
@theartofmadeline
The Stonewall Inn

Discoholic 🪩
Fai_Ryy
Aqua Utopia|海の底で記憶を紡ぐ

titsay
cherry valley forever
I'd rather be in outer space 🛸
Today's Document
Claire Keane
trying on a metaphor
Show & Tell
untitled
occasionally subtle
Mike Driver

#extradirty
Monterey Bay Aquarium
Noah Kahan
Sade Olutola
ojovivo

seen from Saudi Arabia
seen from Lebanon

seen from Croatia
seen from Iraq

seen from Malaysia
seen from Italy
seen from Brazil

seen from United States
seen from United States

seen from Guyana
seen from Italy
seen from United Kingdom
seen from Colombia
seen from United Kingdom
seen from Bangladesh
seen from United Kingdom
seen from United States
seen from United States
seen from Ecuador

seen from Netherlands
@dockandroll
John Cleese wrote a note to a 14-year old.
Profilo Continuo (Testa di Mussolini) sculpture, terracotta with black glaze, 1933, by Renato Giuseppe Bertelli, 1890 - 1974. [IMW Cat No.:IWM ART LD 5975, Department of Art] One of the more unusual items in the Imperial War Museum's (IWM) art collection is this head of Mussolini. Supposedly showing the omnipotence of il Duce, it is a fascinating piece, hearkening back to the Roman god Janus (most appropriate for a two-faced charlatan like Mussolini) but intended to show the gaze of the god-machine Mussolini looking in all directions. But it also has a disconcerting effect of not quite being able to get a decent view of the face - just the profile. Almost the exact opposite of 'the eyes follow you around the room' trick used in painting. The IWM says here: 'Profilo Continuo' was made in 1933, or Year Eleven of the new era, dating from Mussolini's march on Rome in 1922. At least two other terracotta copies of the head exist but it is not known how many were made. The Museum also owns two smaller versions. ... Bertelli had also become interested in Futurist ideas and the theories of F T Marinetti during the 1920s and the head embodies their passion for machines, speed and power. The image is very much in keeping with Mussolini's own self-publicity of the time which falsely presented him in the role of technological and cultural pioneer.
Malcolm Mcdowell for Vogue 1972
Audition polaroids circa 1980s/1990s Photographed by casting director Mali Finn
Incense holder <3