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@dottiequickdesign
No matter where you are when the words of Jane Austen touch your heart you never forget why. SATE's original stage adaptation of Austen's beloved Pride and Prejudice incorporates recollections of a variety of people's first impressions upon reading the novel. From Pakistan to Paris to St. Louis, 200 years after it was penned, this story connects us.
SATE’s APHRA BEHN EMERGING ARTISTS' SHOWCASE is a festival of new plays written and directed by female artists. The festival is named for the British spy, playwright, poet, translator, and fiction writer from the Restoration Era. As one of the first English women to earn her living by writing, Aphra Behn broke cultural barriers and serves as a literary role model for later generations.
Midnight Company's production of Little Thing, Big Thing by Donal O'Kelly: In Nigeria, a frightened child puts an old roll of film into the hands of Dublin-bound teacher Sister Martha. In Dublin, ex-con Larry, with a wounded backside, has to get out of the city to rob a convent.
For its second production of the Season of Adaptation, SATE produced Cuddles by Joseph Wilde. SATE's production is a St. Louis premier. Cuddles was produced by special arrangements in St. Louis, MO with Berlin Associates London.
SATE adapts William Shakespeare’s beloved pastoral comedy As You Like It to Depression-era Ozark forests, complete with original, Old-Time tunes played live by the cast and Jason Scroggins, of the local band, The Foggy Memory Boys.
SATE adapts William Shakespeare’s beloved pastoral comedy As You Like It to Depression-era Ozark forests, complete with original, Old-Time tunes played live by the cast and Jason Scroggins, of the local band, The Foggy Memory Boys.
Naomi Wallace's One Flea Spare: A wealthy couple is preparing to flee their home in plague-ravaged 17th Century London when a mysterious sailor and a young girl sneak into their boarded up house. Now, quarantined together for 28 days, the only thing these strangers fear more than the Plague is each other. SATE’s production of One Flea Spare was its St. Louis premiere. Presented as part of SATE’s Season of Mistaken Identities
Or, by Liz Duffy Adams takes place (mostly) during one night in the life of Aphra Behn: poet, spy, and soon to be first professional female playwright. Presented as part of SATE’s Season of Mistaken Identities
SATE's Mary Shelley Monster Story is an original production by Nick Otten, conceived by Ellie Schwetye and Rachel Tibbetts. Was Mary Shelley's most famous novel, Frankenstein, really an autobiography? Is she the creator or the creature? Presented as part of SATE’s Season of the Monster: An entire season dedicated to exploring what it means to be a monster. Are they forces outside of us or our own creations? It’s not always black or white.
Fueled by jealousy and resentment, Leslye Headland's Bachelorette is a wicked black comedy about female friendship and growing up in an age of excess. Presented as part of SATE’s Season of the Monster: An entire season dedicated to exploring what it means to be a monster. Are they forces outside of us or our own creations? It’s not always black or white.
Stephen Mallatratt’s The Woman in Black is a ghost story performed by two actors. A play-within-a-play about a menacing specter, storytelling, and the nature of fear.
Presented as part of SATE’s Season of the Monster: An entire season dedicated to exploring what it means to be a monster. Are they forces outside of us or our own creations? It’s not always black or white.
Nine by Jane Shepard: Two women held in a life-threatening situation and the mind games they play to keep one another alive. Presented as part of SATE's Season of the Monster: An entire season dedicated to exploring what it means to be a monster. Are they forces outside of us or our own creations? It’s not always black or white.
Lee Blessing’s Eleemosynary examines the delicate relationship of three women - grandmother, mother and daughter - and their connection through a national spelling contest.
SATE’s 2012 production of Lanford Wilson’s Burn This