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Come catch these battles mane #jan23rd my brother @thakid_frommarz Finna catch another body
Hip-Hop Darwinism
Seasons greeting to all my neglected followers. As you all can see, consistency is not a my strong suit but when I do show my face I'm always baring gifts (Yes nigga, I'm Santa Clause). This time I want to focus on a big issue I have with Hip-Hop today.That issue is the lack of forward progression and experimentation from mainstream artist. Some of my favorite MC's seem to be stuck in Hip-Hop limbo and often are having their talents looked over. MC's such as Wale, Big K.R.I.T., and Rick Ross who still haven't ascended to the forefront of hip-hop where they should be based off their talent. All three are gifted MC's as well as many other I could name. Dozens of artist with their own distinctive voices, tend to only be able to go so far. At times it seems like this restriction is generated only by unwillingness for artist to test the waters. It sucks because we all know being gifted is nice but if said gift or talent is not tested or push to the limit, it's hard recognize it's true potential. Now from the perspective of a general fan, the three mentioned artist are amazing as they are. One would be foolish not to recognize the large amount of dedication and perseverance it takes to create anything that people perceive to be "good". With that being said, while I definitely have no stylistic qualms with their recent projects, they just seem so forgettable. They have no wow factor to them at all. It's hard to feel it necessary to revisit anything that sounds less than quality from an artist you hold in such high regard . A good example would be "It's better this way" from Big K.R.I.T. sounds a lot like "King Remembered in Time" which honestly wasn't that amazing in comparison to "The Return of 4ever" and "4eva and a Day". K.R.I.T. has mastered southern soul sampling, rapping about slabs, and being country. It seems that as his career has progressed he has stepped away from the introspective lyricism and detail driven production that made him stand out as an artist. It feels more like he has found a comfort zone in surface level topics, about sex and country pride, and 808 rattling beats. Now while his last mainstream album "Cadillactica" have a few experimental sounds, he still doesn't travel far out of his musical or topical range. He's no longer progressing; it's as if he's lost ambition. I think that in itself is crippling his career. Unfortunately, there are countless artist who are either in stuck mode or who fell off because their sound never evolved. I could go on for days about them but I think pointing out artist who have actually consistently evolved through forward progression would actually strengthen my argument more. I think the best example of the 2010 class would be Kendrick Lamar. I chose Kendrick because lyrically him and Big K.R.I.T. can go tic for tac and they both were XXL 2011 freshmen. Also, I chose Kendrick because none of his projects sound a like. It seems as though from "The Kendrick Lamar EP" to "To Pimp a Butterfly" Kendrick has made it a key thing to challenge himself muscically. Whether it be through various cadences, different vocal projections or through his vast instrumental selection and subject matter, Kendrick doesn't seem follow a defined sound pattern. "To Pimp a Butterfly" being the pinnacle of this notion, having an aspect of every black genre of music presented on one album. From Trap and Jazz to Funk and Neo Soul, he was able to almost cover the whole spectrum of the black contribution to American music. The project proved Kendrick to be ambitious as an artist and has proven him worthy of his early praise and comparisons. That type of ambition can also be seen in Veterans like Kanye West. Kanye, like Kendrick, has yet to release a project that resembles his previous works. From College Drop Out to 808's and Heartbreaks to Yeezus, Kanye has always given us something fresh. His ability to reinvent himself over and over again is unrivaled within the realm of Hip-Hop. IT has also gained him one of the largest and most loyal fanbase within Hip-Hop as well. People come back to Kendrick and Kanye because they present something unexpected with every project. Now while I speak as though experimentation will be the savior of Hip-Hop, we do have to take into consideration how some artist have failed with experimentation. Snoop Doggs conversion to Snopp Lion was just bad........ the music was bad...... the image was bad.... the reception was bad..... All in all, it was a painful experience. It was hard to watch a Hip-Hop legend move about as if he were a local open mic night regular who had no friends with the balls to tell him "this shit is not hot." Also remember there was the group Diddy-Dirty Money. I don't know particularly what Diddy's goal was with that movement but I'm pretty sure it failed. When you take into consideration how much preparation and promotion was put into that group and how it just fizzled out, it also makes stepping outside the box seem scary. But even in such cases ,I think it should more so be used as a lesson to still be true to yourself and let the evolution and progression come natural. Regardless of the bumps that may come, we all understand to move forward in general we have to understand the risk of the down falls and keep our eyes on the glory of the goal. Comfort-ability was once said to be the opposite of courage. If these artist have chose to make comfortable music, why do argue on social media; complain about their bad reviews; and swear they're underrated when they won't even put in the work to be recognized? Honestly all I want to know is why can't Wale put out a fucking fire album that displays him at the caliber he views himself. I wrote this whole post with that in mind, and I leave you here. Bye.
Drake in the Mystery of the Ghost Who Wrote:
So last week hip-hop was rattled once again by an overly emotional Meek Mill. Meek Mill, who’s quickly gaining a reputation for whining when contemporaries don’t “support his album”, went on long random twitter rant about not being compared to Drake because Drake doesn’t write his own lyrics. Now I could honestly give two shits about Meeks rants because they make him look like a bitch. For a person who claims in his break out single “I’m a boss” he seems always to forget bosses don’t talk and they definitely don’t complain. The thing that caught my eye was the attention that the rant garnered from the ghostwriting accusation.
Now to the average rap fan, battle emcee, or musical emcee, on the rise, that would be considered a No No. Honestly, from the perspective of an aspiring MC, who writes and arranges all his lyrics, I can understand the uproar. Being that hip-hop is usually such a personal perspective driven art form, it makes sense that you would expect an emcee to write their own lyrics. However, we haven’t taken into consideration the caliber of an emcee Drake is and the plateau in which his career is at. Plainly stated, if an emcee is consistently on the road, make guest appearance on television, as well as making business deals on the side he would have to work with other writers to release music in the timely manner that fans demand it.
Another thing to note is that Artist helping other artist create music is nothing new or hidden in Hip-Hop. Big Sean has openly spoke about writing on previous Kanye West Projects. Neither Alicia Key’s nor Jay Z had hand in writing the original version of Empire State of Mind [via]. Even Eminem had help writing Lose Yourself which is probably his most memorable song. According to Method Man in his Breakfast Club interview California Love was originally for Dr. Dre, and it’s also public knowledge that The Hot Boys wrote with and for each other. Even Lil Wayne’s biggest smash hit Lollipop was originally written by the late Static Major. I basically say all that to say I feel these accusations, whether true or false shouldn’t diminish Drake’s credibility as an Emcee. Especially considering he’s, on all his previous mixtapes, proven that he has bars.
Anything great is a product of multiple minds coming together for a greater purpose. To say an artist isn’t great because he’s given a little help is asinine. While, I’ve never personally had help writing lyrics, I figured out a long time the key to remaining relevant and making it to the next level is working with other writers. There’s no shame in it considering the goal is making a great finished product. If you have a weak point that some else is strong at, why struggle when they want the opportunity to prove themselves and you need the help? I understand people will still hold their stance that Drake isn’t an “authentic” emcee for working with other people and that’s fine and fucking dandy. I just ask if we’re going to take this stance we choose not to be fuck boys but use it to judge every artist guilty of the same.
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But Is It Bumping?: Future Dirty Sprite 2
By now if you’re on any social network app or website you are aware of the newest mob of fans the Future Hive. As you should be aware of, their living entity Future recently released his third studio project Dirty Sprite 2. DS2 is a result of Future’s recent success with his last three mixtapes Monster, Beast Mode, and 56 nights. Because the sudden burst of success, Future used this project to swap signature RnB/ Pop Rap sound, that brought him to mainstream success, to continue displaying his recent, more polished presentation, of his Trap Roots. The album isn’t a collection of singles like his first two commercial releases Pluto( which contained Never End, Tony Montana, and Turn on the Lights) and Honest (which contained Move that Dope, the single Honest, and Sh!t) but more so seems to be a focused and sonically consistent effort, created to be cater to his core fan base.
For new fans, this a solid mainstream introduction to Future. The project is aesthetically consistent, it slows down and picks at the right times. Lyrically at times it’s funny but no minding blowing punchlines or metaphors live on this project. The main focus of the project is Future’s knack for always finding the best cadence to fit the beat and his ratchet content. The down falls of the project, a complete lack of his frequent collaborator Mike Will Made It, a major lack of guest artist, and the fact he used three singles from his recent mixtapes (Trap Niggas, Real Sisters, Commas). All in all, I rate this project a 7 out of 10. It’s a solid project from Future, the first full trap studio album I’ve heard in a while. No particular song stands out to me but the songs that had already been from his previous works. I recommend it for riding around and parties definitely not for moral contemplation.
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YO!!!! J. Cole - G.O.M.D.
Drake: The Second Coming of Hov
Long time no post guys, I offer my sincerest apology for that. But past that, today I want to talk about the self-proclaim “6 God” Aubrey Graham. We’re all in some shape form or fashion a Drake fan whether it’s acknowledged or not. The man is the Valedictorian of the 2010 class of Hip-Hop without a doubt; he has songs that will live forever in hip-hop and RnB syndication; and lastly the only recent artist in Hip-Hop still doing what I like to refer to as 90’s numbers (opening week sales have ranged between 400k-700k). The man is honestly at top of the hip-hop list right now. While I could continue praising Drake, this post was not made to gargle his balls but more so to make an observation. That is observation is that Drake is the second coming of Hov. Yes, I said it, Drake is the savior of Hip-Hop in a generation Y form. Drake’s rap style, arrogant lyrics and media darling attitude in interviews reflect no other artist than Jay Z. Also, from the beginning of his career I couldn’t name any rapper whose nuts he has hugged longer than Jay Z’s. He’s also following in his footsteps of being as far as record sales go and his approach to hip-hop beef by destroying competition on popular tracks without mentioning their name. Also if you look at it from a biblical perspective you have to remember Drake is a Jew and Jesus was a jew. Lil Wayne was thought to be the second coming of Hov but he in fact made the way for one better; therefore, Weezy was technically John the Baptist of Hip-Hop. Lastly no other rapper is criticized more than Drake for his emo lyrical content. One could figuratively say he’s been nailed to the cross but as his fame shows us he’s been resurrected every time. I’m a Christian so I don’t mean any disrespect with that analogy but it serves a purpose in my belief that Drake is the second coming of Hov and hip-hop’s savior. You may disagree but (oh yeah I have a corny ass pun) If you’re Reading this you’re too Late.
Kari Faux - Gahdamn (Official Video)
KARI FAUX - NO SMALL TALK (MUSIC VIDEO)
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My Dawg I watched develop as an artist over the years I'm proud of him doing his thing @iammakray Faceless EP drops at 7:30 tonite
Gucci Mane's whole discography from 2005 to 2015. Big Guwop has definitely marked himself as an southern legend if not an hip-hop legend in General.
VIRGHOST (CRAZY)\ OFFICIAL VISUAL.