Zehra Naqvi, from The Knot of My Tongue: Poems and Prose; “Dear Baba”
Three Goblin Art
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Not today Justin
Game of Thrones Daily
trying on a metaphor

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AnasAbdin

izzy's playlists!
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pixel skylines
I'd rather be in outer space 🛸
i don't do bad sauce passes

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祝日 / Permanent Vacation

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DEAR READER
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let's talk about Bridgerton tea, my ask is open
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@dislocators
Zehra Naqvi, from The Knot of My Tongue: Poems and Prose; “Dear Baba”
this morning I am thinking about the way a space becomes charged by repeated action. Like how would a room that has held a lot of prayers feel different from a concert venue? I'm thinking about your heartbeat imbuing the space in front and behind your chest with its signature and becoming an energy center. The way repeated thought changes your mental landscape, how can intention change the energetic landscape of a space without adding items? If you clap in the room you're in, the air will feel crisp..if you're sensitive to that anyway
Wouldn’t leave my mind sorry
Some of the Olive trees that currently still grow and bear fruit in occupied Palestine are thousands of years old.
This olive tree is nearly 5000 years old and has witnessed more war and bloodshed than any of us. In the Garden of Gethsemane, on the Mount of Olives, at the edge of Jerusalem, trees still grow that were there when Jesus wept.
The Second Olive Tree, By Mahmoud Darwish (Translated by Marilyn Hacker)
The olive tree does not weep and does not laugh. The olive tree
Is the hillside’s modest lady. Shadow
Covers her single leg, and she will not take her leaves off in front of the storm.
Standing, she is seated, and seated, standing.
She lives as a friendly sister of eternity, neighbor of time
That helps her stock her luminous oil and
Forget the invaders’ names, except the Romans, who
Coexisted with her, and borrowed some of her branches
To weave wreaths. They did not treat her as a prisoner of war
But as a venerable grandmother, before whose calm dignity
Swords shatter. In her reticent silver-green
Color hesitates to say what it thinks, and to look at what is behind
The portrait, for the olive tree is neither green nor silver.
The olive tree is the color of peace, if peace needed
A color. No one says to the olive tree: How beautiful you are!
But: How noble and how splendid! And she,
She who teaches soldiers to lay down their rifles
And re-educates them in tenderness and humility: Go home
And light your lamps with my oil! But
These soldiers, these modern soldiers
Besiege her with bulldozers and uproot her from her lineage
Of earth. They vanquished our grandmother who foundered,
Her branches on the ground, her roots in the sky.
She did not weep or cry out. But one of her grandsons
Who witnessed the execution threw a stone
At a soldier, and he was martyred with her.
After the victorious soldiers
Had gone on their way, we buried him there, in that deep
Pit – the grandmother’s cradle. And that is why we were
Sure that he would become, in a little while, an olive
Tree – a thorny olive tree – and green!
"nothing is real atoms never touch each other youve never touched anything in your life" ok. well when i pet my dog he is soft and when he licks my hand it is wet and that is far more real to me than whatevers going on at an atomic level
what my atoms are doing is their fucking business man i'm busy trying to stop my dog from eating tissues directly out of the box
nuclei don't touch, but the nucleus is not the core of reality. reality is made of electrons dancing. reality is made of bonds.
you pet your dog and the atoms that are you brush up against the atoms that are him, and the electrons that are you press into the electrons that are him, and both of them change their movement.
electrons of course are not really particles and do not really move.
you pet your dog and the electron-orbitals of your skin overlap with the electron-orbitals of his fur, and both are changed by the contact. you are not made of little motes floating alone in a void. you are a single unfathomable chord formed of a trillion vibrations, and so is he. and the note you play is changing at every moment by what you touch and how you breathe, and so is his. and atoms do not really have edges, and to touch is to interact, and when you put your hand on your dog the universe does not know that you are separate. the song expands to hold you both.
"and when you put your hand on your dog the universe does not know that you are separate"
born to love forced to grieve
between autumn equinox and winter solstice, today by Emily Jungmin Yoon
[ID: screenshot of a poem reading,
"I read a Korean poem with the line “Today you are the youngest you will ever be.” Today I am the oldest I have been. Today we drink buckwheat tea. Today I have heat in my apartment. Today I think about the word chada in Korean. It means cold. It means to be filled with. It means to kick. To wear. Today we’re worn. Today you wear the cold. Your chilled skin. My heart kicks on my skin. Someone said winter has broken his windows. The heat inside and the cold outside sent lightning across glass. Today my heart wears you like curtains. Today it fills with you. The window in my room is full of leaves ready to fall. Chada, you say. It’s tea. We drink. It is cold outside."
/end ID]
Mohammed El-Kurd, from Rifqa; “Rifqa”
[Text ID: “I cried—not for the house / but for the memories I could have had inside it.”]
umm how to be a dog by andrew kane. btw.
in case you didnt fucking know
[ID: How To Be A Dog
If you want to be a dog, first you must learn to wait. You must wait all day until somebody returns, and if somebody returns late, you must learn to wait until then. Then you must learn to speak in one of the voices available to you, high and light or mellow thick and low or middle-range and terse. Whichever voice you learn to speak, you will meet somebody who does not like you because of it, they will be wary or annoyed or you will remind them of something or someone else. Once you have learned to speak you must learn not to speak unless you absolutely must, or to speak as much as you feel you must regardless of how many times you are told to stop, or sit, or placed behind a door-this will depend on what kind of a dog you want to be. And indeed there are many kinds. It may not feel as though you get to choose, and that too is a kind of dog. Next you must learn to relinquish all control over everything you might wish to control. You must learn to prefer to be led about by the neck on a piece of string, or staked to a neglected lawn by a length of chain. You must learn, once you have sampled the freedom of a life without a chain, that it is better to return and be chained again. Or you may learn that it is not— a fugitive is also a kind of dog. Of course you must learn to love, to love always and love entirely and to be wounded by nothing so much as the violence of your own love. You must learn to be confused but never disappointed by a deficiency of love. You must give up your children and not know why. You must lose yourself wholly in activity; you must never feel an itch that you do not scratch. You must learn how to wait at the foot of the bed and hope, silently, that somebody is drunk enough or lonely enough to invite you up, and you must learn not to show your excitement too much or overplay your hand. If you want to be a dog, you must learn to believe that you are not in fact a dog at all.
End ID]
Vocabulary, Safia Elhillo
World-renowned poet Mosab Abu Toha has been kidnapped by the IOF at a checkpoint in Gaza while fleeing south with his family
Update: Mosab was released after being tortured and is back in central Gaza with his wife and kids. There are still around 8,000 hostages being tortured in occupation prisons, over 2,000 of them held without trial or charge, and new abductions every day. I urge you all to follow RNN Prisoners and speak up about the horrors Palestinian prisoners are facing.
i am shrunken down and brought to the gnome world and when i attempt to assimilate to their culture I use an acorn cap as a hat and they all laugh cheerfully at my silly mistake of wearing what they use as a bowl like a cap and though this is a transgression that would have humiliated me in my human life I am instead laughing alongside them at my humorous misunderstanding
they ask me what I would like to eat and knowing that gnomes enjoy fruit i ask for my favorite fruit, an apple, and they all laugh raucously and say that i must be very hungry indeed to desire an entire apple rather than just a small chunk, and i go along with their joke and say that while my body may have shrank my stomach has not! and they all guffaw with delight until their faces turn red and see that my request is met and we all sit around a toadstool and share many apple slices together
over my time spent with the gnomes, my antics are still regarded with much delight. though i am past the age in which i am confused by their customs and norms, i occasionally pretend to be clueless about simple and easily understood things, such as shock at how toads are as tall as I am. they all continue to laugh at my feigned surprise, and sometimes join in, asking me if I need any help distinguishing what berries are for eating and which are for painting. i laugh, too. there is a sense of grace that comes with my shortcomings amongst the gnomes. they are entertained by my misunderstandings, yes, because life is to short to not be jolly.
i wake up one morning back at my original size. the small cavern in the roots of a tree that i lived in is destroyed in my sleep. my clothes, tailored from cut-up scraps of fabric, are shredded around me. i am a human again. i am horribly embarrassed.
the gnomes of the community gather around where i sit, all looking at me and exchanging glances with each other, none of them speaking the obvious. i can no longer stay here, now that i am not their size. but i was part of their community. i became one of them, indistinguishable from these people only from my past. how am i supposed to return to the world of the humans now? there is no life left for me there. that is not a life where i may fish for minnows in a babbling brook and feast off a bounty of raspberries. i am distraught. i cry.
my community comforts me. friends, all minuscule to me now, pat me wherever they can reach, nimbly dodging the tears that fall from my face. one of them offers me water. they don't have any containers that are big enough for me, they apologize, so just this acorn cap filled with morning dew will have to suffice.
i take the acorn cap and look at it in my hands. it is so small now. with a sniff, i put it atop my head.
the gnome chuckles. then laughs. then bends at the waist, bellowing with laughter, supporting himself on my knee. then i am laughing too, face red, tears still falling, and my community of gnomes laughs with me as well, so loud that a flock of birds takes off in the distance, and i am still laughing even as i stand to my feet and lumber away, back to where i once came.
must you betray me with a kiss?
(he must)
priest (1994) / to: judas iscariot - thérèse naccarato / the sacrifice - frank bidart / judas - jeff loveness / judas - k. wright / judas iscariot - thazunique charlton / the last days of judas iscariot - stephen adly guirgis
i ended up liking how gendered french is solely because i can say that i want people to use he/him pronouns for me the same way they use it for angels, blood and blunts
i asked a trans friend to give me her fem version of this and she said that people should use she/her with her the same way they use it for the sea, flesh and stuffed toys
I don’t speak French but I speak Spanish and I’m nonbinary so the whole gendered language thing is… difficult. I couldn’t get this post out of my head and so I wrote a poem. It's a first draft but i just had to get it out there
It’s called “Masculino como el amor, femenino como la espada”
Si tienes que usar el masculino conmigo, usa el masculino cómo lo usas para el azúcar para el lobo el amor y el mar. Pero si tienes que usar el femenino, úsalo cómo lo usas para la tierra para la anaconda la guerra y la mar. Llámame masculino cómo el día cómo el melocotón el pecho y la cometa. O, llámame femenino cómo la noche cómo la piedra la leche y la mano. Masculino cómo el viento, femenino cómo la tormenta. El hueso, la sangre. El mito, la magia. El sol, la luna. Si tienes que usar el masculino conmigo, o si tienes que usar el femenino, llámame femenino con la boca y la lengua o llámame masculino con los dientes y los pulmones. O si puedes llámame por mi nombre. Llámame yo.
Translation: Masculine like love, feminine like the sword
If you have to use the masculine for me, use the masculine like you use it for sugar for the wolf love and the sea. But if you have to use the feminine, use it like you use it for earth for the anaconda war and the sea. Call me masculine like the day like the peach the chest and the comet. Or, call me feminine like the night like the stone the milk and the hand. Masculine like the wind, feminine like the storm. The bone, the blood. The myth, the magic. The sun, the moon. If you have to use the masculine for me, or if you have to use the feminine, call me feminine with your mouth and your tongue or call me masculine with your teeth and your lungs. Or if you can call me by my name. Call me myself.
no one speak to me this poem cut me open
alsdkfjalsdkj thaaaaanks! I made a few typos but i'm fairly proud of it hehe
girls when they're normal. btw