Herbert James Draper, The Lament for Icarus (1898) (detail)
The Bowery Presents

izzy's playlists!
Noah Kahan
taylor price

Jar Jar Binks Fan Club
2025 on Tumblr: Trends That Defined the Year
he wasn't even looking at me and he found me
Misplaced Lens Cap
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Interview Vampire Daily

shark vs the universe
I'd rather be in outer space 🛸
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gracie abrams
Cosmic Funnies

❣ Chile in a Photography ❣
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hello vonnie

ellievsbear

Origami Around
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@cuntrituals
Herbert James Draper, The Lament for Icarus (1898) (detail)
Ruprecht von Kaufmann (German, 1974) - Altbau-Idylle (2025)
Dice Man — it’s just how he rolls…
More radical fashion from the 16th-century Schembart Carnival here: https://publicdomainreview.org/collection/radical-fashion-from-the-schembart-carnival-1590
Egg mass of a conical moonsnail illuminated by the moon, ph. Kandy Curran
Scanned from Skin Two Mag issue 22, 1995.
The Ghost in the Shell 1.5: Human Error Processor - Masamune Shirow
By Sumeyra Yuce
George Frederic Watts (English, 1817-1904). “Physical Energy”, c.1907. Kensington Gardens, London. cast bronze
Water-drop necklace and earring.
Franz Grainer
fish i saw today
Felins, c.1927 by Ludovic Alleaume (French, 1859-1941)
Charlie Ward Tjakamarra (c. 1940–2005) was a senior Pintupi artist whose paintings helped extend the Western Desert Art movement beyond its Papunya origins. Although less prolific than some of his contemporaries, his works are admired for their refined geometric compositions, careful balance and strong connection to the Tingari tradition. Many of his paintings depict public aspects of Tingari journeys across Pintupi Country, translated into elegant arrangements of concentric circles, travelling lines and intricate dotting. His works are now represented in major Australian public collections.
This illustrated biography explores Charlie Ward Tjakamarra's life, painting style, the themes behind his artworks, what his paintings are worth today, and why authenticated examples remain highly sought after by collectors of Western Desert Art.
Read more: https://www.aboriginal-bark-paintings.com/charlie-ward-tjakamarra/
Bornean bearded pig (Sus barbatus) photographed by a camera trap
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Bowl with Fish design , Iran, probably Kashan, late 13th–mid-14th century, stonepaste; black decoration under a transparent turquoise glaze