💎 gem hair for V 💎
as soon as I saw Tae w his hair color I knew I had to draw this xD this comeback is calling my name tho! Dionysus is so good!!!

pixel skylines

roma★
PUT YOUR BEARD IN MY MOUTH

tannertan36
he wasn't even looking at me and he found me
art blog(derogatory)
Keni
I'd rather be in outer space 🛸
DEAR READER

Kiana Khansmith
Claire Keane
NASA
"I'm Dorothy Gale from Kansas"
No title available
trying on a metaphor
Today's Document

❣ Chile in a Photography ❣

izzy's playlists!
TVSTRANGERTHINGS
d e v o n
seen from Australia

seen from Malaysia
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United Kingdom
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from Netherlands

seen from Türkiye

seen from United States

seen from United States
@dioptasyart
💎 gem hair for V 💎
as soon as I saw Tae w his hair color I knew I had to draw this xD this comeback is calling my name tho! Dionysus is so good!!!
was thinking about gijinkas and decided to take a crack at it since I had some time on the subway today
also since it’s vaguely asian enough uhh happy lunar new years everyone!~ ;;v;;
I’m sure a ton of people already know how to do this, but I only learned recently, so I wanted to share one of my favorite thumbnailing tricks! Color matching is SUPER helpful to quickly map out potential color schemes :D
[EDIT] this is in Adobe Photoshop, sorry for forgetting to mention that!
friday night tutorial time
this post is massive but i tried to cover both the conceptual and technical side, hopefully it’s somewhat coherent
continued under cut
Keep reading
It’s sad that toxic game culture is so prevalent cuz like. As someone who has ended up in random matches with kids before, I can attest to how fucking easy it is to reverse and un-teach shitty attitudes in kids.
Example: I downloaded Friday the 13th because it’s free on psn. I dunno how to play, so I just enter quick play and I’m matched with 3-4 kids on mic. Immediately on mic they’re shitty and disparaging to each other. They laugh at each others deaths, they actively work against team mates and self sabotage, they call each other “fags”, etc. From the sounds of the voices they cannot be older than 13-14.
I put on my mic and just decide I ain’t havin it. I am nice. I thank them for barricading doors or leaving me items. When they break free from Jason’s grasp I say “good job!” or I try to help them. One kid survived for most of the match by himself. When he dies, I tell him he did a fantastic job.
The mood shift is practically INSTANT. These kids almost immediately stop being dick heads. They start encouraging each other and being kind. After the match all of them try to friend request me. Which should tell you a couple of things:
A) kids want to be kind, and they want to have a nice time playing games. But encounters with adults like me or so rare that they’ve trained themselves to instantly put on a toxic, shitty, defensive veneer when encountering any new person online. It’s literally just THAT EASY to not groom a horrible gaming community, it’s just that NO ONE does it.
B) the speed of which they all tried to friend me was cute, but paints for me such a sad picture? Like these kids are SO desperate to find people to play with who aren’t crappy jerks. They played with me for 10 minutes TOPS and all instantly tried to reach out to me.
tl;dr: The kids are alright. Adults are shit heads.
I cant agree with this post more
妖怪 04 牛妖
The Earth Ox is honest and prudent, with a strong sense of responsibility.
妖 03 牛🐃
decided to be ~fancy~ with some silver ink and my sister’s markers✨
怪 02 鼠妖
an exercise in character design xD according to a zodiac chart, water rats are "always aware of all events. She is erudite, intelligent, inquisitive and has her own opinion on everything." (zodiacs have fixed elements!)
Hey~ can you tell us about the straw hats with veils coming down to cover the wearer's face we see mostly in wuxia? I have seen some very pretty ones with added accessories like pearls and flowers too. What are they called?
Hi, thanks for the question!
The traditional Chinese veiled hats that we mostly see in Wuxia are called Weimao/帷帽. I wrote about the history of Weimao in this post. Please also see this post by fate-magical-girls for further information on the history/evolution of Chinese veiled hats.
As you’ve noticed, it’s recently become trendy among Hanfu wearers to decorate Weimao with various kinds of accessories such as pearls and flowers. The effect is really pretty!
Weimao can be worn by men as well:
For more references, please check out my Weimao tag!
Hope this helps!
Images: 1, 2, 3, 4, 5
妖 01 鼠
back at it again this year!~ my theme is 妖怪 [yaoguai] and will probably do zodiac animals first before drawing more mythological creatures. Yaoguai are demons or spirits who were originally creatures, plants, or objects that gained enough celestial energy over millennia to take on human forms.
(this paper was much more absorbant than I expected, I’ll play around with other pens tomorrow then)
What the hecks going on with critical role and those tweets? did something happen? ive been out of the loop trying to catch up
So last week, at the beginning of the episode, Matt offered some words of encouragement to Dr. Ford (who was testifying against her rapist and supreme court nominee Brett Kavanaugh).
Apparently, some people in the chat started being assholes and complaining that Matt shouldn’t ‘politicize’ the game with his opinions. So he replied with this:
Of course, the cast supported him
And he finished up with a few more statements
Overall, Matt and the others were very respectful while still standing up for what they believe and, like, basic human decency. We stan a good bunch of people.
最后声明几件事: 首先,我做这些东西只是兴趣使然,不做生意不接订单也没那个功夫(发到这里也是应网友之邀),有人喜欢可以自己学着做或者找人做,楼主支持和鼓励任何人自己动手模仿改进! 其次,身怀利器,杀心自起,如果真有谁做出来了,楼主劝你谨慎使用,出任何事故楼主概不负责!
OP 刃如秋水
Sword hidden in the hair stick~
Making tutorial in the link [in Chinese].
art tip: gray is the secret to color richness. if you put a ton of super rich colors next to each other, they all look pretty bright…but if you put a rich color next to a desaturation section, it’s gonna pop out like crazy. everything is relative!!
[patreon]
3D Learning Resources
This is not coding related, I know, but gamedev-learning related enough to be here! :) I’ve been asked about learning resources for 3D modeling and tried to make a list of tutorials I could remember - I’m highlighting the ones I’ve tried myself but I’ve heard good things about all of these. This list is low poly focused but the knowledge can be applied for anything else.
I haven’t been doing this for long - I started learning 3D last July and have been ever since but as a 2D artist the technical side of it still overwhelms me a lot. I’ve gone nowhere near animation yet but I’ve been adventuring with low poly quite a lot (which you can check out in #GemuNoGemu, image above - I also put up assets pics in a Trello here as well as stuff on my website). I mainly use Maya (now Maya LT) but I’ve been trying to tackle Blender too. Here are some helpful goodies:
Maya:
I started learning Maya with this series of videos on youtube by Misterh3d. I watched through units 1-7 and it’s a pretty great introduction! Nicely paced, covers a bunch you gotta know.
A series on Low poly for game assets using Maya 2015
Blender:
Blender 3D - Noob to Pro: for the basics! :)
And another Blender course for beginners
The popular Secrets to Creating Low Poly Illustrations On Blender - great intro to making some low poly goodness :)
Blender Cookie - CGCookie is a website that has a bunch of awesome tutorials (loads for free) on many softwares, including Unity. Take a look at this Low Poly Game Asset Creation tutorial.
Some character creation tutorials by ward7299
Bunch of really cool low poly tutorials here by Manuel Graphics!
A Minecraft character modeling and texturing tutorial
All things 3D/low poly:
Creating a low poly treasure island
PigArt: rad speedart/timelapses of adorable looking low poly art, lots to learn from watching these :)
Digital Tutors has loads of 3D modeling tutorials, some free some paid. Tried a few of those and they’re pretty cool!
Cool Misc stuff:
Blender Cycles rendering introduction
Creating flat colored low poly art. This is how I currently color all assets for Gemu (I used to color using materials or vertex colors before because I can’t stand UV unwrapping but this is a pretty easy alternative)
Please do check the Polycount forum, so many cool references and useful info! Also do check their low poly thread :)
There’s also reddit’s /low_poly
Study Files:
Cocefi kindly uploaded a low poly model for download here :)
You can download models on Sketchfab! Here are some popular low poly ones
Lots of cool Cinema 4D project files for download here
(I’ll share some Gemu stuff soon! Lemme know if you have any files you’d be willing to share :D)
Rad people making awesome 3D stuff:
@PIXELATEDCROWN
@turnislefthome
@chickysprout
@metkis
@korigame
@GarretRandell
@IMPLODINGORACLE
@ultrakurtzwelle
@khalkeus3d
@AckkStudios
@q_dork
@andmish
@heatpenn
@dicey
This is it for now! :) I know it’s short but I hope I can keep it growing - I’ll add more stuff to it as I find other tuts (let me know if you have any suggestions!).
Hhhhoooly moly, I just read your Nuzlocke comic and sweet googly moogly, your style is gorgeous! I love it, it's so nice and painterly, and so detailed! I'm very excited to read the comic as it comes out. Interesting that you're doing something different with the setting, too, that's really nice to see!
aaa omgg thanks so much, you’re so sweet!!! i had to read this over and over bc i really appreciate this a lot!! i was kinda hesitant to make this comic bc of the setting and style so i’m glad that you and others have liked it so far <3
no offense but broadway and other forms of high theater should be more accessible and should at the very least be taped and released for easy home viewing when they close
people are going to pirate broadway shows regardless bc most people cant AFFORD to drop hundreds of dollars on tickets, and a working-class family in flyover country is probably not gonna have the chance to see a musical in broadway or chicago or california etc. very often!
but their parents could probably buy them a DVD for their birthday! so why should children (especially young actors) be deprived of art bc of their class or location? wouldnt allowing people who literally cannot access theater to buy or rent high-quality, official recordings benefit the arts better than forcing them to pirate it?
and so many of these shows close and are all but lost to the majority of the population! thats fucked up. just record them!!!! fuck!!!!!
there’s a section of the new york public library that has access to theaterical recordings…..but it’s only accessible to students and theater professionals who need it to study. cmon!! people should be allowed to view this stuff.
for a lot of people, getting to watch legally blonde the musical on mtv or listening to a recording – accessible, affordable forms of theater – made them dedicated lovers of the arts. they inspire actors and singers and animatics and composers. why deprive these people????
and people might say “well no one will buy tickets!!” which is absurd. i watch hockey games on television all the time and i still buy tickets to see it in-person because live is a whole different experience! and like…..you dont know theater people. they’ll gladly see the same show 50 times. lots of people see shows BECAUSE they already access it through stuff like bootlegs or albums already so whats the point! its not like they wouldnt make bank off of theater nerds buying recordings anyway!
anyway, high-end musicals should be recorded and released on dvd and streaming services and played on public television thank u
also recorded shows can have subtitles, descriptive audio, and translations for accessibility
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”
“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”
“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”
The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”
Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”
“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”
Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”
“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?”
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer.
“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”
“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”
“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”
“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”
“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.
“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.
“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”
“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.
“His name was Arepo,” it said, “He was a sower.”
Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.
“Bury him,” the god said, “Beneath my altar.”
“All right,” Sora said, and went to fetch her shovel.
“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”
Sora sat back on her heels and looked at the altar to listen to the god.
“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.
“I think you are the god of something very useful,” she said.
“What?” the god asked.
Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”
Oh gosh I’m crying…
Hey, I usually don’t tack onto long posts like this, but I had to give this a {very worthwhile} read because of the name of the farmer and the significance thereof.
The Sator Square is paradoxical—scrawled in ancient ruins, it’s able to be read forwards, backwards, up, and down, one of the first historical examples of palindromes.
SATOR means a sower, a planter
TENET means “to hold”
OPERA is “work” or “care”
ROTAS are wheels
But AREPO? Nobody really can translate what that is.
Arepo in the SATOR Square, just like Arepo in the story, is forgotten and overlooked.
But without AREPO, the SATOR Square would not work; without the story’s Arepo, the world would not see even the smallest gifts of life.
One proposed translation/reading is - “ Assuming AREPO to be a possible proper name, though, the most common reading of the square is ‘the farmer/gardener (SATOR) AREPO holds (TENET) and works (OPERA) wheels (ROTAS). (The Gardener Arepo holds and works the wheels/plough) “ (http://mysteriouswritings.com/the-sator-square/)