Dorianne Wotton

Massacres graphiques Inc: , webdesign, photo, video, VJing, digital art... Site Dorianne Wotton Flickr Suivre @doriannewotton Viméo Ma page Facebook

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Des femmes qui comptent from Dorianne Wotton on Vimeo.

Partager L:EDigitalab a assuré la stratégie digitale et le content management du projet "Des femmes qui comptent" (desfemmesquicomptent.com/).

Porté par un blog, appuyé par une vaste opération sur Twitter, le projet illustre l’évolution de la place des femmes dans la société à partir des archives d’institutions bancaires et financières. Ce cheminement est mis en lumière à partir du récit d’une femme d'aujourd'hui qui porte un regard neuf et curieux sur les femmes collaboratrices (et clientes) d’établissements bancaires au cours des trois grandes époques de la condition féminine (fin 19e-2000).

Pendant trois mois, Marie, la narratrice du projet, a partagé sur Twitter ses trouvailles dans les fonds d'archives et reconstitué les parcours de vie de trois collaboratrices de banques : Eugénie, Pauline et Annie. Ces portraits ont été partagés sous forme de tweet documentaire. Chaque saison était accompagnée de vidéos type motion design.

Trois femmes, trois périodes, trois saisons à découvrir !

Pour en savoir plus : ledigitalab.com/fr/decouvrez-des-femmes-qui-comptent/

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Phygitalide : "Feeling Good" performance from Dorianne Wotton on Vimeo.

Video of a dance performed by Mackenzie Fagras using L:EDigitalab digitalized stage : "Phygitalide". This dance was performed during the premiere of "Phygitalide" (or in plain english Phygitalide), an installation created during a residency at the Laboratory in Spokane (USA). The public restitution of "Phygitalis" took place the 17 th august 2017, at the Saranac Art Project of Spokane.

CREDITS: Filming by Deirdre O'Toole and L:EDigitalab Concept, scenography and creative code : L:EDigitalab Dancer: Mackenzie Fagras Music : Feeling Good (Bassnectar Remix) - Nina Simone

Phygitalis is a Chrysalis where the Physical and the Digital realms merge. This stage space tracks the movements of its performers and generate visuals from them. For this show, Phygitalis has used the movements of tango to immerge its dancers into a new digitally augmented world. Then, a contemporary dance has been performed. To finish, the audience has been invited to play with the installation during an "open stage". Watch the video here : youtube.com/watch?v=fbEi3QJ9jQk&t=67s

When we say it was a premiere, we could not use a more accurate word. We started working on that device from scratch three weeks before the show, when we came to participate in the Laboratory’s summer residency. We were new to most of those technologies. It’s the first time we worked with the Internet of Things. The laboratory residency gave us the possibility and all the help we needed to learn and experiment. Eventually it already enables us to think forward to several new art and entertainment devices, installations, performances and shows. Indeed, Phygitalis is not intended to work only with dance : our goal is to design a platform to help all professionals involved in performing arts working together. We hope our device allow choreographers, composers and visual artists to work together and create new pieces of performing arts in a totally collaborative way.

This work made possible in part by funding from Spokane Arts' SAGA program.

Special thanks to Alan Chatham.

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Phygitalide is a new approach to the digitization of space. This creation goes against the negative perceptions of digitization and moreover digitized places. Digital tools are said to invade our lives, isolate people and control the world around us without us realizing. Novelty rightly scares people who can feel concerned about “over digitization”.

This installation aims to remind that digital is only a technology after all and which also has a great oneiric potential. Thus, Phygitalide sublimates its digitized space by materializing the movements of its performer in a sensitive, vivid and poetic way. To do so, this installation transforms the space in such a way that it reacts to the presence of the bodies. They become sensitive surfaces that control their environment. These augmented bodies become interactive instruments which shape the audiovisual evolution of the space they temporarily inhabit.

More here : ledigitalab.com

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Phygitalide - Restitution from Dorianne Wotton on Vimeo.

Partager Video of the premiere of "Phygitalide" (or in plain english Phygitalide), created during a residency at the Laboratory in Spokane (USA). The public restitution of "Phygitalis" took place the 17 th august 2017, at the Saranac Art Project of Spokane.

Phygitalis is a Chrysalis where the Physical and the Digital realms merge. This stage space tracks the movements of its performers and generate visuals from them. For this show, Phygitalis has used the movements of tango to immerge its dancers into a new digitally augmented world. Then, a contemporary dance has been performed. To finish, the audience has been invited to play with the installation during an "open stage"

When we say it was a premiere, we could not use a more accurate word. We started working on that device from scratch three weeks before the show, when we came to participate in the Laboratory’s summer residency. We were new to most of those technologies. It’s the first time we worked with the Internet of Things. The laboratory residency gave us the possibility and all the help we needed to learn and experiment. Eventually it already enables us to think forward to several new art and entertainment devices, installations, performances and shows. Indeed, Phygitalis is not intended to work only with dance : our goal is to design a platform to help all professionals involved in performing arts working together. We hope our device allow choreographers, composers and visual artists to work together and create new pieces of performing arts in a totally collaborative way.

CREDITS: Video of the performance by Deirdre O'Toole Concept, scenography and creative code : L:EDigitalab Tango dancers : Anna Czoski and Matt Doval Contemporary dancer: Mackenzie Fagras Music: MulaCreativa - Tangoelectrominimo

This work made possible in part by funding from Spokane Arts' SAGA program.

Special thanks to Alan Chatham.

---

Phygitalide is a new approach to the digitization of space. This creation goes against the negative perceptions of digitization and moreover digitized places. Digital tools are said to invade our lives, isolate people and control the world around us without us realizing. Novelty rightly scares people who can feel concerned about “over digitization”.

This installation aims to remind that digital is only a technology after all and which also has a great oneiric potential. Thus, Phygitalide sublimates its digitized space by materializing the movements of its performer in a sensitive, vivid and poetic way. To do so, this installation transforms the space in such a way that it reacts to the presence of the bodies. They become sensitive surfaces that control their environment. These augmented bodies become interactive instruments which shape the audiovisual evolution of the space they temporarily inhabit.

More here : ledigitalab.com

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PrestaMeetIn v3 from Dorianne Wotton on Vimeo.

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Radio for the Daydreamers - Stop Feeding Proton Gradients ! from Dorianne Wotton on Vimeo.

Band : Radio for the Daydreamers Track : "Stop Feeding Proton Gradients!" Directed by Dorianne Wotton (for L:ED) From the album : "Enouement", out May 18th, 2017 Thank you to Blandine Laignel for the dance ledigitalab.com/ radioforthedaydreamers.bandcamp.com/

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Stand still (FONLAD Festival) from Dorianne Wotton on Vimeo.

Stand Still est une installation interactive ludique et captivante. Dans l'espace de déambulation, les gestes et mouvements des passants et spectateurs sont captés par une caméra. Par le biais d'un dispositif numérique, une image de leurs silhouettes est figée toutes les 15 secondes. Cette image est projetée en temps réel sur les images toujours en mouvement. L'image multiplié crée une confusion optique particulière puisque les images sont agglomérées, décalées et superposées. En se mouvant, les corps des passants se juxtaposent, dessinant ainsi d'infinis tableaux lumineux et éphémères. Chaque spectateur ou groupe de spectateurs invente ainsi son propre jeu scénographique. Les traces des corps s'évaporent pour faire place à d'autres, pour une expérience aussi divertissante que hypnotique. Pour en savoir plus : ledigitalab.com/fr/portfolio-item/stand-still/

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Datasmog, live au Carnaval Numérique, La Villette (Paris) from Dorianne Wotton on Vimeo.

"Datasmog", samedi 18 mars à l'Auditorium de Cité des sciences et de l'industrie, à La Villette, de Paris, dans le cadre du "Carnaval numérique" . En savoir plus sur Datasmog : ledigitalab.com/fr/portfolio-item/datasmog/ Vidéo par lenaj : lenaj.net

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Datasmog : teaser from Dorianne Wotton on Vimeo.

Introduction to "Datasmog", a performance by L:ED : ledigitalab.com/portfolio-item/datasmog/

With : Music : Exomène (exomene.com/) Performer: Elena Ramos (elena-contorsionniste.com/) Visuals: Dorianne Wotton (dorianne-wotton.com) Filmed at the 6B Lately, human beings seemed to reach the maximum amount of information they can process, their attention constantly drained by advertisement, social networks or e-mail notifications. Because of this information overload, mankind seems on the verge of a massive cognitive dissonance : too much information leads to overchoice, too much sollicitations leads to continuous partial attention which both leads to poor choices or analysis paralysis. But on the other hand, it seems that people are already evolving to integrate these constant datastreams into their lives: nomophobia, Fear Of Missing Out (FOMO) are signs that our brains are reconfiguring to filter this data glut with a poor signal to noise ratio into something valuable. Datasmog aims to illustrate this current change by depicting the immersivity of nowadays digital practices by, on the one hand, drowning a living being into digital streams of images and sounds, and, on the other hand showing the permanence of the immersed self and the way it reacts and integrates that streams. To do so, Datasmog is blending together several techniques like contorsionism, contact juggling, live visuals and live music into a new kind of performance. Datasmog, using music and VJing to represent datastreams and contorsionism to represent the inner self, shows how a human being necessarily evolves to take into account its surroundings now including digital and data streams. Contorsionism represents the plasticity required to apprehend the information as well as the tensions born by the gigantism of the data streams. At the very heart of L:ED’s approach lies the will of making bridges between artistic practices through digitization to illustrate mankind on the edge of both physical and digital realms. After having successfully explored the dynamics between dance (Side by side) or performing arts (Digital Primitive) with digital arts, L:ED proposes a new show by now including fine arts to its audiovisual performances.

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Présentation du Gif O maT from Dorianne Wotton on Vimeo.

Faites comme Made In Scop (made-in-scop.coop/) et adoptez le Gif O maT pour votre soirée ! L'animation vidéo idéale pour faire le buzz ! Explorez les infinies possibilités qu’offre le GIF et intégrez le dans votre évènement grâce à cette animation simple et ludique. Le Gif-O-maT c’est un photomaton… qui transforme vos selfies en GIF animé. Le principe est simple : installez vous face à la borne photo, appuyez sur le bouton « Start », le décompte est lancé et la borne prend votre portrait… en version GIF animé ! Vous pouvez (re)commencer à l’infini, seul(e) ou à plusieurs, sérieux ou pas. Ce dispositif a l'avantage redoutable d'être à la fois ludique, participatif, et également un support de communication unique à fort impact émotionnel. Le GIF permet de partager facilement sur les réseaux sociaux une humeur, une émotion, un souvenir... Sa facilité d’accès et sa présentation dynamique autorisent toutes les libertés créatives et en fait l’un des supports idéals pour vos médias animés. Alors n’hésitez plus ! Cette borne 100% connectée permettra aux invités de partager en direct leur GIF sur les réseaux sociaux, leurs smartphones ou par mail ! De quoi apporter nouveauté et convivialité à votre évènement grâce à cette animation 3.0 ! Votre marque comme vos invités garderont ainsi un souvenir mémorable de votre évènement ! Grâce à notre expertise en animations photo et vidéo originales et conviviales, vous pourrez : disposer de supports de communication incontournables réalisation et diffuser des contenus originaux collecter simplement des données offrir une animation ludique à vos invités ou collaborateurs. Vous pouvez tout customiser : • design du GIF et fond de l’installation (à l’image de votre entreprise : logo, etc.) • impression de photos • diaporama en live • création d’un site dédié pour retrouver l’ensemble des GIFs réalisés pendant la soirée • … et bien d’autres choses à imaginer avec vous ! Tout est possible : présentez nous vos idées et nous mettrons tout en œuvre pour les réaliser. Site internet : ledigitalab.com

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Light Sculpture from Dorianne Wotton on Vimeo.

Présentation de notre “light sculpture” : une sculpture lumineuse réalisée pour habiller un espace événementiel. L:EDigitalab a assuré la conception et la réalisation sur mesure d’une scénographie digitale. Cette installation modulable combine réalité augmentée et interaction en temps réel : la position ou la gestuelle des participants modifient l’image de manière instinctive et naturelle. Cette installation combine donc technologie interactive en temps réel et composition de mapping vidéo pour s’adapter à de nombreux contextes d’utilisation. L:EDigitalab met en place les techniques les plus novatrices pour que votre événement prenne une dimension visuelle remarquable grâce à des scénographies originales et innovantes à votre image. A votre tour ? Plus sur notre site : ledigitalab.com

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Animation digitale d’espace professionnel from Dorianne Wotton on Vimeo.

L:EDigitalab a développé et mis en place un dispositif d’animation digitale original dans un espace d’attente. Le professionnel souhaitait que cet espace devienne un véritable sas de décompression. Pour atteindre cet objectif, nous avons développé et mis en oeuvre une installation qui propose une série d’expériences ludiques, simples et immersives. Le client souhaitait par ailleurs que cette installation puisse être modulable pour être utilisée sur des stands dans le cadre de salons professionnels, etc. Nous avons donc développé un système pour une utilisation dans le cadre d'événements pour diffuser des messages et retenir les visiteurs sur un stand … tout en se démarquant ! Ce système d’affichage peut ainsi être adapté pour capter l’attention des visiteurs : il consiste alors en un affichage interactif original pour diffuser des informations auprès des visiteurs. Des messages vidéos s’affichent selon la position des participants : ils doivent se tenir à proximité pour voir le message. En mettant l’accent sur l’animation et l’interaction, les visiteurs deviennent acteurs. Le concept de ce système est de créer une véritable « expérience invité » autour de l’événement physique. Les actions diffèrent selon si l’événement est dédié au public ou s’il est professionnel. Dans tous les cas, l’objectif est de provoquer l’engagement des participants au-delà de leur simple présence. Le digital stimule la créativité grâce à des technologies innovantes permettant de surprendre et de susciter l’intérêt. Il offre aux participants une expérience inédite qui éveille une émotion liée au caractère unique et exceptionnel de l’installation. Pour en savoir plus : ledigitalab.com/fr/portfolio-item/animation-digitale-despace-professionnel/

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Synesthetic experiment from Dorianne Wotton on Vimeo.

A synesthetic experiment : generative patterns evolving with sound.

Music : "Hanna" movie soundtrack, by the Chemical Brothers

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Matilda (Edited) from Dorianne Wotton on Vimeo.

Edited video of the performance "Matilda", during the restitution of an artistic residency at Le 6B (France). Matilda" is a digital lullaby in the form of a multidisciplinary generative performance. Matilda is a piece in 4 parts about the awakening to consciousness, the developpement of the personnality, its individuation and ultimately the keeping of sanity. Matilda mixes corporality, visuals and sounds to elaborate a complete performance, where dream and reality intersect, where the personality gradually embodies itself to reach its full potential. But, confronted to the outside, will Matilda's personality stay consistent, sound and safe? The piece is immersive so the viewer can give vent to his imagination and bring his own interpretation to the creation. Music and soundscape : Exomène Visuals and stage design : Dorianne Wotton Dance : Sophie Blet

More about Matilda : l-experiments-digital.com/fr/portfolio-item/matilda/

SYNOPSIS Matilda arrives at the world, she discovers herself and then meets the otherness. Body, image, sound, dream and reality intersect when Matilda gradually emerges from the limbo to face the world. Will she emerge victorious from her conquest of existence?

Sound experiments, visual explorations, interactive and generative projections, scenographic research ... Matilda is an immersive and holographic work in four parts which successively tackles self-awareness, development of personality, individuation and finally the conservation of mental health. The bodily, visual and sound elements are mixed to create a performance, where dream and reality intersect, where individual personality is incarnated progressively until its climax. The construction of the personality of Matilda is done in the meeting of choreography and scenography. The visual representation of Matilda's dream and memories is based on the transparency and the repetition of the images thanks to a succession of translucent screens distributed over the whole stage space on which the performance, treated visually in real time, is reprojected. Besides the oneiric dimension, this system also allows to play on the perspectives and the effect of depth by a distortion of the projections.

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Matilda (Edited) from Dorianne Wotton on Vimeo.

Edited video of the performance "Matilda", during the restitution of an artistic residency at Le 6B (France). Matilda" is a digital lullaby in the form of a multidisciplinary generative performance. Matilda is a piece in 4 parts about the awakening to consciousness, the developpement of the personnality, its individuation and ultimately the keeping of sanity. Matilda mixes corporality, visuals and sounds to elaborate a complete performance, where dream and reality intersect, where the personality gradually embodies itself to reach its full potential. But, confronted to the outside, will Matilda's personality stay consistent, sound and safe? The piece is immersive so the viewer can give vent to his imagination and bring his own interpretation to the creation. Music and soundscape : Exomène Visuals and stage design : Dorianne Wotton Dance : Sophie Blet

More about Matilda : l-experiments-digital.com/fr/portfolio-item/matilda/

SYNOPSIS Matilda arrives at the world, she discovers herself and then meets the otherness. Body, image, sound, dream and reality intersect when Matilda gradually emerges from the limbo to face the world. Will she emerge victorious from her conquest of existence?

Sound experiments, visual explorations, interactive and generative projections, scenographic research ... Matilda is an immersive and holographic work in four parts which successively tackles self-awareness, development of personality, individuation and finally the conservation of mental health. The bodily, visual and sound elements are mixed to create a performance, where dream and reality intersect, where individual personality is incarnated progressively until its climax. The construction of the personality of Matilda is done in the meeting of choreography and scenography. The visual representation of Matilda's dream and memories is based on the transparency and the repetition of the images thanks to a succession of translucent screens distributed over the whole stage space on which the performance, treated visually in real time, is reprojected. Besides the oneiric dimension, this system also allows to play on the perspectives and the effect of depth by a distortion of the projections.

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Volutes - A-T-ON APPROUVÉ ? (clip) - réal : L:ED from Dorianne Wotton on Vimeo.

- Musique : VOLUTES - Images : - L:ED (Experiments in Digital) - l-experiments-digital.com - DORIANNE WOTTON - dorianne-wotton.com

- Enregistrement/Mixage/Mastering : Julien Goutte-Broze / Met'Assos Enregistré dans le cadre des Studio Sessions #1 Met'Assos : metassos.fr

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Byzantium from Dorianne Wotton on Vimeo.

Video clip made for the release of the song "Byzantium" Produced by L:ED (l-experiments-digital.com)

Music : Exomène (exomene.com) Visuals : Dorianne Wotton (dorianne-wotton.com)

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Showreel Motion Design Dorianne Wotton 2016 from Dorianne Wotton on Vimeo.

Samples of my motion graphic design works. Website : l-experiments-digital.com/ My motion design services with the L:ED laboratory : l-experiments-digital.com/portfolio-item/motion-design/