#same energy
official daine visual archive
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Kiana Khansmith
let's talk about Bridgerton tea, my ask is open
EXPECTATIONS
Doug Jones

izzy's playlists!

if i look back, i am lost
"I'm Dorothy Gale from Kansas"

bliss lane
Keni

Love Begins
cherry valley forever

ellievsbear
Interview Vampire Daily
𓃗

Origami Around
NASA
Monterey Bay Aquarium
Lint Roller? I Barely Know Her
seen from United States
seen from Singapore

seen from Germany
seen from Uruguay
seen from United States

seen from Tunisia
seen from United States
seen from United States
seen from United States
seen from Pakistan

seen from Australia

seen from Pakistan
seen from Canada
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seen from South Africa
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seen from Romania

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seen from Russia
seen from Nepal
@desparatelyinlove
#same energy
favorite ts lyrics: delicate
Taylor gave $100,00 to help launch the Times’ Up Now Legal Defense Fund, which is founded by Hollywood women to help subsidize legal costs of women and men assaulted in the workplace. (x)
Jack Antonoff on his jam-packed 2017 and the Taylor Swift song he calls a 'hint at the future'
EW: What were the reputation sessions like? When I listen to “This Is Why We Can’t Have Nice Things,” I imagine you guys having a blast in the studio. But other songs, like “Call It What You Want To,” make me want to see if Taylor needs a hug. It’s an intense album, and that’s what I care about. In the course of a day — in the course of two minutes — you can feel like you can conquer the world, or you can feel like the biggest piece of garbage that ever existed. An album or song should feel that way too. It should have the whole gamut of what it actually is like for the artist to be alive at that moment. The sessions were just her and I. She would come over to my apartment, and we would talk and eat and talk more, and the things we talked about turned into songs. She is great at remembering the heart and soul of the process. Some people forget it — sometimes something works and everyone starts to rewire it. But she’s really great at knowing what it’s about: talking about what the hell is going on in your life and somehow finding a way to take that exact emotion and make a song out of it. That was the theme of those sessions: “Let’s just tell this story, whatever that story is, because that’s the whole point.”
EW: Would you start from scratch or would she show up with ideas and demos? 1989 was different. I would send her tracks, and she would write to that. We did reputation sitting in the room together. There were lyric ideas or things like that [that she would bring], but I would say the majority of it came from scratch. Things would just happen in the room. It was a special time. EW: The last song on the album, “New Year’s Day,” doesn’t sound like anything else on the record. Was there ever a conversation about taking this stripped-down song and building it up into something more in line with the rest of the album? No, no, no. Not only that, but it was the quickest [song to record]. If you listen to the piano on that record, you can hear me moving around. You hear things clicking. Those are the “scratch takes” — we did that very quickly. It came out in that sort of goofy Hollywood version of how music is written, where it comes out of moments of inspiration. Part of the process is you do that [scratch take], and then you do it for real. But we just sat there: That’s the song. You want a song to sound like itself. You don’t want to get the perfect tune. You don’t want to get the absolute perfect vocal take or the perfect panning or compression. You just want it to sound like itself. You want to feel like you’re home within the song. That theory works for “Closer” by Nine Inch Nails, and that theory works for Joni Mitchell. It has nothing to do with genre, or how loud or soft it is. You just want the song to feel like itself. I don’t know what we would be thinking if we tried to f— with it. I’m so proud of it because, personally, I think it’s some sort of hint at the future.
Full interview
“In 10 years you’ll be 28, what do you think you’ll be doing”
It’s wonderful to see you’ve stayed true to yourself Taylor, happy birthday
@taylorswift @taylornation
I love you guys so much. Thank you for making this, what an amazing way to start my birthday. ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️
happy birthday babe. thank you for reputation. ⭐💛⭐💛⭐💛⭐
What I’ve learned is not to change who you are, because eventually you’re going to run out of new things to become. Happy 28th Birthday, Taylor Swift!
Happy birthday Taylor!
anyway today I tried to put on pajama pants over the pajama pants that I was already wearing
Been there.
Taylor Swift - ‘Gorgeous’ - (Live At Capital’s Jingle Bell Ball 2017)
@StephenMiron: One of my best ever JBB moments with @taylorswift13 ruined by the very funny photobombing @edsheeran !!@CapitalOfficial #CapitalJingleBellBall
Taylor’s Instagram story 12.7.17
see you on Aug. 10 in ATL- section 125, row 16, seat 13 💗💗💗 @taylorswift
@desparatelyinlove
First and last lyrics of each album
jackantonoff: another late congratulatory post to @sam_dew and @taylorswift for being an incredible team on writing i don’t want to live forever. from facetime to grammy nomination pretty nuts. love you both.