"Grinder", Eske Rex
Show & Tell
2025 on Tumblr: Trends That Defined the Year
Mike Driver

pixel skylines
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bliss lane
Cosimo Galluzzi
let's talk about Bridgerton tea, my ask is open
ojovivo
todays bird
PUT YOUR BEARD IN MY MOUTH
RMH
No title available
Interview Vampire Daily
Monterey Bay Aquarium
Aqua Utopia|海の底で記憶を紡ぐ
Noah Kahan

Kiana Khansmith
Not today Justin
art blog(derogatory)

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@creativengagement-blog
"Grinder", Eske Rex
So Beautiful!
"Twice Two Makes Four Without My Will", Diogo Tudela
Drawingmachine by Eske Rex
Delightful Paper Pop-Ups by Jenny Chen
Portland-based designer and art director Mengyu Chen is currently working on a new comic book and has mocked up some experimental pop-ups of her own design. The ideas and execution are really quite spectacular and I can’t wait to see the finished product. (via tuh dah) (via Delightful Paper Pop-Ups by Jenny Chen | Colossal)
Hector Pottie via September Industry
The Most Immersive Movie Experience EVER -- Making Of Version
PS3 Immersive Movie Experience. Shot in one take : All in real-time : No post production. Part 3
PS3 Immersive Movie Experience. Shot in one take : All in real-time : No post production. Part 2
PS3 Immersive Movie Experience. Shot in one take : All in real-time : No post production. Part 1
Generative Identity for the EPFL Alumni
Brand New Conference 2012
"About the Conference Identity If we were to give the identity a title it would be “The Brand Debris Quilt.” Through a rather strange path of concepting that started with wanting to create an identity that poked fun at a few trends in logo and identity design — Gotham! Overlays! Patterns! — we arrived at a variation and combination of these three trends that we felt wasn’t totally gratuitous. Self-indulgent? Yes. (One of the benefits of being our own clients). But not totally gratuitous."
Red Bull Street View
http://streetartview.com/
Bansky, Brandalism
The sale last fall of an Andy Warhol silkscreen for a record $43 million got us thinking. What are the values of many of the brands that Andy Warhol painted, and could we find a case of brand that he painted that was valued less than the actual sale price for an individual painting. Are there cases where the representations of the brands that Andy Warhol used are more valuable than the actual brands themselves? That’s a true post-modern notion. The highest price for a Warhol is Green Car Crash, at $70 million. That’s considerably more than a minor brand would sell for, but Warhol usually painted the major brands, mostly. Warhol, of course, knew and loved American brand names as a representation of American culture, and featured them in that seminal show, The American Supermarket. Warhol’s most favorite brands, including Campbell’s, have never been for sale, and the company has a market cap in the billions. Ditto with Coca-Cola, which figured in another work. He picked well. One brand that might fit is Brillo. Church & Dwight purchased a portfolio of brands that included Brillo for $30 million from Dial. This brand portfolio included Parsons Ammonia, Bo-Peep Ammonia and Cameo Metal Polish, though we guess Brillo was the prize. Brillo boxes have sold for considerably less, and many had questionable provenance. Perhaps there are others out there. A related thought popped up, which related to Warhol’s curatorial eye. Namely, what were the brands associated with Warhol and how are they doing? Warhol obviously had an eye for what was valuable brand-wise, in culture, and a list of those brands might be instructive.
by Garland Pollard
Andy Warhol and Brands http://www.brandlandusa.com/2010/01/06/andy-warhol-and-brands/