Not today Justin
Keni
Lint Roller? I Barely Know Her

Discoholic 🪩
Stranger Things

JBB: An Artblog!

❣ Chile in a Photography ❣
AnasAbdin

Origami Around
noise dept.

PR's Tumblrdome
art blog(derogatory)
hello vonnie

Janaina Medeiros

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JVL
DEAR READER

祝日 / Permanent Vacation

@theartofmadeline

if i look back, i am lost

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@dischordant
On Fanfiction
I was cruising through the net, following the cold trail of one of the periodic “Is or is not Fanfic the Ultimate Literary Evil?” arguments that crop up regularly, and I’m now bursting to make a point that I never see made by fic defenders.
We’re all familiar with the normal defenses of fic: it’s done out of love, it’s training, it’s for fun. Those are all good and valid defenses!
But they miss something. They damn with faint praise. Because the thing is, when you commit this particular Ultimate Literary Evil you’ve now told a story. And stories are powerful. The fact that it wasn’t in an original world or with original characters doesn’t necessarily make it less powerful to any given reader.
I would never have made this argument a few years ago. A few years ago I hadn’t received messages from people who were deeply touched by something I wrote in fanfic. So what if it’s only two or three or four people, and I used someone else’s world and characters? For those two or three or four people, I wrote something fucking important. You cannot tell me that isn’t a valid use of my time and expect me to feel chastened. I don’t buy it. I won’t feel ashamed. I will laugh when you call something that touches other people ‘literary masturbation.’ Apparently you’re not too up on your sex terminology.
Someone could argue that if I’d managed the same thing with original characters in an original world, it could’ve touched more people. They might be right! On the other hand, it might never have been accepted for publication, or found a market if self published, and more importantly I would never have written it because I didn’t realize I could write. The story wouldn’t have happened. Instead, thanks to fanfic being a thing, it did. And for two or three or four people it mattered. When we talk about defending fanfic, can we occasionally talk about that?
I once had an active serviceman who told me that my FF7 and FF8 fic helped get him through the war. That’ll humble you. People have told me my fanfic helped get them through long nights, through grief, through hard times. It was a solace to people who needed solace. And because it was fanfic, it was easier to reach the people who needed it. They knew those people already. That world was dear to them already. They were being comforted by friends, not strangers.
Stories are like swords. Even if you’ve borrowed the sword, even if you didn’t forge it yourself from ore and fire, it’s still your body and your skill that makes use of it. It can still draw blood, it can strike down things that attack you, it can still defend something you hold dear. Don’t get me wrong, a sword you’ve made yourself is powerful. You know it down to its very molecules, are intimate with its heft and its reach. It is part of your own arm. But that can make you hesitate to use it sometimes, if you’re afraid that swinging it too recklessly will notch the blade. Is it strong enough, you think. Will it stand this? I worked so hard to make it. A blade you snatched up because you needed a weapon in your hand is not prey to such fears. You will use it to beat against your foes until it either saves you or it shatters.
But whether you made that sword yourself or picked it up from someone who fell on the field, the fight you fight with it is always yours.
Literary critics who sneer at fanfic are so infuriatingly shortsighted, because they all totally ignore how their precious literature, as in individual stories that are created, disseminated, and protected as commercial products, are a totally modern industrial capitalist thing and honestly not how humans have ever done it before like a couple centuries ago. Plus like, who benefits most from literature? Same dudes who benefit most from capitalism: the people in power, the people with privilege. There’s a reason literary canon is composed of fucking white straight dudes who write about white straight dudes fucking.
Fanfiction is a modern expression of the oral tradition—for the rest of us, by the rest of us, about the rest of us—and I think that’s fucking wonderful and speaks to a need that absolutely isn’t being met by the publishing industry. The need to come together as a close community, I think, and take the characters of our mythology and tell them getting drunk and married and tricked and left behind and sent to war and comforted and found again and learning the lessons that every generation learns over and over. It’s wonderful. I love it. I’m always going to love it.
Stories are fractal by nature. Even when there’s just one version in print, you have it multiplied by every reader’s experience of it in light of who they are, what they like, what they want. And then many people will put themselves in the place of the protagonist, or another character, and spend a lot of time thinking about what they’d do in that character’s place. Or adjusting happenings so they like the results better.
That’s not fic yet, but it is a story.
But the best stories grow. This can happen in the language of capitalism—a remake of a classic movie, a series of books focusing on what happened afterwards or before—or it can happen in the language of humanity. Children playing with sticks as lightsabers, Jedi Princess Leia saving Alderaan by dueling Vader; a father reading his kids The Hobbit as a bedtime story as an interactive, “what would you like to happen next?” way so that the dwarves win the wargs over with doggie biscuits that they had in their pockets and ride to Erebor on giant wolves, people writing and sharing their ideas for deleted outtake scenes from Star Trek and slow-build fierce and tender romance with startling bursts of hot sex between Hawkeye and Agent Coulson.
A story at its most successful is a fully developed fractal, retold a million times and a million ways, with stories based on stories based on stories. Fanfic of fanfic of fanfic. Stories based on headcanons, stories based on prompts, stories that put the Guardians of the Galaxy in a coffee-shop AU and stories where the Transformers are planet-wandering nomads and stories where characters from one story are placed into a world from another. Stories that could be canon, stories that are the farthest thing from canon, stories that are plausible, stories that would never happen, stories that give depth to a character or explore the consequences of one different plot event or rewrite the whole thing from scratch.
This is what stories are supposed to be.
This is what stories are.
Fandom and fan creations are a communal act. They do not disguise how they are influenced by each other. They revel in it.
Literature was once a communal act, too. Film as well. It’s only once we decided to extend and expand the idea of copyright and turn stories into primarily vehicles for profit that we rejected this communal structure. The literary canon shouldn’t be all dead white men. They didn’t build the novel. They didn’t build theater. They took what was already there and said “This is mine now,” and we believed them.
Creativity is communal. There is no such thing as the lone genius on a mountaintop. Ideas are passed around, handed back and forth, growing all the time. Fandom is what human creativity looks like in its normal form. Fandom is like this because humans are like this.
We didn’t just borrow the sword. We remade it because we saw in it the potential for something better. And we did that together, all of us.
How to write a character-driven plot
The Character-Driven Plot Wheel
1. Emotions drive actions.
Make your hero act on their deepfelt emotions. This not only adds meaning to their actions, but also helps communicate to readers your hero’s core emotional struggle.
2. Actions trigger consequences.
When your hero acts, give their actions consequences that affect the plot, themselves, and/or the surrounding characters. For example, driven by curiosity, maybe your hero opens Pandora’s box; maybe they act recklessly and someone dies; or maybe they stand up for what they believe in, but at great personal cost. Consequences raise the stakes and empower your hero with agency.
3. Consequences compel change.
Use the consequences of your hero’s actions to create a crucible of growth — challenges and situations that force them to take the next step on their character journey. That step may be forward, or backward, and it may be large or small; but something inside them changes.
4. Change influences emotions.
When a character goes through a change, even a small one, allow it to affect them emotionally. Maybe they feel increasingly frustrated or guilty. Maybe they’re afraid, having just taken another step closer to abandoning their old way of seeing the world. Or maybe they finally feel peace.
Regardless of the form it takes, remember to reflect your hero’s change in their emotions. Then let their emotions drive action, to trigger consequences, which will compel further change.
Lather. Rinse. Repeat.
And there you have it! That’s how you write a character-driven plot.
So what do you say?
Give the wheel a spin.
— — —
Your stories are worth telling. For tips on how to craft meaning, build character-driven plots, and grow as a writer, follow my blog.
This sort of reminds me of scene/sequel structure, but I really like the terminology here. I feel like the focus on emotion and internal change ties in a lot better with character arc.
I’ve never heard of scene/sequel structure! I took a look, and there definitely is some overlap. If anybody else is interested, you can check out an overview of scene/sequel structure here.
Thanks for sharing, @poisonouscephalopod !
When I was little my mom’s meatloaf was my favorite food. But ONLY her meatloaf. I didn’t like anyone else’s, and she told me that she would teach me how to make it when I was older. And when I was like 19? She finally taught me, but she told me never to tell anyone else and I was like weird but okay
Anyway, she was super fucking homophobic and abusive to me when I told her I was gay, so here’s the recipe
4-6 lbs of Hamburger/turkey burger
1 pk onion soup mix OR ranch mix
1 TBs ketchup
1 Tbs spicy brown mustard,
1 Tbs bbq sauce
1 Tbs steak sauce
1 egg
mix, shape into a loaf in a big pan, and bake at 350 for 2 hrs (maybe 2 and a half if you’re feeling dangerous)
You can get almost all of these ingredients at the dollar store, and have leftovers if it’s just you. The leftovers make great tacos if (taco seasoning is also like a dollar). Enjoy your revenge loaf
here's a mashed potato recipe from my homophobic mother that i swore to never share that would pair perfectly!
(6 servings)
-2lbs red potatoes
-1 cup butter (2 sticks)
-1 cup cream cheese (1 pack)
-Chives (optional)
-Salt & Pepper to taste
1. drop those bad boys (potatoes) in a big ol pot. U don't even have to chop them just wash them
2. boil til soft!
3. Drain
4. Mash (usually they're small enough you can use a fork if u don't have one of those squashers) until its a pretty chunky mix
5. add the other stuff. Keep mashing
I like my mashed potato consistancy more lumpy but its all up to you!! Peel the potatoes or keep them on, it literally makes the creamiest fluffiest mashed potatoes which she always served with the nastiest fuckin meatloaf
Now if anybody got some revenge rolls and revenge green bean casserole we'll get a full meal
Got room for desert? Cus my Grandma was just a generaly evil old hag who was abusive to my mum and my siblings also you guessed it since I came out I was not said hello to at christmas
She made pretty god Dampfnudeln (its like a sweet bread rool you eat hot and with vanilla sauce)
1. Put 300 gram flour into a bowl and make an indent in the middle
2.combine
20 gram yeast
1 tea sp. Brown sugar
3 tbsp milk
mix until smooth
3.mix into part of the flour but leave a big flour rim on the outside
4.set 30 gram of Butter on the flour rim and cover everything with a towel
let sit till you see bubbles in the dough
5. add
1/8 liter luke warm milk
30 gram Sugar
one pack of vanilla sugar
a pinch of salt
2 eggs
and knead the dough until smooth
6. put
1/8 luke warm milk
30 gram of Butter
1 pack of vanilla sugar
into a heat resistant glass bowl and let melt (the glass bowl is quite important)
7. Form about 12 dough rolls and put them into the milk
8. Cover with a lid (any lid will go it does not need to be sealed air tight)
Let bake in the pre heated oven at 200°C for about 30 minutes or until they start to get brown and fluffy
9. Serve with vanilla sauce or fresh fruit
Behold the Fuck You buffet
“This is your daily, friendly reminder to use commas instead of periods during the dialogue of your story,” she said with a smile.
“Unless you are following the dialogue with an action and not a dialogue tag.” He took a deep breath and sat back down after making the clarifying statement.
“However,” she added, shifting in her seat, “it’s appropriate to use a comma if there’s action in the middle of a sentence.”
“True.” She glanced at the others. “You can also end with a period if you include an action between two separate statements.”
Things I didn’t know
“And–” she waved a pen as though to underline her statement–“if you’re interrupting a sentence with an action, you need to type two hyphens to make an en-dash.”
You guys have no idea how many students in my advanced fiction workshop didn’t know any of this when writing their stories.
Okay, but someone please explain question marks when followed by a dialogue tag. How do?
“The speech tag is still part of the previous sentence,” she explained, ‘so it isn’t capitalised.“
“What do you mean?” he asked. “But there’s a full stop as part of the question mark!”
She nodded gravely. “I know!” she said. “A lot of people find this confusing. But the speech tag belongs to the line of dialogue, it’s still part of the sentence, so it’s wrong to capitalise it.”
She reblogged the post again, because she had recently read far too many potentially enjoyable stories marred by poor dialogue punctuation.
I’ve only seen this post in screenshots till now..
NOICE. Can’t wait to use this
“There are two more ways"—she pointed to the blackboard—“to punctuate interruptions. One is with the em dashes outside the quotations marks to indicate continuous speech. The action occurs at the same time as speech. The other—” she sipped from a glass of water “—is em dashes within the quotation marks to indicate interrupted speech.”
Toss a Coin to Your Archive!
the Organization for Transformative Works is an incredibly groundbreaking repository for creators, and the constant scrutiny it undergoes because ignorant children don’t understand that things cost money to maintain, and that their opinions do not represent everyone’s, is infuriating. so infuriating, in fact, that i decided to rage-create. so there.
this was fun as shit to sing, ngl.
special thanks to Green Noize for providing the excellent instrumental track, and the only one i found that was actually fully faithful to Jaskier’s original. also thanks to alias for the inspiration to write these lyrics, and to my dear friend FilkAeris for instilling in me a fierce appreciation for filks in the first place.
parody lyrics by me. “Toss a Coin to Your Witcher” composed by Sonya Belousova and Giona Ostinelli, and sung by Joey Batey for the Netflix series The Witcher. which is awesome and you should definitely watch it if you like gritty medieval fantasy. and boobs. and swearing. and hot guys wearing leather. and bards. definitely bards.
and since we know bard is a combat class, this is my stand, and the hill i am prepared to die on.
👊 LONG LIVE THE ARCHIVE 👊 NO CENSORSHIP 👊
SUPPORT THE ARCHIVE OF OUR OWN! MAKING PRISSY IDIOTS ANGRY IS JUST A HAPPY BYPRODUCT!
OH MY GOD
i do have a lyric transcript! i was afraid they’d make the post too long, which was why i didn’t post them in the first place, since they were there in the video, but… i guess that doesn’t help people with screenreaders or anything huh. oops. but better late than never! here they are under the cut!!
Keep reading
Thank you! I like having lyrics easy to access for filk circles.
Robin 80th Anniversary 100 Page Spectacular
Oh I have Opinions on this.
Bruce Wayne would never prioritize catching the perps over the well-being of the victim, especially a child. His whole purpose in being Batman is not to punish the guilty but to protect the innocent, to make sure that no one ever goes through what he did.
This little conflict set up is so disingenuous to who Bruce is as a person that it ruins the whole story. Have Dick disagree with Bruce on the level of violence used, or how Bruce is so controlling, or any number of things. But never, ever, sit there and try to tell me that Bruce Thomas Wayne would ever neglect a child in favor of hitting some two-bit thug.
That up there is not Bruce Wayne, it’s just some thug in a Batsuit.
Where’s that post that’s like, “if your Batman won’t comfort a hurting child you haven’t written Batman, you’ve written Punisher in a stupid hat”? Because that ran right across my mind when I read this story.
And that’s not even touching on the utter disgust I have for the next scene where he claims that Robin’s job is obedience, because wooo boy do I have opinions on that!
tags courtesy of @captainlordauditor
#robin is a reckless idealist#robin has ALWAYS been a reckless idealist#an obedient robin is not robin any more than a batman who doesnt comfort is batman#if bruce wayne valued obedience he never would have become batman in the first place#bruce wayne knows authority is fucked thats the entire reason he becomes batman#imagine thinking this makes sense#this isnt touching on my opinions about bruce wayne in particular as he relates to his mothers family wrt obedience#and this was the only robin!dick content we got from this special im so pissed#i was so steamed when i read this i had to put the issue down for like half an hour before i kept reading#make the night ours#bouncing off the walls
This!!! Robin is meant to be the reckless idealism to balance out Batman’s overly cautious realism/pragmatism. There’s supposed to be a byplay of them balancing each other out: Batman teaching Robin caution, Robin reminding Batman that there’s still good in the world.
Bruce wants obedience when it comes to matters of safety. If the story had been about Bruce not trusting Dick with things he’s more than capable of handling, that’d be fine. But this? Bruce in all honestly would probably prefer all his kids operate as field medics or crowd control than get into the fights themselves. Bruce would never call Dick’s choice here a wrong one, and on the off chance he did he’d probably acknowledge that he was wrong.
Bruce Wayne values life, and he’s never fault someone for seeing to the care and well-being of an injured child.
‘tomboy’ literally was just parent code for ‘awwww this child is gay, now lets never address it and hope it goes away before it stops being cute’ like if you were a tomboy child im sorry
Reblog if you’re polyamorous, support polyamorous people, or think polyamorous people and relationships are valid
Once a little boy went to school. One morning The teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. He liked to make all kinds; Lions and tigers, Chickens and cows, Trains and boats; And he took out his box of crayons And began to draw.
But the teacher said, “Wait!” “It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make flowers.” “Good!” thought the little boy, He liked to make beautiful ones With his pink and orange and blue crayons. But the teacher said “Wait!” “And I will show you how.” And it was red, with a green stem. “There,” said the teacher, “Now you may begin.”
The little boy looked at his teacher’s flower Then he looked at his own flower. He liked his flower better than the teacher’s But he did not say this. He just turned his paper over, And made a flower like the teacher’s. It was red, with a green stem.
On another day The teacher said: “Today we are going to make something with clay.” “Good!” thought the little boy; He liked clay. He could make all kinds of things with clay: Snakes and snowmen, Elephants and mice, Cars and trucks And he began to pull and pinch His ball of clay.
But the teacher said, “Wait!” “It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make a dish.” “Good!” thought the little boy, He liked to make dishes. And he began to make some That were all shapes and sizes.
But the teacher said “Wait!” “And I will show you how.” And she showed everyone how to make One deep dish. “There,” said the teacher, “Now you may begin.”
The little boy looked at the teacher’s dish; Then he looked at his own. He liked his better than the teacher’s But he did not say this. He just rolled his clay into a big ball again And made a dish like the teacher’s. It was a deep dish.
And pretty soon The little boy learned to wait, And to watch And to make things just like the teacher. And pretty soon He didn’t make things of his own anymore.
Then it happened That the little boy and his family Moved to another house, In another city, And the little boy Had to go to another school.
The teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. And he waited for the teacher To tell what to do. But the teacher didn’t say anything. She just walked around the room.
When she came to the little boy She asked, “Don’t you want to make a picture?” “Yes,” said the little boy. “What are we going to make?” “I don’t know until you make it,” said the teacher. “How shall I make it?” asked the little boy. “Why, anyway you like,” said the teacher. “And any color?” asked the little boy. “Any color,” said the teacher. And he began to make a red flower with a green stem.
~Helen Buckley, The Little Boy
I hate that I hesitated to reblog this just because I expect people to think it’s pretentious or melodramatic when it’s seriously real as fuck and I’ve witnessed it
This is what happened to me. I was young, first grade.
All the other kids have one teacher, while I had two, though I was in the same class. I took recess by myself. When the other’s took recess, I was constantly quizzed by my second teacher and shown how to color properly because ‘You don’t want your pictures to look like theirs, do you?’ I just wanted to color.
When I was allowed to participate with the rest of the class, I felt odd. “How fast does the earth move?” The main teacher asked. “100 miles an hour!” “One bajillion miles a hour!” I raised my hand. “Yes?” I swallowed and smiled. “I think it’s closer to 100,000 kilometers per hour.” I didn’t guess, I stated a fact. I was happy. And proud. Because I knew the answer. But somehow, when the teacher said ‘That’s correct’, it was with a large amount of disappointment and odd looks from the other kids. What had I done wrong? I didn’t answer questions anymore.
When I was in the class with my second teacher, we did reading flash cards. “What does this say?” “Government.” She frowned. “And just how do you know that?” I answered as simply as I could. “It doesn’t sound like it’s spelled. It has ‘Govern’ like the governor, and it has ‘ment’ that rhymes vent which is what’s above us! Government!” “That’s not how you learn words, you need to remember how to spell them. Try the next one.” Why did it matter? I remembered and could read it. So I had to learn the ‘correct’ way to spell and read.
So on and so on until 5th grade, when I was falling behind all the other students and was told to try harder and pay attention. ‘Show your work or it counts against you.’ But I didn’t have any work to show… 45 X 3 just is 135. What work was I supposed to show when something was a fact? So I had to relearn math so my teacher didn’t flunk me out.
This has followed me into adulthood. “Think outside the box.” I can’t. There is a small area outside the box I am allowed and no further. That is what I have been taught. When someone wants something from you in this way, they want to know where it came from and for it to match their ideals… not something they can’t understand or want to consider. And there is always a right answer, even if you are just coming up with ideas.
“Do you have any ideas on this matter?” My boss asks. I shrug. “It’s not something for me weigh in on, that’s beyond my area.”
You broke me. You broke thousands of kids who could have been the new Tesla, Curie, or Einstein. And you wonder why new ideas aren’t new? Because you told us, at a very early age, that a new idea must already conform to what you understand and are comfortable with.
Let’s think about how much more advanced we would be as a society if our school systems didn’t break kids.
Once again a reminder: In the modern US school system, this is a feature, not a bug. THIS IS EXACTLY WHAT IT WANTS TO DO TO CHILDREN. IF IT DOESN’T GO THIS WAY SOMETIMES, IT’S BECAUSE OF TEACHERS WHO GO AGAINST ESTABLISHED PROTOCOLS, AND THEY OFTEN SUFFER FOR IT IF THEY DO SO.
Source
© VALERIO VINCENZO Website | Facebook | Twitter
I am American and I have never seen photos like this. I had no idea there are borders like this. Even though I LOVE the idea of open borders, I am staring at these pictures like “wait…people can just…walk across some stones or grass and BE IN ANOTHER COUNTRY??? and nobody stops them?? how does that WORK?!” So you can tell that my country’s propaganda has gotten to me by convincing me that this CAN’T work even though…it…obviously can. These pics just seem unreal to me. I’ve been taught my whole life that this can’t exist. In 27 years no one has ever sat me down and gone, look, here’s how it is elsewhere. It isn’t impossible at all.
Christ, America really is the fucking dystopia we thought it was as kids huh
What people think why i became a bookbinder: Oh she wants to explore her artistic horizon with those pretty leather bound books of hers. She even gives them out as gifts to her friends. It most likely helps her with anxiety or maybe she just wanted a more special costume made notebook.
Why I actually became a bookbinder: I just illegally downloaded and printed out several of my favourite fanfics and books and started binding them into books cuz I love reading them but looking at screens for too long gives me headaches.
op youre fucking big brained oh my god
If you want to i can send you a link to some of the Tutorial videos i started binding my fanfic books.
PLEASE SEND ME THE LINK I WANT TO DO THIS SO BAD
PLEASE SEND LINKS OP PLEASE I BEG YOU
@laughuntilourribsgettough @starduststyx upon request: A tutorial playlist for my personal favourite bookbinding methods
Longstitch binding
https://youtu.be/a_LZ-BWhH_Q
2)Japanese Binding
https://youtu.be/j-r6c_trSxY
3) Belgian Binding
https://youtu.be/w-oct9Ttp1g
4) Coptic stitch binding
https://youtu.be/TdHo8NtDOXc
5) Case Bookbinding
https://youtu.be/Av_rU-yOPd4
yes i am a big advocate for realistic clothes and armor in media like
this is perfect and? extremely fucking hot
but also ive never seen anything hotter than when geralt is fighting without his armor and instead in tight pants and several of his shirt’s buttons undone and i want every fight scene from here on like that
Put the women in full plate armor, put the men in open-front shirts and tight leather pants.
💞💞 Thank you for existing! 💞💞 Send this to people who you think deserve a sweet and kind message in their inbox.
💞 Thank you, Ship. ♥
Toss a hug to your good friend, o’ Tumblr of plenty~ 💞
💞💞 Thank you for existing! 💞💞 Send this to people who you think deserve a sweet and kind message in their inbox.
💞 Thank you for thinking of me. You deserve all the best bat-burrito hugs!💞