A Fucking Conga Line Of Disaster

I am a human being and quite honestly that’s the worst possible option Dare | they/them | Profile pic: @mmmidrich

[tmsource]

THE MENTALIST || “Where in the World is is Carmine O'Brien.” 4x06

[sg1]

Stargate SG-1, 07.08 Space Race

[chaoticdaxes]

No special effect could be more special than this

[rosie-tyler]

Star trek | 1.02

[karlcagathon]

Tai watches Stargate

Stargate SG-1 5x09 - Between Two Fires

[other-orchid]

sam carter in foothold (3x14)

[syfysource]

You know me and Sci-Fi...

Stargate SG-1 5x03 - Ascension

[sorenkingsley]

[likeafantasy]

[space-puppy]

THEM ❤️

[sg1]

Stargate SG-1, 03.22 Nemesis

[jeongyeons]

STARGATE SG-1 || “Fragile Balance” 7.03

[sg1]

Stargate SG-1, 04.12 Tangent

[mortalscience]

trip and t'pol's relationship was unhinged actually. wdym they spent a year feeling each other up every night all because trip had insomnia. wdym they met their lovechild from an alternate future and he inherited his mom's ears and his dad's penchant for melodrama. wdym they banged and t'pol played it off as "an experiment" but they accidentally bonded so hard they became mates and started appearing in each other's daydreams. wdym trip's clone spilled the beans about trip's feelings to t'pol and admitted she was all he could think about. wdym trip was t'pol's only guest when she went home for her sham forced marriage and their love was so obvious that t'pol's mother spotted it instantly. wdym their love was so renowned that a xenophobic hate group used their DNA to create a secret love child in order to prove to humanity that interspecies relationships were wrong. WILD

[cipheramnesia]

One thing about Farscape is that it really follows through on a lot of consequences of violence, and I think that's because at the center of the show is a living ship, deliberately created without any means of violence, whose only substantive protection is running away further and faster than anyone else. For a show with space guns, star fighters, intergalactic armadas, and an above average number of planets being destroyed, a whole lot of Farscape's plots revolving around avoiding violence, and the total futility of violence. Two major antagonists both pursue the protagonists with violent actions and intentions, and both are total futile. One blames them for the accidental death of his brother, the other thinks they have important information that none of them could share if they wanted to. When the protagonists resort to violence, the outcomes range from mixed success that creates new and worse problems to purely being a bad decision full stop. There's two whole characters who were child soldiers and they're haunted by the violence of their past, with fragile grips on the tenuous sense of belonging that comes from being stranded with strangers. The whole crew gets a reputation and discover it's a bad thing when anyone, anywhere might assume you're a dangerous violent monster.

And a lot of the ptsd and emotional problems play out in hilarious ways, because that's kind of life, so it never beats you over the head with the idea that everyone is Very Sad, it's just baked into their sharp tempers, sudden flares of emotion, rambling speeches, self destructive behavior and so on. No one has anyone to talk to who hasn't got some kind of thorny, deeply troubled violence both in the text of the show or the past, because it kicks off with a jailbreak. The one calm, therapuetic crew member is like that because it's how she copes with having been a former terrorist and doing shitloads of murders. The action is exciting and interesting but no one has a good outcome form violence. It's just like life for real.

[spockvarietyhour]

[adampov]