Asdfghjkl her perfectly straight face and even tone throughout should win an AWARD
noise dept.
No title available

★

Kiana Khansmith
Jules of Nature
todays bird
Claire Keane
Misplaced Lens Cap
occasionally subtle
Peter Solarz
TVSTRANGERTHINGS
hello vonnie

⁂
art blog(derogatory)
Alisa U Zemlji Chuda

No title available

祝日 / Permanent Vacation
RMH
wallacepolsom

roma★

seen from United States
seen from United States
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seen from United States

seen from Malaysia
seen from India

seen from United Kingdom
seen from Thailand
seen from T1
seen from Greece

seen from United States
seen from United States

seen from Uruguay
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@deannatroi
Asdfghjkl her perfectly straight face and even tone throughout should win an AWARD
lowkey better than the movie
i took one step out the front door and got soaking wet
Salman Toor (Pakistani, 1983), Immigrant Gathering, 2016. Oil on canvas, 122 x 81.5 cm.
oh deer.
Foxes disguised as monks. On the left from Japan and on the right from Denmark.
It was a global problem
90s music videos:
Deer Beds. Photographed by Katherine Wolkoff.
Mother of Pearl
Photography by Xuebing Du
Did you know that JRR Tolkien wrote an unpublished epilogue to Lord of the Rings? It's achingly, beautifully wistful in the way that only Lord of the Rings is. I revisited it recently because I'm guesting on my friends' LOTR podcast, and THAT reminded me that I drew a comic of the epilogue back in 2021 (all text is entirely canon). Anyway I thought folks on this website might enjoy it!
"How often have you heard the argument that we have to slowly implement gender and racial equality in order to not "shock" society? Who is the "society" that people are talking about? I can guarantee that women would be able to handle equal pay or a harassment-free work environment right now, with no ramp-up. I'm certain that people of color would be able to deal with equal political representation and economic opportunity if they were made available today.
So for whose benefit do we need to go slowly? How can white men be our born leaders and at the same time so fragile that they cannot handle social progress?"
Introduction- Mediocre, Ijeoma Oluo
sold
this coyote is painting some mushrooms on his vase
Its #BatAppreciationDay so please appreciate this awesome 19th century Japanese kosode decorated with embroidered lucky bats, photographed in 2019 at The Life of Animals in Japanese Art exhibition at the National Gallery of Art in DC:
Kosode with Bats Japan, Edo - Meiji periods, 19th century silk twill, paste-resist dyed, embroidery, 67⅜ × 48⅞ in. National Museum of Japanese History, Chiba Prefecture
“In the West, bats - nocturnal in habit and denizens of dark places tend to be viewed as unlucky, but in China they have long been considered an auspicious motif (one of the characters used to write the word "bat" is a homonym for good fortune). The Kabuki actor Ichikawa Danjüro VII (1791-1859) used bat motifs in his costumes, and the perception of these animals as a chic design element spread rapidly throughout Japan in the nineteenth century. Here a great number of them are arranged in right-left symmetry from the base of the collar to the hem.”
The above info is from the official exhibition catalog - this bat kosode is on p. 124:
The Life of Animals in Japanese Art (2019)
Resharing for International #BatAppreciationDay 🦇
settings > my shower > manage my shower
water 🟩
soap 🟩
corner spider ⬜️
me but i would turn the corner spider setting on #spiderlover #spiderfan #spidersarecool #spider #spiders