Night swimming, Kate Bellm

Kiana Khansmith

if i look back, i am lost
I'd rather be in outer space 🛸
One Nice Bug Per Day
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Fieri Frames
"I'm Dorothy Gale from Kansas"
official daine visual archive
Cosmic Funnies
★
noise dept.
𓃗
Color Me Curious
PUT YOUR BEARD IN MY MOUTH

#extradirty

Origami Around
Not today Justin
NASA
🩵 avery cochrane 🩵

shark vs the universe

seen from United States
seen from United States
seen from Germany
seen from United Kingdom

seen from Malaysia
seen from United States

seen from Ecuador
seen from Ukraine

seen from United States
seen from Bangladesh
seen from Germany
seen from United States

seen from United States
seen from Colombia

seen from China

seen from Malaysia
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seen from United States
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@dans-le-couloir
Night swimming, Kate Bellm
Tom Phillips - A Humument, First Edition, 1973
“A Humument has been a work in progress since 1966 when artist Tom Phillips set himself a task: to find a second-hand book for threepence and alter every page by painting, collage and cut-up techniques to create an entirely new version. The book he found was an 1892 Victorian obscurity A Human Document by W.H. Mallock and Phillips transformed it into A Humument. The first version was printed by the Tetrad press in 1973, and Phillips has continued to transform it, revise it and develop it ever since.”
See more Tom Phillips posts here.
Everything surrounding the ship is gray or dark blue and nothing is particularly hip, and once or maybe twice a day this thin strip of white appears at the horizon line but it's so far in the distance you can't be sure whether it's land or more sky. It's impossible to believe that any kind of life sustains itself beneath this flat, slate-gray sky or in an ocean so calm and vast, that anything breathing could exist in such limbo, and any movement that occurs below the surface is so faint it's like some kind of small accident, a tiny indifferent moment, a minor incident that shouldn't have happened, and in the sky there's never any trace of sun - the air seems vaguely transparent and disposable, with the texture of Kleenex - yet it's always bright in a dull way, the wind usually constant as we drift through it, weightless, and below us the trail the ship leaves behind is a Jacuzzi blue that fades within minutes into the same boring gray sheet thant blankets everything else surrounding the ship. One day a normal-looking rainbow appears and you vaguely notice it, thinking about the enormous sums of money the Kiss reunion tour made over the summer, or maybe a whale swims along the starboard side, waving its fin, showing off. It's easy to feel safe, for people to look at you and think someone's going somewhere. Surrounded by so much boring space, five days is a long time to stay unimpressed.
Bret Easton Ellis, Glamorama. (1998)
A letter from Keith Haring, to a young Basquiat.
"Satisfy yourself. Don’t do it for anyone else."
“The Red Balloon" is a very sweet and innocent tale until you realize that the balloon represented the postwar communist threat against France when… you know what? I’m gonna assume our college film professor was right. We didn’t get any of that out of it. It’s still très adorable.
Anyway, “The Red Balloon” and the Criterion Collection are free this weekend on Hulu, including “The Blob,” which, now that we think of it, was more about the creeping communist threat. To be honest, we were only in the film class to impress our older brother, the communist.
Obama in Abalessa. Young tuareg in a music festival. South Algeria. 2010
Issei Suda
No matter what anybody tells you, words and ideas can change the world.
We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.
(Dead Poets Society, 1989)
Self.
From Cocteau to Genet. L'Aurige.
source : http://cocteau.biu-montpellier.fr
A lazy, lazy day in Paris.
Andy Warhol - Querelle, 1982.
Benjamin Evans South America, 2014
“My wife’s hair mimicking the clouds.”
© James Chororos