I’m soooooo embarrassed. My lord told me “good night,” but I thought he was calling me a good knight, and, well, you could hear it clink against my codpiece.

祝日 / Permanent Vacation
Stranger Things
Alisa U Zemlji Chuda
I'd rather be in outer space 🛸

shark vs the universe
Misplaced Lens Cap
Sweet Seals For You, Always
$LAYYYTER
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we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
Sade Olutola

pixel skylines

titsay
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ojovivo

Discoholic 🪩

JVL
almost home

seen from Germany
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@cyrnkun
I’m soooooo embarrassed. My lord told me “good night,” but I thought he was calling me a good knight, and, well, you could hear it clink against my codpiece.
Dozens of NYC Subway riders, fresh off a Robyn concert, singing “Dancing On My Own” while waiting for the E train. (Video by Triszh Hermogenes)
like, the most compelling ships for me always stem out of one thing: the characters have a profound, ongoing effect on each other’s senses of selves. when they are apart, the characters’ actions are still affected by each other. the way they approach the world changes because of the other.
which is this deeply Austenian view of ideal romantic relationships as mechanisms by which we come to know ourselves better and become better versions of ourselves. good romance, for me, is always tied in with a sense of self-actualization, and the way in which a beloved partner allows a person to know themselves better.
"Sewing is a gateway drug to thinking through complex problems. It seems really simple; culturally, we make it women's work. Let me tell you: real sewing at any kind of level of proficiency is a bloody magic trick. Sewing, like mold making, involves mental frames that require one to think inside out and backwards. It requires one to work on an order of operations that is often taking into account the reverse. It's a really, really important skill, and if you learn how to sew, you're mostly on your way to carpentry and welding and sheet metal work. I'm not kidding: these are planar forms meeting under rules and conditions. And if you can make a sleeve work, I swear to God, you could build a house."
--Adam Savage
My favorite pieces this year
"questions will be answered and you will be left highly unsatisfied because what you really wanted was love" is a quote that has lived in my mind for years now. it is the mantra i repeat to myself every time i become consumed by unfinished business, ever since i had a death in the family of someone i had huge unresolved beef with. i think of it as the focal point of all of my art. and of most art in general. and as far as i can find, the origin of it is from a random person's film blog review of prometheus 2012 ????
apparently i already posted about this in 2021. that's how long this has been plaguing me
Beam me up, Grandma
A wonderful piece about fandom history, friendships, and legacies.
Dee called AO3 a “candy store,” and said the fan art she has seen, in particular, has been overwhelming. “I cannot get over the art,” she said. “We would have jumped at this. I would’ve given my right tit for all this art when I was in my twenties. Because you couldn’t reproduce it, you couldn’t send it out, but [now] there’s this fabulous art coming out every single day.”
Yes. Yes. Yes. This is how it happened. Excellent article.
Thanks to the author for permission to share this here, and for being just a really nice human being, and big thanks to the artist who did my mom’s portrait, above. -Zachary
lee know's album of the year acceptance speech 251206, 10th asia artist awards
today I used the phrase "breasting boobily" in casual real life conversation and everyone was shocked asking how I came up with that and I had to explain it. ive been at the devil's sacrament so long that I forgot he wasn't god
“I’ve been at the devil’s sacrament so long I forgot he wasn’t god” is getting added to the tumblr line book
it sure fuckin is buddy
PHRASE ADDED TO INVENTORY!
The Moon✨🌕
Our girlfriend looks so pretty from outer space
can’t focus on work. can only think of that one lesbian poem about chivalry
oh god. oh fuck
Excerpt from Kató Lomb’s “Polyglot: How I Learn Languages”
Some of our favorite quotes from Artemis ii so far:
"Copy. Moon joy."
"I have two Microsoft Outlooks, and neither one of those are working."
"Houston, if you could give me about 20 new superlatives in the mission summary for tomorrow that will help out my vocabulary a little bit, that would be great. Thank you."
“If you’ve ever seen the top of the spotlight of the top of the Luxor at night in Vegas, this looks like what it wants to be when it grows up.”
"To all of you down there on Earth... we love you, from the moon. See you on the other side."
"We just went sci fi.
"It is so great to see Earth again. To Asia, Africa, and Oceania: we are looking back at you. We hear you can look up and see the moon right now. We see you too."
"We will always choose Earth. We will always choose each other."
“It’s a bright spot on the moon, and we would like to call it Carroll.” (The name of Commander Reid Wiseman's late wife)
"Amaze amaze amaze."
"I said that we do not leave Earth, but we choose it. And that is true."
"Christina has been sleeping head down in the middle of the vehicle, kind of like a bat"
"It's really fun to be floatin' around, it just makes me feel like a little kid."
"Trust us, you look amazing, you look beautiful."
"'Homo Sapiens' is all of us, no matter where you're from or what you look like. We're all one people."
"We're going to power cycle the toilet from the ground."
"I'm proud to call myself the Space Plumber."
"We were all eagerly awaiting the chorus." (After Mission Control cut off Pink Pony Club early when waking up the crew)
"Copy heart. Copy bracelet." (In response to Wiseman giving his daughters heart hands and showing them the bracelets they made him that he was wearing)
“Welcome back. We are still here. They are in space.”
"Copy. Bubble wrap nominal."
"We have rediscovered the chocolate snacks."
“The truth is, the moon really is its own body in the universe. It's not just a poster in the sky that goes by, it is a real place."
“We will build ships. We will visit again. We will construct science outposts. We will drive rovers, we will do radio astronomy.”
"I've seen a lot of new perspectives, but my perspective has not changed because I launched with the perspective that there is enough for all." (After being asked if they had a new view on humankind.)
"On behalf of all Canadians, we wanted some reassurances of your preferences for maple syrup over Nutella on your pancakes."
“I want you to do this with me for one month. One month. Write 10 observations a week and by the end of four weeks, you will have an answer. Because when someone writes about the rustic gutter and the water pouring through it onto the muddy grass, the real pours into the room. And it’s thrilling. We’re all enlivened by it. We don’t have to find more than the rustic gutter and the muddy grass and the pouring cold water.”
— Marie Howe, Boston University’s 2016 Theopoetics Conference (via mothersofmyheart)
Marie Howe:
I ask my students every week to write 10 observations of the actual world. It’s very hard for them.
Ms. Tippett:
Really?
Ms. Howe:
They really find it hard.
Ms. Tippett:
What do you mean? What is the assignment? 10 observations of their actual world?
Ms. Howe:
Just tell me what you saw this morning like in two lines. I saw a water glass on a brown tablecloth, and the light came through it in three places. No metaphor. And to resist metaphor is very difficult because you have to actually endure the thing itself, which hurts us for some reason.
Ms. Tippett:
It does.
Ms. Howe:
It hurts us.
Ms. Tippett:
You naming something.
Ms. Howe:
We want to say, “It was like this; it was like that.” We want to look away. And to be with a glass of water or to be with anything — and then they say, “Well, there’s nothing important enough.” And that’s whole thing. It’s the point.
Ms. Howe:
It’s the this, right?
Ms. Howe:
Right, the this, whatever. And then they say, “Oh, I saw a lot of people who really want” — and, “No, no, no. No abstractions, no interpretations.” But then this amazing thing happens, Krista. The fourth week or so, they come in and clinkety, clank, clank, clank, onto the table pours all this stuff. And it so thrilling. I mean, it is thrilling. Everybody can feel it. Everyone is just like, “Wow.” The slice of apple, and then that gleam of the knife, and the sound of the trashcan closing, and the maple tree outside, and the blue jay. I mean, it almost comes clanking into the room. And it’s just amazing.
Ms. Tippett:
In some basic level, what they’ve done is just engage with their senses.
Ms. Howe:
Yeah, and have been present out of their minds and just noticing what’s around them, which is — we don’t do. And again, not to compare it to anything. They’re not allowed. And that’s very hard for them. And then on the fifth or sixth week, I say, “OK, use metaphors.” And they don’t want to. They don’t know how. They’re like, “Why would I? Why would I compare that to anything when it’s itself?” Exactly. Good question.
So then you think, why the necessity of a metaphor? Why do you have to use a metaphor now? Not just to do it to avoid it, but to do it to make it more there. And it’s very interesting.
The words and silences we live by. The rituals that sustain us. The poetry of ordinary time.
The thing about Lord/Knight gay romance is that there’s no way you can cut it that doesn’t make the sex hotter. At a baseline, the Lord is allowing his subject to be his equal partner behind closed doors in a society defined by hierarchy their physical love a blaspheme against the laws of feudalism, but if the knight is dominant, they’re literally upending the fabric of society by having the Lord follow his Knight’s orders and that’s hot and if the Lord is dominant than it’s just another expression of his Knight’s sworn devotion to be at his lord’s service at all times and that’s hot and if it’s historically accurate Christianity then they’re not only desecrating and perverting the Knight’s vow, they’re making sinners of each other in the process and that’s HOT