official daine visual archive
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Kiana Khansmith
let's talk about Bridgerton tea, my ask is open
EXPECTATIONS
Doug Jones

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if i look back, i am lost
"I'm Dorothy Gale from Kansas"

bliss lane
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Love Begins
cherry valley forever

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Lint Roller? I Barely Know Her

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@doommantra
Pesar-i-Baad Hanuman (पवनसुत हनुमान)
Medium: Gouache, Natural Pigments, Ink and gold leaf on Wasli. A scene from the ancient Indian epic The Rāmāyaṇa, where Hanuman unable to identify the medicinal herb Sanjeevani lifts the whole Mt. Drongiri in the Himalayas and brings it to the battlefield in Lanka; where Lakshmana is badly wounded and is nearly killed by Indrajit.
Inspired by an illustration from the Mughal Rāmāyaṇa (Commissioned by Emperor Akbar); Shown in the second picture. (via Instagram: Faisal_mohd111)
Kali Shrine Jerome F Hamlin wrote: Religion meets Kitsch - scary Kali shrine, Arunachal Pradesh, India. Kali: goddess of death, time, and doomsday. Only the resting goat is real. (via Instagram: Jerome F Hamlin)
Durga-Vijay, from DeviMahatmya, fighting the rakshashas Shunga and Nishunga. Year unknown. Bibliothèque Infernale on FB
Léigōng (雷神; Léishén): the eagle-faced God of Thunder in Chinese mythology, punisher of both earthly mortals guilty of secret crimes and evil spirits who have used their knowledge of Taoism to harm human beings ~ 1923 Bibliothèque Infernale on FB
Temple door, Nepal
Devi killing Sumbha and Nisumbha 1880-1890 Pahari School, Kangra. (via Twitter: Sanjeev khandekar)
Whale netsuke
Mohini, The Only Female Avatar of Lord Vishnu Mohini distributing the Amrita to the Devas (left), while the Asuras look on. Artist: Mahaveer Swami , Bikaneri style of painting (via pinterest: Raju)
Durga Puja Dum Dum Park Bharat Chakra Club, Kolkata North, India. (via Instagram: Chaldatala Nabankur Sangha)
Zhou Yinghua 周莹华 was born into an embroidery family and whose father, Gao Boyu, was one of the founders of the Suzhou Embroidery Research institute and was instrumental in the revival of the hair embroidery technique in the 1970s. Zhou runs the Mingying Embroidery Workshop in Suzhou which creates traditional silk embroidery but also hair embroidery, a tradition that dates to the Tang Dynasty and uses human hair. Zhou uses long, undyed hair from women 20 to 30 years of age. The hair is then processed to eliminate the protein inside and then dyed different colors. Sometimes hair is collected from ethnic minority people who have different hair colors. White hair is also dyed red when a deep scarlet is required. A time-consuming process, the stitching of a mid-sized piece can take around six months to complete.
Sources: LivingSu, 匠客街