwaterwitch @trash-bin-witch ! not 6 but whatever lol
@shewhoshines tagged me in this too and this additional tag reminded me that I actually want to do this but forgot lol
FAVORITE COLOR: right now it's orange, but I find I alternate between sunset colors
LAST SONG: it was either City Walls by Twenty One Pilots or Vulcan by Snake River Conspiracy. Both are stuck in my head so it could be either. I don't know anything about Snake River Conspiracy, but that song is really good and it's the only song of theirs I've heard.
CURRENTLY READING: I'm currently not reading anything, because I finished my last book on helpol, decided I didn't wanna read more, and then placed an order for House Of Leaves and it's not gonna be here for another week because I'm getting it used. Sad times.
CURRENTLY WATCHING: I'm actively watching Smiling Friends as it comes out, but I'm more of a movie person than a show person. I watched Lisa Frankenstein and The Substance both recently and they were both very good!!
CURRENTLY CRAVING: brownies and ice cream. Like a motherfucker. I'm a grown ass adult,I could bake brownies and go get ice cream. But for some reason it seems like an insane quantity of work and I never actually do it. It would take like an hour total and it would last me days.
no pressure tags: @wayfind-er @rain--goblin @devildevotee @apiswitchcraft @kohlfeather @oflupineflowers
ooo ty for tagging me in this :>>
GET TO KNOW ME
FAVORITE COLOR: most shades of green!! especially dark, yellow toned green
LAST SONG: backslide by twenty one pilots! i just went to their breach tour and had SUCH an amazing time. i was a fan of them originally in middle school but lost track of them after blurryface, and now that my little brother got me into them again ive been a big fan of the trench and breach albums.
CURRENTLY READING: also House of Leaves!! I just got it in the mail recently and I'm taking it on my camping trip this weekend
CURRENTLY WATCHING: eh i mostly just rewatch the same documentaries on netflix and then just YouTube. I'm really into Minecraft, Skyrim, and Fallout videos rn, with a sprinkling of Creep Cast and Wendigoon (I haven't made up my mind on how I feel about him)
CURRENTLY CRAVING: quesabirria tacosss fuckk. there's a place near me that does them really good but im broke af rn :(((
I'd love to get to know you guys! @sheydmade @rachelrocksss @wormhead @ofcedarandbone @seraphimsins @deathcabformarie @bodhi-devotee @muddileaves hopefully you haven't been tagged in this already lol
GET TO KNOW ME
FAVORITE COLOR: blue, wine red, forest green, and pastel purple!
LAST SONG: Rhythm of Love- The Scorpions! I do love classic rock every now and then. I grew up listening to it. I'm listening to my Dionysus playlist currently!
CURRENTLY READING: I'm about to start Frankenstein again. I haven't read it since I was a teenager. Might start Heart of Darkness too.
CURRENTLY WATCHING: I intend to watch the Frankenstein movie this weekend! I need to finish Hannibal :I I'm a terrible person to watch anything with because I will just...not watch it once on schedule and then I'm like well...I can never watch it again.
CURRENTLY CRAVING: I'm not sure!! I need to eat some fruit probably lol I kind of want a strawberry slushie. Non-food wise these candles on amazon that are also mason jars!
tagging: @mortuarymorticia, @thiloxavier, @huntedreader, @ladylavenderstone, and whoever else wants to do it!
love that the beautiful, amazing @seraphimsins tagged me in this!
FAVORITE COLOUR: black, wine red & deep purple.
LAST SONG: story of us - sarah fimm.
CURRENTLY READING: night's edge - liz kerin.
CURRENTLY WATCHING: into the woods 1991 broadway.
CURRENTLY CRAVING: mcdonald's breakfast. i'm tagging @amethyxmao @deathheadhottie @oracleofselfies @princessmacabre @plaguedghosts @edensvessel
Getting to know your mutuals <3
Favorite Colors: Olive green, black, plum purple
Last Song: You Need Jesus - bbno$ and Yung Gravy
Currently Reading: nothing right now
Currently Watching: My Happy Marriage
Currently Craving: weed and head scratches
I tag: @faeriesuns @teratomabby @theplotghost @mortigenae @cosmictraveller-main @titsntea
Thanks for tagging me!
Favorite colors: white, black and dark red
Last song: Great spirits (Brother bear ost)
Currently reading: The secret of secrets - Dan Brown
Currently watching: Breaking bad
Currently craving: don't want the weekend to end
Okay, I just contacted Metatron.
And that was... strange. Lucifer was there too, so I wasn't worried that something would go wrong.
But the sensations were intense. As far as I understand, Metatron is not so much a personality as an operator. There was a very strong current in the brain and above the head. For a while, I felt like I was being examined. And a slight perplexity. Lucifer later said that it was rare for Metatron to be approached by one of his spirits. I don't know why btw.
I saw some kind of symbol or sigil drawn in front of me and then sensations disappeared.
Soooo That's it
Although the sensations were not unpleasant. But I don't know... I want to wrap myself in the familiar warmth of Lucifer's energy.
Angelic plankton
The way I see my energy system
Yeah it looks like a nervous system
Clairaudience Ainu's guide
Clairaudience is usually defined as the ability to hear sounds beyond the normal human perception. Many people understand this literally, that with this ability you will physically hear all sorts of things. And this leads them to a dead end when they try to develop this skill.
The fact is that most people can only perceive astral sounds in a state of altered consciousness, in a trance. However, not all people can easily enter a trance, and even more so in this state to do something. So today we will look at how, in my understanding, clairaudience works outside of trance or meditation.
In a normal waking state, clairaudience works differently.
What sounds do we most often hear? The sounds of nature and our surrounding. It is quite common for people to hear the sounds of birds, leaves, or water when they are on the verge of falling asleep. Sometimes, people can also hear these sounds while engaged in monotonous activities. However, what information can we extract from these sounds? Almost none.
Of course, we would like to hear voices and conversations. For spirits, it doesn't matter if you say the words out loud or think them. The presence of a physical sound wave doesn't affect their perception of messages. So, hearing the voices of spirits means hearing their thoughts? Yes, that's correct, and based on my observations, this is how it works.
And how can we hear thoughts?
Many of us have experienced situations where a sudden thought comes to mind, completely unrelated to what we were thinking or knowing. Or when you can finish another person's sentences or seem to be voicing their thoughts. Sometimes you might feel like someone is calling your name as you walk, and you turn around, but there's no one there. This is an example of unconscious clairaudience.
How does it work? Your thoughts have an inner voice that speaks them. This voice has volume and tone. Everyone has it, and you can learn to hear it.
The first exercise is to observe this voice. What is it like?
For example, my inner voice is low and mechanical, so it's neither feminine nor masculine. Other people's voices may differ.
Once you learn to identify your voice, you can also separate other voices in your head. Yes, we constantly catch the thoughts of people passing by, but they are either overwritten by our own thoughts and we are not aware of them, or we think that they are our own thoughts because we cannot separate our inner voice from someone else's.
So, step one: listen to your thoughts.
Step two: understand how thoughts work.
Thoughts are rarely long and complex, and we usually think in fragments of phrases and only form them into a coherent text when we try to express them out loud. Spirits have nuances, because some of them are able to put more meaning into a single word than we are. You'll need to repeat this archived thought several times before you can confidently say that you understand what was said to you, as if unpacking it. So don't expect to be able to hold someone else's thoughts in your head as a long text. It will be a combination of words and images, if you have good clairvoyance.
Step three: clear your mind
There are of course very loud spirits that will outshout your inner voice, but most do not. To catch their thoughts, you need not to think your own. Learn to mute your inner voice.
I can compare it to a multi-stream audio channel, when you deliberately mute the volume of one music so that the second one can be heard. There are many exercises on the Internet for this stage, they all work. Personally, it helps me instead of words to think of the sound of breathing. Gradually, this disappears and only emptiness remains in the head. However, if you can fully focus on a single sound in your head, you can also easily hear someone else's voice.
Step four: try to "talk"
Level 1 - hold a crystal or a plant in your hand. Feel the object and try to sense its energy. By touching the object, you enter its field. Greet it and clear your mind with the intention of hearing an answer. Do not expect anything. The answer may not come. Or it may be in the form of a picture, or a feeling in your body. At this stage, you need to understand that you can communicate in this way, and that information can come in other forms than just words.
Level 2 - Find someone who can think about one short idea for a long time. Do the same as in the previous step. However, this time, you will know exactly what the word is. It will be considered a success if you can understand the main theme of the thought or describe the meaning of the word, even if you don't hear the word itself but something similar.
I was finally allowed to upload my works from Supernatural Zine!
The true forms of Michael and Lucifer with their not-quite-true vessels.
Check out my art blog, it's raining art.