my roman empire is jane grey. how her childhood was mainly composed of abusive perfection and being molded as a queen. how almost all of the adults exploited her for their beneficiary gain. how her parents abused her so that she could fit into their standards. how the only maternal figure she was attached to, catherine parr, died when jane was only ten. how she was only a pawn to greedy, schemeful men. she didn't even want to become queen. she didn't want any of this
Disclaimer: it's been around 8 months since I've last watched voltron. details may be inaccurate
Sometimes I think we were robbed of what could've been an amazing friendship.
Keith's discovery of his Galran lineage and Lotor's of his Altean heritage, and their indirect parallel of upbringing, I hoped these two would form an amazing bond as they're the only people that could relate to each other in terms of ostracization due to their race. But that hope eventually dwindled down when I realized that the showrunners were definitely not planning that, and in fact, even makes Lotor a bad guy again.
At the very least, I had hoped for a heart-to-heart conversation about them being mixed race and flesh out that aspect of them more. Yet again, I was let down.
During Keith's entire life, he has been ostracized by his peers and constantly bullied for being different. It has been the fundamental characteristic of him— his preordained Galran traits— embedded into every crevice of his disposition and being unable to do anything about it. When he finds out about his Galran heritage, we finally conclude the reason, in profound realization, why he's never fit in much back in Earth. Ultimately, this would give clarity and closure to Keith about why he's the way he is, but what the showrunners overlooked is the inevitable, imminent consequence of an identity crisis.
He's too galra to be human (antisocial, rebellious, fierce and stubborn), but too human to be galra. (compassionate, warm, weaker and smaller in stature, humanly physical features)
This is his reality everyday.
I distinctly remember Sendak belittling Krolia because of her half-breed son, Keith. It went something along the lines of: "Is the Blade of Marmora so low on soldiers that they recruit a half-breed and his mommy in?" Which, most likely, amplified his identity crisis. Poor guy.
I feel as though the same case could be applied to Lotor.
Raised by only Galrans and raised to be one, his father, Zarkon, would also say that something was quite fundamentally different about him. Compared to a stereotypical, standard Galra, he seemed to be quite more compassionate and carefree as a child, showing great intellect and promise in other aspects yet lacking in the personality traits as a Galra and embracing more of his Altean characteristics.
Growing up, Lotor always believed in goodwill, altruism, and attempted to prove to Zarkon that he could successfully subjugate planets by sheer goodwill without repercussions. However, his father's constant abuse for millennia, and cruelly destroying said planet, would of course, send him to spirals and awaken his long repressed Galran characteristics: Tyrannous, vindictive, cruel and spiteful.
Both Keith and Lotor had been abandoned by their biological parents, one in a literal way, and the other, emotionally. Both of them had something just fundamentally, unutterably different about them that they couldn't quite explain, thus thwarting the standards of "what they should be".
If Keith and Lotor had formed a genuine, wholesome familial friendship to replace their absent/abusive parents, they could've established an actual safe space where they felt belonged and heard. The rest of the team may also provide an emotional connection towards them, however, nobody knows their pain more than each other. After all, they both went through similar experiences. Mixed race solidarity!
Also. I think it could've been a great way to represent mixed race people (I'm sorry. Is that how you call them? Is this offensive?). I'm not one myself, so I'm not sure, but this would've been so great to promote inclusivity and accurately represent their struggles in the actual world. This also could've been an amazing plot point for Lotor's character development and fleshing out his character more onto a much more profound and raw level. Instead, they threw it all down the drain by betraying VOLTRON then dying. Disappointed.
Also, I'll be diving deeper into Keith's identity crisis more in one of my next posts, and Lotor's tragic fate.
Get me out of this VOLTRON hellhole. The hyperfixation is too much.
“I don’t think that every villain in the world actually thinks they’re being a good guy, but I do think that everybody creates a value system that justifies the actions they’re taking, and and I think there’s a difference between those two things. Not everybody believes that they’re on the side of righteousness, but everybody has a way of justifying the actions they’re taking. Not every villain has to be a misunderstood hero, and in fact I think there are a lot of instances throughout history of people who were obviously doing the wrong thing and probably had an understanding of that on some level, but had some rationale or justification for it. A lot of villains in literature and media have these weird, Thanos-esque philosophies of what it is that they’re trying to do, and I think human motivation tends to come from more primal places than that. So a lot of the villains I write can be brilliant or clever (and, in fact, probably should be), but their motivation tends to be primal. They wanna be rich, they wanna have power, they wanna live forever. There’s something deep down that is, when you break it down, not too complex. Right? If you look at the real world, the people that are doing bad stuff don’t need complex motivations. They wanna rule the world! They wanna be rich! They wanna be unafraid that other people can ever screw them over, so they screw other people over. Evil is boring. Right? I kinda believe in the banality and mundanes of evil. Evil is just selfish impulses, which at the end of the day are really easy to understand. It’s easy to understand why people do bad things. It’s like “yeah, ok, you’re selfish and scared and cruel, I get it”. Being good is complex and beautiful and hard.”
—
Brennan Lee Mulligan, when asked how to create villains for ttrpgs
(I found this quote to be really meaningful in like…life in general which is why I posted it here. When he said “evil is boring”, it felt like something clicked in me that I had known deep down but hadn’t had the words for.)
disclaimer: first post, extremely new to tumblr. but of course my first post HAD to be voltron-related, and it's about keith and his fanny packs and boots. (A stupid, small analysis)
in S1 E2, in the first minute we see Allura doing an unannounced drill (albeit dramatically) to evaluate the readiness, vigilance and speed of the newly recruited pilots. Other than Shiro, he seems to have the best mastery of these traits as he launches across the room to grab his jacket (Wow. His first instinct. Gotta dive into that sooner or later) then get out one second later.
Many people have pointed out the sheer absurdity and comedy of Keith wearing his fanny packs and boots to bed. How uncomfortable can that be? At conclusion, this scene was boiled down to just a trivial animation mistake and I also think that's all it is. But, out of fun, I want to look deeper into this "mistake" (Although many people have already probably concluded my upcoming analysis and I'm just late to the bandwagon.)
His fanny packs and boots are the solid testament to his life.
In later seasons, we find out that Keith has been practically raising himself throughout his childhood. He had an absent, dead (secretly alive) mother and also a completely dead father. In an optimistic sense, at least his father passed when Keith was 10 (?) years old, having a fragment of paternal love and care despite it being abruptly cut off. Oddly enough, orphanages aren't a thing in his time.
As if being stripped of parental love wasn't cruel enough, he also faced ostracization and bullying throughout his entire childhood without any adult to stand up for him whatsoever. Until around he was 16-17, Shiro saw his potential and eventually developed into his implied father figure. Then Shiro disappeared after a year, leaving him all alone once again.
So, during the timeframes before and after he met Shiro, he was left all alone to fend for himself. He lives in an almost dilapidated, shabby shack in the middle of a desert, naturally leaving security unattended and nonexistent.
Of course, for a child/teenager, this predicament alone would transpire paranoia especially when you're in the middle of nowhere with the imminent anxiety of wild beasts/animals without any nearby protection.
Onto my main point now.
Keith is a teenager that was left to fend for himself all alone. Not only does he have no parents, but also he lives in the middle of nowhere and faces extreme ostracization and bullying. His school is an extremely emotionally and physically unsafe environment for him, and so is his shack. Consequently, he makes it a priority to always keep his guard up everywhere at any time. He isn't familiar with the notion of a "safe space". (Perhaps he only literally experiences that concept when he forms a deep connection with a bunch of other teenagers in outer space. Now that's a safe space. LOL)
His only resort and closest alternative to a "safe space"? His dagger, fanny pack, and boots.
Boots, to immediately escape the grasp of an intruder/emergency;
His fanny pack, presumably with all his survival essentials in it, in case of any emergency;
And his dagger, to defend himself.
All of which are stationed on him.
When you've spent the majority of your life alone with absolutely nobody to depend on, vigilance and paranoia creeps itself onto your daily routine. Most likely, Keith feels naked and vulnerable without them, because these three are his fundamental objects of safety.
So, he learnt readiness, vigilance, and speed not by training, but through cruelty. Of course, even with the reassurance of sleeping in a high-security advanced spaceship, old habits die hard. He'd rather sleep through discomfort rather than face danger.
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this would be so good for a klance hurt/comfort fic. just lance slowly easing keith into introducing the possibility of safety and vulnerability coexisting together instead of having to choose between the two. i GOTTA write something like this soon
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