im losing my fucking mind over this video
WHAT IS GOING ON?

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn

❣ Chile in a Photography ❣
NASA

Origami Around

Discoholic 🪩
Cosimo Galluzzi

#extradirty

Jar Jar Binks Fan Club
Fai_Ryy
Keni

Love Begins

ellievsbear

PR's Tumblrdome
d e v o n
𓃗
hello vonnie
PUT YOUR BEARD IN MY MOUTH
taylor price
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@dickromeo
im losing my fucking mind over this video
WHAT IS GOING ON?
I changed my mind, TikTok is Vine 2, which is amazing.
/kicks down door/ did yall heard about these glowy eyes undead boyfriends
I promised @LolaTempest on twitter a painting of her Pirate Mccree skin a long while ago, and now I finally get to do it justice! Culminating everything I’ve learned and studied about being more painterly in this past month was fun and challenging.
Resources For Writing Deaf, Mute, or Blind Characters
Despite the fact that I am not deaf, mute, or blind myself, one of the most common questions I receive is how to portray characters with these disabilities in fiction.
As such, I’ve compiled the resources I’ve accumulated (from real life deaf, mute, or blind people) into a handy masterlist.
Deaf Characters:
Deaf characters masterpost
Deaf dialogue thread
Dialogue with signing characters (also applies to mute characters.)
A deaf author’s advice on deaf characters
Dialogue between deaf characters
Mute
Life as a Mute
My Silent Summer: Life as a Mute
What It’s Like Being Mute
21 People Reveal What It’s Really Like To Be Mute
I am a 20 year old Mute, ask me anything at all!
Blind Characters:
The 33 Worst Mistakes Writers Make About Blind Characters.
@referenceforwriters masterpost of resources for writing/playing blind characters.
The youtube channel of the wonderful Tommy Edison, a man blind from birth with great insight into the depiction of blind people and their lives.
An Absolute Write thread on the depiction of blind characters, with lots of different viewpoints and some great tips.
And finally, this short, handy masterpost of resources for writing blind characters.
If you have any more resources to add, let me know! I’ll be adding to this post as I find more resources.
I hope this helps, and happy writing! <3
Tips On Writing Fight Scenes
– I decided to finally make a list of tips on writing fight scenes for all of you who come to me with questions. I am definitely not an expert, though, so I’ve included another resource at the bottom that you can visit if you have further questions. Happy writing!
Ko-Fi || Masterlist || Work In Progress || Request
Don’t Write Meaningless Action Scenes
Your story isn’t a movie. Time shouldn’t be taken up by action that doesn’t have a purpose. Your fight scene should resolve some form of conflict or have some function other than pure entertainment. Action scenes in books don’t have the visual factor, so you need to fill that gap with emotion and significance to the plot.
Reveal Characterization
Fight scenes are a fantastic way to add depth to your characters. Real, genuine emotions and traits come out when a person is in an intense situation, and fight scenes are definitely intense for characters. The way your character feels and reacts during a fight, as well as what is going through their head, are great details to display to your reader in order to make their personalities more three-dimensional.
Emotion Emotion Emotion
Fight scenes in books are about emotions. Emotional significance, emotional reactions, and emotional consequences. Fear, uncertainty, desperation, pain, suspense, stress, etc. are all emotions your character will endure and you should make these visible to your reader or the scene will bore them.
Do Your Research
Know where the suspension of disbelief ends. It’s important to know details like “If you jump off a building and land on your feet, your chicken legs will shatter, so your character, being a smarty pants, will know to tuck and roll.”
There’s no better way to explain this than to just say that if you have a question, any question at all, ask it. Find a reliable source, use your common sense, and try to write as accurately as you can.
Avoid Cliche’s and Conveniences
Simply, avoid the tropes that make your readers roll their eyes. Such as a completely inexperienced kid suddenly being able to take on 3 all powerful beings and leaving the battle without a scratch. Also, please make sure that your characters that are very skilled in combat have established limits and weaknesses. It doesn’t matter how talented you are with a sword, it is not possible, or at least very very difficult to take on a whole army of dead soldiers. Just keep that line between impressive and impossible in mind.
Create Some Actual Stakes
There are a lot of fight scenes out there that have little to no actual suspense because there’s nothing at risk. Yeah, maybe someone might get hurt or a castle will be lost, but there’s no bigger picture there or significant emotional loss to be experienced. If your characters are going to put their lives at risk to fight a battle they’ll likely lose, then there must be a really freaking good reason, and that needs to be clear to the reader. Context and connection will make the scene more intense for the reader, and that is key.
Use Your Fancy Writer Skills
Fight scenes are a really great opportunity to show off your technical skills as a writer, as they rely a lot on pacing, word choice, and description. You get to work with varying sentence structure, fancy words you don’t usually have the occasion to use, and descriptions that include more than one sense in a single sentence.
Pacing
Sentence structure and choreography are an important part of fight scenes, because they convey a sense of place and realism to your reader’s experience. When it comes to sentence length, short, chopped sentences invoke suddenness, like quick actions that are happening in your story. Longer sentences, with more detail, slow it down and add for build up before another boom of action.
Word choice
Use powerful words to accompany your powerful scene. Slice, shatter, pound, strike, crush, attack, escape, etc. These are all powerful words that will evoke more imagery in your reader’s mental depiction of the scene. Additionally, avoid adverbs at all cost. This is an occasion where you simply can’t afford them.
Sensory Description
Work mostly with details that trigger the reader’s 5 senses. What the character smells, hears, sees, feels, and tastes. A lot of people feel this is difficult to do in such a fast paced scene type, but you can be dynamic with it by saying things like “The copper taste on his tongue and the blaring sirens in the distance didn’t phase him as he continued strike the man’s already bruised face”.
For More Information On The Subject
@howtofightwrite is a really great blog that focuses on writing fight scenes. They have a bunch of great resources and advice and I definitely recommend checking them out.
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MY CURRENT WORK IN PROGRESS (Check it out, it’s pretty cool. At least I think it is.)
FINALLY! I get asks about this all the time, and it’s just not my area of expertise. So glad someone put this together!
20 Basic Plots
1. QUEST - the plot involves the Protagonist’s search for a person, place or thing, tangible or intangible (but must be quantifiable, so think of this as a noun; i.e., immortality).
2. ADVENTURE - this plot involves the Protagonist going in search of their fortune, and since fortune is never found at home, the Protagonist goes to search for it somewhere over the rainbow.
3. PURSUIT - this plot literally involves hide-and-seek, one person chasing another.
4. RESCUE - this plot involves the Protagonist searching for someone or something, usually consisting of three main characters - the Protagonist, the Victim & the Antagonist.
5. ESCAPE - plot involves a Protagonist confined against their will who wants to escape (does not include some one trying to escape their personal demons).
6. REVENGE - retaliation by Protagonist or Antagonist against the other for real or imagined injury.
7. THE RIDDLE - plot involves the Protagonist’s search for clues to find the hidden meaning of something in question that is deliberately enigmatic or ambiguous.
8. RIVALRY - plot involves Protagonist competing for same object or goal as another person (their rival).
9. UNDERDOG - plot involves a Protagonist competing for an object or goal that is at a great disadvantage and is faced with overwhelming odds.
10. TEMPTATION - plot involves a Protagonist that for one reason or another is induced or persuaded to do something that is unwise, wrong or immoral.
11. METAMORPHOSIS - this plot involves the physical characteristics of the Protagonist actually changing from one form to another (reflecting their inner psychological identity).
12. TRANSFORMATION - plot involves the process of change in the Protagonist as they journey through a stage of life that moves them from one significant character state to another.
13. MATURATION - plot involves the Protagonist facing a problem that is part of growing up, and from dealing with it, emerging into a state of adulthood (going from innocence to experience).
14. LOVE - plot involves the Protagonist overcoming the obstacles to love that keeps them from consummating (engaging in) true love.
15. FORBIDDEN LOVE - plot involves Protagonist(s) overcoming obstacles created by social mores and taboos to consummate their relationship (and sometimes finding it at too high a price to live with).
16. SACRIFICE - plot involves the Protagonist taking action(s) that is motivated by a higher purpose (concept) such as love, honor, charity or for the sake of humanity.
17. DISCOVERY - plot that is the most character-centered of all, involves the Protagonist having to overcome an upheavel(s) in their life, and thereby discovering something important (and buried) within them a better understanding of life (i.e., better appreciation of their life, a clearer purpose in their life, etc.)
18. WRETCHED EXCESS - plot involves a Protagonist who, either by choice or by accident, pushes the limits of acceptable behavior to the extreme and is forced to deal with the consequences (generally deals with the psychological decline of the character).
19. ASCENSION - rags-to-riches plot deals with the rise (success) of Protagonist due to a dominating character trait that helps them to succeed.
20. DECISION - riches-to-rags plot deals with the fall (destruction) of Protagonist due to dominating character trait that eventually destroys their success.
by Pavel Simakov
The first time hanzo and mccree meet.
Referencing that one vine and based off @m-cree ‘s idea
Me, a humble draugr, quietly minding my own business in my barrow tomb, doing my daily chores (lighting the candles, taking the frostbite spider for a walk, making the large swinging axes swing in the corridor of large swinging axes), having a sleepover with the lads in the deathlord’s chamber
YOU, loud, alive, obnoxious, barging into our tomb eating an entire wheel of cheese, making a mess, plundering my life savings from my burial urn, setting fire to frosty (the frostbite spider), re-killing me and the lads, WAKING the deathlord
Fantasy AU
Hanzo Shimada has been hired to assassinate bounty hunter Jesse McCree. The job proves to be more complicated than expected as the man reveals to have information about Hanzo’s long missing brother. In exchange for his life McCree promises his help in finding out what happened to Genji.
Heather Penn - http://happydorid.tumblr.com - https://twitter.com/heatpenn - https://www.kickstarter.com/projects/607081461/tea-spirits-2015-calendar - https://www.inprnt.com/gallery/happydorid - https://dribbble.com/fastbee - https://www.instagram.com/heatpenn
@darkspeartigress
It’s Murder time at college so everything’s chaos
A few people have been asking so let me explain
Murder’s a game my college does every year where everyone’s given a plastic knife with someone’s name on it. The knives are shoved under your door at midnight and for the next week you have to try and ‘kill’ the person on your knife. If you kill them, you get their knife and have to kill that person, and so on, until there is one lone survivor. You can’t kill someone in the dining hall or in their room, or if they’re naked. I’m pretty sure the prize is a bottle of vodka.
It gets super intense; some floors unscrew most of their lights to make it harder to find the right person, or keep the fire emergency doors closed with black garbage bags taped up so you can’t even see into the floor. Some people walk around in nothing but a towel so that if someone comes at them they can just drop it and be immune. People walk in groups. Everyone’s suspicious of everyone. Friends are no longer trusted. No one and nowhere is safe.
it begins
The purge college AU
I would ask why you would do this, but…college.
Hanzo cowboy skin
News Anchor in my area loses it over a Fat Cat that likes to swim.
I don’t know what’s funnier, how she said physical activities or the snort.
I love how she gradually loses it. She gives it her best try and then you can just hear where her composure starts breaking down.
i always lose it when her voice trips into the fifth dimension as she says physical activities
This made my day so much fucking better
I had this idea since january and I was finally able to finish it! My only excuse is that I love centaurs and drawing horses is both fun and very hard.
Jesse can’t braid his hair because he hasn’t gotten used to just one arm so it gets on his face all the time. It’s ok, Hanzo loves braiding his hair. They take care and love eachother very much.
Leave a tip (Ko-Fi) / Twitter / Instagram
Día De Los Muertos.
in which Gabriel decorated and made this altar for his ancestors with the help of Jesse
@paychiri
least he’s got someone to remember now.
How dare you
I AM FUCKING CRYING
thank god people are finally bringing back hoon
I don’t know what I was expecting
if you werent expecting mccree to say “its hoon” i dont know what to tell you