okay *biggest sigh ever recorded*
2025 on Tumblr: Trends That Defined the Year
Sade Olutola
Peter Solarz

tannertan36

oozey mess

PR's Tumblrdome
h

blake kathryn
dirt enthusiast
noise dept.
No title available
Mike Driver
DEAR READER
wallacepolsom

roma★

shark vs the universe

★
Aqua Utopia|海の底で記憶を紡ぐ
taylor price

@theartofmadeline
seen from Germany

seen from Singapore

seen from Germany
seen from United States

seen from United States

seen from Japan

seen from United Kingdom
seen from Bulgaria

seen from Belgium
seen from United States

seen from Japan

seen from Malaysia
seen from United States
seen from Germany
seen from United States
seen from United States

seen from Singapore
seen from United States
seen from Poland

seen from United States
@damntheman
okay *biggest sigh ever recorded*
I just love it when things are earnest like everyone get more earnest now
must feel so good to be soil absorbing rain
genuinely me
So I thought y'all would like this too This great white comes to the jersey shore every year and this year they named her and have been tracking her hella so this is Mary Lee and she decided to show herself under this rainbow for pride month A true gay icon
#This is the representation I’ve been looking for
Rico Nasty for Metal Magazine
Sailor Moon Skylines
how to undoom yourself tutorial for girls
“Baby goats in pajamas” by Heera Cha on INPRNT
“Freedom always has a price.”
― Persepolis (2007) dir. Marjane Satrapi, Vincent Paronnaud
i have to remind myself everyday
tumblr is like an abandoned space station & you all are the thing in the vents
sights on the southwest coastal path, Cornwall.
At the end of the day, you can’t delay joy until life looks a certain way. You deserve to enjoy your life now.
i think a lot about queer villains, the problem and pleasure and audacity of them. i know i should have a very specific political response to them. and yet, while i recognize the problem intellectually—the system of coding, the way villainy and queerness became a kind of shorthand for each other—i cannot help but love these fictional queer villains. i love them for all of their aesthetic lushness and theatrical glee, their fabulousness, their ruthlessness, their power. they’re always by far the most interesting characters on the screen. after all, they live in a world that hates them. they’ve adapted; they’ve learned to conceal themselves. they’ve survived. […]
there is a question of representation tied up in the anguish around the queer villain; when so few gay characters appear on-screen, their disproportionate villainy is—obviously—suspect. it tells a single story, to paraphrase chimamanda ngozi adichie, and creates real-life associations of evil and depravity. it is not incorrect to tell an artist that there is responsibility tangled up in whom you choose to make villains, but it is also not a simple matter.
as it turns out, queer villains become far more interesting among other gay characters, both within a specific project or universe and the zeitgeist at large. they become one star in a larger constellation; they are put in context.
and that’s pretty exciting, even liberating; by expanding representation, we give space to queers to be—as characters, as real people—human beings. they don’t have to be metaphors for wickedness and depravity or icons of conformity and docility. they can be what they are. we deserve to have our wrongdoing represented as much as our heroism, because when we refuse wrongdoing as a possibility for a group of people, we refuse their humanity.
that is to say, queers—real-life ones—do not deserve representation, protection, and rights because they are morally pure or upright as a people. they deserve those things because they are human beings, and that is enough.”
— carmen maria machado, in the dream house