Cosmic Funnies

Origami Around
PUT YOUR BEARD IN MY MOUTH
DEAR READER

Kaledo Art
we're not kids anymore.

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blake kathryn
I'd rather be in outer space 🛸
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One Nice Bug Per Day
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Today's Document

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❣ Chile in a Photography ❣
Mike Driver
RMH

Janaina Medeiros

JBB: An Artblog!
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@demirbas
Berkshire Landscape by Tim Flach (2008)
godspeed to you ak bars. please crush alexander radulov's hopes, dreams, and ugly fucking head
просто интересно че у людей в башке когда они такое пишут
what goes through my head is the fact that I've watched radulov injure, with intent, several of his opponents. and that he's clearly a locker room cancer. there's demanding excellence from your teammates and then there's whatever the fuck he does. and that he fucked over the predators twice with behavior that indicates he doesn't think any rules apply to him.
there is no room for athletes with severe cases of roid rage in sports (which i firmly believe is at least partially the reason for his behavior and his success post-injury) and i hate this man.
obviously i wasn't wishing actual injury (i hope you have heard of hyperbole) but like... not gonna lie that i may simply say "karma's a bitch" if it happened
ниче толкового в башке у людей, которые второй год подряд пишут пожелания смерти радулову
godspeed to you ak bars. please crush alexander radulov's hopes, dreams, and ugly fucking head
просто интересно че у людей в башке когда они такое пишут
If Gwyn Phillips was around 66 million years ago things would be different
green monsterrrr
Concept art for Cinderella (1950), by Mary Blair
Club I Love You, 2005
“However bad life is, what’s important is to make something interesting out of it. And that has a lot to do with the physical world, with looking at stuff, snow and light and the smell of your screen door and whatever constitutes your phenomenal existence from moment to moment. How consoling—that this stuff goes on and that you can keep thinking about it and making that into something on the page.”
—
Anne Carson explains an idea that she and Alice Munro have in common (attachment to the physical world and the details in life), from The Art of Poetry No. 88, Paris Review (via wethinkwedream)
It’s all a matter of perspective
Slides were used to teach history of art and architecture since around 1880s until they were replaced by digital modes such as PowerPoint. Since the founding of the Fogg Art Museum in 1895, the Fine Arts Library has served the needs of teaching faculty, art museum staff, undergraduate and graduate students, researchers, and historians at Harvard and around the world. By 1920s, many universities had slide libraries, including Harvard. Since then, over the decades, FAL has acquired over 600,000 slides, mainly from the courses taught by Harvard faculty for teaching.
In the past couple years, the Fine Arts Library’s Digital Images and Slides Collection has been engaged in a large-scale move of our 35 mm slides to off-site storage at the Harvard Depository.
This collection of over 600,000 slides documents the history of world art and architecture up to the early 2000s. Access for retrieval of items needed by future researchers is being provided through creating HOLLIS records. We have digitized most of the slides, but the archiving of this significant teaching format, nearly in its original arrangement, will serve as a valuable record both of the past art historical interests of faculty and students, and as a tangible reminder of bygone classroom teaching practices.
These are some samples from our slide collections. We’ll be showing some of these slides at our Open House on September 18th.
You can't convince me Canada is a real place