This is a movie I’ve been working on, please share if you can. Our indiegogo link is down below. This is a film by Graey Zone productions.
https://igg.me/at/LTO/x/21992696#/
Aqua Utopia|海の底で記憶を紡ぐ

izzy's playlists!

if i look back, i am lost
Show & Tell
i don't do bad sauce passes
Misplaced Lens Cap
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Three Goblin Art
noise dept.

blake kathryn
Mike Driver
occasionally subtle
Xuebing Du

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will byers stan first human second
Stranger Things
h
taylor price

Product Placement
Peter Solarz

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@darthdreaden
This is a movie I’ve been working on, please share if you can. Our indiegogo link is down below. This is a film by Graey Zone productions.
https://igg.me/at/LTO/x/21992696#/
I love when Togashi does that detailed drawings in the manga like:
Look at these. It’s so beautiful and well done
I want more
Reading upsetting posts that send me into a down spiraling logic loop
IMO the boundary between critique, purity culture, and censorship is this:
it is responsible, and the mark of a good audience, to critique problematic elements in the media we consume. For example, I love gothic lit - but a lot of it is incredibly sexist and racist. I can acknowledge that these elements are a problem and objectionable while still enjoying the piece for a multitude of other reasons. I can also say to myself “if I ever want to write my own gothic lit, here are some elements I should avoid.” Or, if I do want to tackle the issues of racism and sexism in my future gothic lit, then I can say “I will avoid writing in a way which implicitly or explicitly condones racism or sexism, while still emulating the praiseworthy elements of gothic lit.”
In essence, the fundamentals of intersectional media critique is this: “these elements of [x media] are problematic and we should rethink them in future media, both as audiences and as creators.” By rethinking these elements, I don’t mean utterly doing away with them, but rethinking how we approach them and how we read them.
We enter purity culture when our statement moves from “these elements of [x media] are problematic and we should rethink them in future media, both as audiences and as creators,” and becomes “these elements of [x media] are problematic and therefore anyone who consumes or creates [x media] is condoning everything about [x media].” The implication here is that, if one wants to be a good person, one should avoid [x media], because to do otherwise is to either implicitly or explicitly condone everything in [x media]. This type of attitude towards media is very common in conservative religious circles.
It moves fully into censorship when the statement moves from “these elements of [x media] are problematic and therefore anyone who consumes or creates [x media] is condoning everything about [x media]” and becomes “these elements of [x media] are problematic and therefore nobody can consume or create [x media] for any reason.” Those who break this rule are seen as evil and shunned. This type of attitude toward media is very common in fundamentalist circles.
A culture of censorship is the natural outcome of purity culture, because purity culture by its very nature seeks purity until even the whisper of objectionable content, in any context, is suppressed.
I would wager a guess that many people who are against anti culture are familiar with either these toxic conservative or fundamentalist attitudes towards media, and we are alarmed by their striking similarity with antis’ attitudes towards media. It is most certainly why I am against anti culture.
You think you’re depressed? Clouds cry themselves to death
People with AIDS didn’t die at die-ins.
Many popular posts on Tumblr claim that AIDS activists in the 1980s and 1990s regularly deliberately died in the streets as part of “die-in” protests. But this just isn’t true.
Here’s the definition of “die-in” from ACT UP (AIDS Coalition To Unleash Power) New York’s direct action manual, “Time to Become an AIDS Activist,” c. 1991:
A die-in is when protesters lie down on the ground to represent the thousands who have died or are being killed by the policies and neglect of the government or your target. Often people chant (“How many more have to die,” “We die, they do nothing,” etc.). Sometimes protesters carry cardboard tombstones with names or slogans, creating an instant AIDS cemetery, and others times the “dead” bodies are outlined in chalk with massages written in.
I’ve read several books and countless articles and interviews about AIDS activism, talked to ACT UP alumni, and participated in ACT UP die-ins. ACT UP is known for its boldness in bringing death from AIDS into the public sphere — from David Wojnarowicz’s jacket proclaiming “IF I DIE OF AIDS – FORGET BURIAL – JUST DROP MY BODY ON THE STEPS OF THE FDA” to the political funerals in which members marched their friends’ bodies through the streets. But I’ve never heard of anyone dying at a die-in.
Die-ins didn’t originate with AIDS activism — they were used at least as far back as the 1970s and are still used today, by activists fighting anti-black police brutality, gun violence, and more. But the concept is the same. Protesters lie down to represent dead bodies. But they don’t die.
It should be obvious after just a moment’s thought that people with AIDS did not (and do not) know exactly when they were going to die and therefore could not (and cannot) synchronize their deaths en masse. These posts never use the word “suicide,” but that is what it would have to be — not a mass death from disease, but a mass suicide. This just doesn’t make sense in a movement marked by fierce struggle for life.
So many of us don’t give it that moment’s thought because even after all these years, we lack the empathy to truly think of people with AIDS not as romantic political symbols, but as full complex human beings. Human beings fighting for life, being cared for by loved ones until the end, human beings whose deaths were (and are) personal as well as political.
Imagining their deaths as a planned political statement allows us to pass the buck on some level, to act as though it was OK. And it encourages us to relegate AIDS and AIDS activism to the past, like a flashback in a movie that doesn’t have to conform to the rules of reality.
But AIDS is not history. There is still no cure, no vaccine, and treatment is inaccessible for millions of people with HIV. A million people died from AIDS globally in 2016. Major HIV news goes unpublicized, and crucial prevention methods are price-gouged for pharmaceutical profit. Rampant HIV stigma adds fuel to the epidemic.
AIDS activism isn’t history either. ACT UP NY still meets every Monday. You can fight AIDS just by getting informed and starting a conversation about HIV in your community.
Let this be an opportunity to rethink your assumptions about HIV and AIDS and seek out real information. The more people do that, the closer we can get to ending AIDS for good.
“As a kid, you are bullied by people who don’t like you, and your friends are nice. Once you’re older, you’re bullied by your friends, and people who don’t like you are nice”
— http://ifttt.com/missing_link?1534362007
Source
Video of Tama
Follow Ultrafacts for more facts
The picture in the background of the second one
Tama is boss
THE TRAINS HAVE CARTOON TAMAS ON THEM
Sad update everyone, Tama recently passed away… An estimated 3,000 people, including railway officials, attended Tama the cat’s funeral on Sunday, days after she died of heart failure aged 16. [x]
For those who haven’t read articles about it, the local shrine elevated her to a god. She’s now the Eternal Stationmaster and patron god of the station.
Beautiful.
Now I’m crying thanks
and a new cat was hired right?
yep! her name is Nitama (essentially ”second tama” or “tama II”) and she served under Tama as an apprentice before being appointed her deputy
she works very hard
Everytime this crosses my dash, I reblog. It is the law.
I’m crying at 11pm over train cats
Nitama, already now a mature cat (born 2010), has a protege named Yontama (fourth Tama, b. 2016). There is no information available for either the physical befellment or tragic self-disgrace which has removed Santama from contention.
^Nitama majestic, and below with Yontama
Yontama.
a legacy
I’d just like to add that there is a ‘Santama’, whose name was ‘SUNtamatama’ (the capitalisation is not my own, it’s in the actual name). They were sent to Okayama prefecture for station-master training. The Okayama PR rep Mister/Ms Y, who was looking after SUNtamatama then refused to let go of the cat, saying something along the lines of, “This child is ours and I will not let them go, they will stay in Okayama”, and so SUNtamatama remained in Okayama.
This is SUNtamama below:
Source: https://mainichi.jp/graphs/20161017/hrc/00m/040/003000g/1
ほんまニャンでって言いたくなるわ。
Wanted to remind you that you are good at being a witch.
Ophelia (detail) 1864. Thomas Francis Dicksee
Two disabled friends build a forest around their village
In a thousand years there will be fables about these two
Yes, and we should start by telling it today..pass it around and pass it on…
Awesome quotes from rock legends!
Having fun with my press copy of Mordenkainen’s Tome of Good Boys.
A full impressions post is coming soon.
One of the images got corrupted. Probably because it was full of sins.
Cardiac Arrest - ianvicknair
https://www.battleforthenet.com/ No money or time needed. Please share this, it could save our lives.