ojovivo

No title available
dirt enthusiast
h
Peter Solarz
"I'm Dorothy Gale from Kansas"
TVSTRANGERTHINGS

titsay
Misplaced Lens Cap

Product Placement

Andulka
No title available

if i look back, i am lost

shark vs the universe

Janaina Medeiros
d e v o n
hello vonnie
Show & Tell
Alisa U Zemlji Chuda
cherry valley forever

seen from Pakistan
seen from Brazil

seen from Sri Lanka

seen from Nepal

seen from Malaysia
seen from United Kingdom

seen from South Korea
seen from Austria
seen from Brazil
seen from United States

seen from Malaysia

seen from South Korea
seen from Croatia

seen from Malaysia
seen from United States
seen from Latvia

seen from Germany

seen from United States

seen from Malaysia
seen from Germany
@dockandroll
John Cleese wrote a note to a 14-year old.
Profilo Continuo (Testa di Mussolini) sculpture, terracotta with black glaze, 1933, by Renato Giuseppe Bertelli, 1890 - 1974. [IMW Cat No.:IWM ART LD 5975, Department of Art] One of the more unusual items in the Imperial War Museum's (IWM) art collection is this head of Mussolini. Supposedly showing the omnipotence of il Duce, it is a fascinating piece, hearkening back to the Roman god Janus (most appropriate for a two-faced charlatan like Mussolini) but intended to show the gaze of the god-machine Mussolini looking in all directions. But it also has a disconcerting effect of not quite being able to get a decent view of the face - just the profile. Almost the exact opposite of 'the eyes follow you around the room' trick used in painting. The IWM says here: 'Profilo Continuo' was made in 1933, or Year Eleven of the new era, dating from Mussolini's march on Rome in 1922. At least two other terracotta copies of the head exist but it is not known how many were made. The Museum also owns two smaller versions. ... Bertelli had also become interested in Futurist ideas and the theories of F T Marinetti during the 1920s and the head embodies their passion for machines, speed and power. The image is very much in keeping with Mussolini's own self-publicity of the time which falsely presented him in the role of technological and cultural pioneer.
Malcolm Mcdowell for Vogue 1972
Audition polaroids circa 1980s/1990s Photographed by casting director Mali Finn
Incense holder <3