“Our family was shattered forever.” Let’s delve into the two images accompanying this line, shall we?
Soren is looking up at Viren, who saved his life and he chose to stay with, for comfort, guidance or connection. Viren doesn’t reciprocate, fixated on the loss of his wife. The staff of Ziard, which Viren used to imprison K’ppar and Aaravos crafted for his pawns, is a barrier dividing them that Viren actively holds in place.
Viren and Soren are framed inside the arch furthest away and Claudia to a lesser degree inside the nearer arch, enclosed in the wall, the structure of their family home. They are trapped. Lissa is free. She even blocks part of the wall and archway, visually overpowering it.
Lissa has an arm raised to her chest defensively, no longer feeling safe around Viren; Soren’s arms hang passively at his side; Viren’s posture is stiff, one hand on his staff and the other behind his back (as he’s becoming a more emotionally repressed and manipulative person who doesn’t always want to show his hand, so to speak); and Claudia’s are desperately, futilely reaching out to Lissa.
The children are both between their parents. Claudia is closer to Lissa, alone in her section of the frame. Soren is right next to Viren, making their height difference and power dynamic more obvious.
Claudia is Viren’s shadow, which is framed as a bridge between Viren and Lissa in this brief instant before Lissa takes another step - darkness connects to her to her family. As with Soren, Viren doesn’t show any interest in her. Unlike Soren, her distance from him is her choice. She’s running ahead of him in the direction he’s facing, like in his dark magic dream where she follows in his footsteps and then surpasses him.
Claudia’s left leg is barely visible under her dress, looking almost like the stump it will eventually be reduced to.
Only Lissa and Claudia are crying. A link has recently been established between tears and dark magic, and while Lissa had a bodily fluid harvested for a spell against her will, Claudia will volunteer her blood when a spell demands it.
The light is literally behind the family with shadow surrounding them, indicating sunrise or sunset. Sunset would be most thematically appropriate for the last memory of the whole family, but it would make sense for Lissa to start her long journey at dawn in a time and place with such limited artificial illumination (especially without the use of dark magic). It is a new dawn for her as an independent woman, after all.
The point of origin is Lissa, as her decisions to divorce Viren and let the children choose who to live with, leading to Viren raising them on his own, define the new state of the family. All the cracks radiate outward from her forehead, her mind, and she’s by far the most fractured. That’s a worrying picture of her mental health. The cracks break and distort her family and their home, but she cannot see this and clearly doesn’t intend it.
The same crack crosses through Soren and Viren and another vertical one descends part of the way between them as well. It hasn’t fully divided them yet, but it will.
Soren is gone except for his legs and head. His head - still searching for something in his father - is even lower and further away from Viren. None of the others are diminished like this. The imagery of a severed head and missing torso full of vital organs ironically evokes death, despite his preserved life and perfect health. Viren doesn’t kill him, but he will destroy much of his spirit.
Viren is almost completely duplicated, in contrast to Soren being eclipsed. His copy is fainter, shorter and overlaps partly with Soren’s legs, as if he’s replacing his son and the man he might grow into with a vision of himself. Perhaps he’s in two minds about the path he’s chosen? Or beside himself with grief under that cold exterior? He takes up more space, but is also broken and trapped more tightly in the fractures. Like Soren, part of him is lost; he’s the only one to have what appears to be a missing shard interrupt his depiction with a slice of nothingness, reflecting the piece of his soul that he’s turned into a black void. The head of his staff being above Soren’s legs represents dark magic replacing Viren’s relationship with his son in his life.
Claudia is actually intact, but a duplication of one of her legs is cut off. This may reference how she will duplicate her lower limbs into five tentacles and then have one of those cut off, Rayla probably thinking it was an extra that wouldn’t correlate to her human leg. Like Viren, she’s boxed in by the cracks, which draw lines between her and the rest of her family on all sides. Viren and Soren share a shard with Lissa, but Claudia doesn’t. Her indecisiveness has left her even more isolated.
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