black lives matter
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black lives matter
INDUSTRY 1.02 — Quiet and Nice
BORDERLINE (1930) dir. Kenneth Macpherson
“The French called this time of day ‘l’heure bleue.’ To the English it was ‘the gloaming.’ The very word ‘gloaming’ reverberates, echoes—the gloaming, the glimmer, the glitter, the glisten, the glamour—carrying in its consonants the images of houses shuttering, gardens darkening, grass-lined rivers slipping through the shadows. During the blue nights you think the end of day will never come. As the blue nights draw to a close (and they will, and they do) you experience an actual chill, at the moment you first notice: the blue light is going, the days are already shortening, the summer is gone.”
— Joan Didion, Blue Nights
at least we're together
apple trees / june 2025
shadow of a doubt (1943)
Princess Grace of Monaco by Philippe Halsman in 1959.
Folk singer Joan Baez on the beach near her home in Carmel, California, in 1962; Photo by Ralph Crane
Atmospherics
Lauren Bacall by Pat Clark during the filming of Confidential Agent, 1945
Schuyler Peck, Worth the Wait
Chris Long, Snow Midnight, 2025, Oil on cradled wood panel
dear gods please take my pain, double it triple it quadruple it and give it all to neil gaiman and then do that 10 more times
Sunrise at the ocean. Polaroid SX-70.