Because it sticks to a short list of favored canonical writers, the gay
male archive binds itself to a narrow range of affective responses. And so fatigue, ennui, boredom, indifference, ironic distancing, indirectness, arch dismissal, insincerity, and camp make up what Ann Cvetkovich (2003) has called “an archive of feelings” associated with this form of antisocial theory. But this canon occludes another suite of affectivities associated with another kind o! politics and a different form of negativity. In this other archive we can identify, for example, rage, rudeness, anger, spite, impatience, intensity, mania, sincerity, earnestness, overinvestment, incivility, brutal honesty, and disappointment. The first archive is a camp archive, a repertoire of formalized and often formulaic responses to the banality of straight culture and the repetitiveness and unimaginativeness of heteronormativity. The second archive, however, is far more in keeping with the undisciplined kinds of responses that Leo Bersani at least seems to associate with sex and queer culture, and it is here that the promise of self- shattering, loss of mastery and meaning, unregulated speech and desire are unloosed. Dyke anger, anticolonial despair, racial rage, counterhegemonic violence, punk pugilism—these are the bleak and angry territories of the antisocial turn; these are the jagged zones within which not only self- shattering (the opposite of narcissism in a way) but other- shattering occurs. If we want to make the antisocial turn in queer theory we must be willing to turn away from the comfort zone of polite exchange in order to embrace a truly political negativity, one that promises, this time, to fail, to make a mess, to fuck shit up, to be loud, unruly, impolite, to breed resentment, to bash back, to speak up and out, to disrupt, assassinate, shock, and annihilate.