A sapphic religious leader who leads the congregation in song, call that a he/hymn lesbian
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@cucurbitophobia
A sapphic religious leader who leads the congregation in song, call that a he/hymn lesbian
itâs like describing a dog to someone who has never seen a dog, and then asking them to draw it
We were never supposed to see Clark's wife. The film is about Clark and how he describes what happened that led him to her divorcing him and how he views her. It wouldn't matter if we saw her POV because Clark just wanted to go back to those simplier times when he had control and was able to "understand" her through his distorted lens
And thus we as an audience don't completely understand and so have to just go off of Clark and Mary's conversations (describing a dog to a person who has never seen one before)
She is not a person, she is a memory
oh mary
watched the backrooms movie. id give it a solid 7/10
SPOILERS AND CREEPY IMAGERY UNDER THE CUT
If Backrooms was a childrenâs book
Have you seen the backrooms movie yet? If not, do you plan to watch it?
HOLY FUCKING PEAK.
Backrooms spoilers below
Was really interested going into this movie because as someone who isnât very up to speed on any backrooms lore besides the og post I like the backrooms best when there are no monsters, but the environment itself makes you feel unsafe. Youâre paranoid and panicking but then you get out and realize that there was nothing to be afraid of, nothing was even there to chase you in the first place it was just your mind tricking itself.
So I think itâs so interesting that this movie did both- there is a monster but itâs You. Itâs a monster you made up itâs a physical manifestation of your fear. It hurts people because you hurt people. Youâre unsafe because you created the environment and that means your fear is out to get you.
reading reviews and tags of backrooms (2026) makes me so fucking angry omfg. did the message go over everyoneâs head????? cycles of abuse????? the immorality of the psychiatric and medical systems???? the horrors of being a woman in patriarchal society???? the horrors of being an abuse victim trying to navigate the world?????? the consequences of trying to âfix peopleâ, especially men as a woman, and especially abusers as a survivor????? how trying to fix the abusive system you live under using the tools of that same system doesnât work??????? how destructive enabling abusive behaviour, even as part of healing to âfixâ an abuser, can be????? is anyone listening or do you only care about the random white man!???!?!!!?????
mary kline backrooms my beloved
I like it in here.
Iron Lung and Project Hail Mary as "men who persevere against impossible odds and find courage in the depths of despair"
Versus Obsession and Backrooms "men will willingly stay in a literal horror movie situation over confronting their mistakes and taking responsibility for their actions"
It's like describing a dog to someone who has never seen one, and asking them to draw it.
This might be a hot take, but I thought what they did for the "monster" of the Backrooms was ABSOLUTELY GENIUS! How it organically builds upon how the Backrooms work, how it connects to the real world and its people (specifically Clark), and how it creates something that is dangerous and terrifying, and yet at the same time, frighteningly human!
Let me ask you something. Do you think it's interesting that out of all the "people" that were in the Backrooms, Clark's was the only one that was actually dangerous and was actually going around killing people? That's because the Backrooms remembers things in the real world, and "the more times it remembers, the less it does" until it only remembers the details that stand out the most, like how, when you remember a childhood bedroom, you only remember specific furniture or decorations. And the same goes for people!
Because Clark's life is dominated by his anxieties, frustration, fears, and, most importantly, his desire to lash out at everything he thinks is to blame, the Backrooms only remembered those negative feelings. And eventually they all culminated into this dangerous entity. Just like how he lashed out and attacked others that he believes are the fault of where he is, this entity of his own (unintentional) making lashes out and attacks everyone in sight, because, as you can see by the expression on its face, it too is driven by those same anxieties and fears!
That's what makes this my favourite Backrooms entity! Because it's not just another murderous fiend that kills for the heck of it. It's something that beautifully and brilliantly connects to the world it's a part of, AND MOST IMPORTANTLY THE PEOPLE IN THE WORLD, and helps make Clark one of the best horror movie "villains" in recent memory!
Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.
I really like how the scientology speedrunning trend is developing, in this clip we see that the participants are
Not deterred by the closed door
Working as a group
Protecting their identities
Inflicting material costs to the institution via property destruction
Getting away at the end
These ideas were not all here from the beginning. They are genuinely gaining experience that can be applied elsewhere
This is easily the funniest fucking thing that's happened this year
I also think that doing this with scientology instead of a larger religious or financial institution helps because your going to get less backlash from those institutions, the public, and the government, scientology is generally recognized as a silly organization and fucking with them is more acceptable and seen as more politically neutral
I'm hoping that this trend organically extends to other institutions as the meme progresses, possibly as an attempt to break into something more difficult than a scientology building, using the skills that they're currently developing
This is easily
the funniest fucking thing
thatâs happened this year
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
"who said that" is a powerful spell that casts a defensive bubble around your most vulnerable thoughts