i don't do bad sauce passes
Lint Roller? I Barely Know Her
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Today's Document
Cosmic Funnies
NASA
Cosimo Galluzzi

oozey mess

ellievsbear
PUT YOUR BEARD IN MY MOUTH

Kaledo Art
sheepfilms
styofa doing anything
taylor price
Aqua Utopia|海の底で記憶を紡ぐ

JBB: An Artblog!
KIROKAZE
art blog(derogatory)
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@darknesse13
every day i wish the tumblr sugar daddies were real
yea actually i WOULD like a weekly allowance for being so cute and hot and funny online. i deserve it.
using therapyspeak but exclusively in utterly ridiculous situations where it makes no material difference because it's funny
standing in a haunted house with my arms folded going "i know that hallway wasn't there before, you're just trying to gaslight me. textbook controlling personality type." and a ceiling beam falls on my head
Cemeteries in Jean Rollin movies.
“By including cemeteries in his films, Rollin is able to tether his fantastical stories to a specific setting where he immerses himself in existential themes and poetic allusions. The graveyard - primal, historical, theatrical, and supernatural - is laden with symbolism and evokes Rollin’s binary view of death as terrifying and romantic, the duality of childhood, memories, and other past influences that became lifelong obsessions with the filmmaker. The cemetery is a space where Rollin creates some sense of the human soul, bringing order to an otherwise limitless void.” - Alison Nastasi, from “Love among the iron roses: The cemetery as a romantic nexus in the films of Jean Rolin”, 2017.
In order: Queen of the Vampires (1968), The Nude Vampire (1970), The Shiver of the Vampires (1970), Requiem for a Vampire (1971), The Iron Rose (1973), Lips of Blood (1975), The Grapes of Death (1978), Lost in New York (1989), Two Orphan Vampires (1997), Dracula’s Fiancee (2002).
“ummmmm ur bra strap is showing :/ ”
i thought this was me at first and i was really confused
omg hi
WE’RE MULTIPLYING
uhhhhhhh
hey
I FINALLY FOUND IT
Found what?
This Legendary post
This post is a gem and you have to reblog it or else you lose it
Someone confirm that these are all different people.
it’s here it’s on my dash!!
seeing ancient tumblr posts in the flesh rather than in screenshots has the same energy as seeing an infamous relic in a museum for the first time
LEGENDARY POST
@hellsite-hall-of-fame
How are all these blogs still alive
oh my god the POST
ITS THE POST
Paying 5 yuan for hot gossip
English added by me :)
someone out there probably has a really good life right now. like at least 1 person
PSA for Google Docs writers
[Edit] Also for Firefox, as per @essayofthoughts in the notes: https://addons.mozilla.org/en-US/firefox/addon/delete-g-docs-type-to-insert/
If you (like me) use Google Doc to write fanfic, you may (like me) have been annoyed by the new "feature" they added in the past few weeks, "Smart Chips," where by default every time you open a new line it auto-inserts a "@" symbol and then prompts to add additional people into the doc for review or whatever other useless thing I immediately closed out of.
There doesn't appear to be a way to turn off this "feature" in GDocs however someone has put out an extension that nixes it:
Removes the 'Type @ to Insert' bubble that appears whenever you type a new line in Google Docs.
sincerely speaking the phrase "why doesn't egypt take them" is one of the most alarming things people are currently circulating because it means they
believe that israel's ultimate goal is 'eliminating hamas' (impossible) and not retributive violence and annexing gaza
or believe that israel's goal is retributive violence and annexing gaza and don't care
accept that israel can and will slaughter everyone in gaza
accept that nobody can stop israel nor hold them accountable
accept that the palestinian cause that palestinians in gaza have endured 75 years of occupation for is over
accept that it's egypt's responsibility that israel is ethnically cleansing gaza
believe that arab states and leaders care about palestinians (they don't) and that sisi would rather save gaza than himself (he would not)
don't care what happens to palestinians
no matter how i square it, it always comes down to the last point. this is the kind of thing only people who have already written gaza and its people off would say
like the truth of the matter is from day 1 the possibility has been that israel will ask "either open the border or watch them die" and our current leadership came to power with a massacre of his own people. it should never get to that point and even suggesting it casually is evil and callous
we are here now, we've been heading here this whole time, every world leader knows we were heading here, and now there are one million people in tents at rafah who have just been told they have to evacuate to nowhere. ethnic cleansing or death, the israeli motto since 1948. every zionist who ever denied the nakba can peacefully hold their tongues now. they no longer have to answer for the crimes of their grandparents when they have already committed crimes far more heinous and more shameless themselves, in full view of the world.
Mother Joan of the Angels (Jerzy Kawalerowicz, 1961)
Margaret Lee
Barbara Steele in The Long Hair of Death (Antonio Margheriti, 1964)
La noche de Walpurgis (1971, León Klimovsky)
Rafel Bestard - Bitten twice. Oil on canvas, 46x55cm. 2017
people who don't wear glasses don't get the added benefit of taking off your HD eyesight for a while. just. fuck it! i'm done. 240p vision time
I've seen enough.
so my tumblr app is doing this fun thing where it just shows me empty posts sometimes, because why not. and this one just really worked for me.
concerts should cost 3 shiny nickels and be a block away. beautiful women take my hand we're going