Ceramics and illustrations by Olivier Maximilian

Kiana Khansmith
occasionally subtle
ojovivo
cherry valley forever
let's talk about Bridgerton tea, my ask is open

Andulka
Jules of Nature

oozey mess
hello vonnie
Lint Roller? I Barely Know Her

titsay
Monterey Bay Aquarium

No title available
🪼
No title available

ellievsbear
Mike Driver
DEAR READER

Origami Around
NASA
seen from United States

seen from Australia

seen from Malaysia
seen from United States
seen from Brazil

seen from Australia
seen from United States
seen from Australia
seen from Canada
seen from Australia

seen from Australia
seen from United States
seen from United States
seen from United States
seen from Mexico

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
@dogquixote
Ceramics and illustrations by Olivier Maximilian
In collaboration with the artist Klaus Dauven, a delicate drawing was created on the Matsudagawa dam, close to the city of Ashikaga, using high-pressure cleaners.
Shitanda, Presence and Absence - Joel 2021
usanikki
Flowers by Irving Penn (1980)
‘me&me&me’ - ‘mère’ by asma (matias armendaris & hanya beliá), 2023, silver plated brass, oil, cardboard, acrylic medium & medium density fiberboard, 29 x 25 x 7 centimeters
ANGER RELEASE MACHINE (2008), Katja Kublitz and Ronnie Yarisal.
Thank you so much everyone for a wonderful shop update! I’m so happy that so many people loved my pit fired pieces! Here is a pic of one that is sold, but I didn’t get around to advertising. A very chunky Paleolithic horse.
Masha Granich.
Madzia Zalewa.
the haunting of hill house by shirley jackson posits "would you rather live in a haunted house that wants to kill you but with a lesbian who makes you feel like you belong somewhere or go back to your normal cishet life where your family has you sleep on the floor" and obviously the house that wants to kill is winning
Louise Richardson
I’ll be your mirror, 2020
Mixed media, mirrors, ballet shoes.
Alexander McQueen's 'Black' Fashion Show (2004)
when hill house said Nothing is ever really wasted, she believed sensibly, even one’s childhood, and then each year, one summer morning, the warm wind would come down the city street where she walked and she would be touched with the little cold thought: I have let more time go by.
artworks by ASMA (artist duo matias armedaris and hanya belia) .