âȘ a drop in the ocean, a change in the weather i was praying that you and me might end up together itâs like wishing for rain as i stand in the desert but iâm holding you closer than most, cause you are my heaven â«
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@drconradconklin
âȘ a drop in the ocean, a change in the weather i was praying that you and me might end up together itâs like wishing for rain as i stand in the desert but iâm holding you closer than most, cause you are my heaven â«
"oh yes they both reached for the gun" but it's Scott McCall and Liam Dunbar while Theo Raeken is the gun
Can I make an addition to this?
"Oh yes they both reached for the gun" but it's Theo Reaken and Stiles Stilinski and the gun is Scott McCall
boyd, theo, and grief
written for @teenwolf-meta's prompt "bardo"
I know I'm not the first to suggest this, but I like the headcanon that Alicia was taken by the Dread Doctors the last time they were in town--the same time that they took Theo.Â
The timing works, since Boyd's voice in the flashback could conceivably be a fourth grader's. It would also explain how Alicia disappeared so suddenly, around "plenty of other people" (3x06), since the Doctors could have grabbed her unnoticed, and why Boyd can't remember when he saw her last, since the Doctors can mess with people's memories.
It also fits so nicely with the visual parallels between their narratives about their dead sisters. Boyd's attempt to kill himself at the Glen Capri and Theo's dreamscape in bardo can be taken as complementary narratives that can inform each other.
Alicia disappeared at the ice rink, and Tara died in the freezing water, details which inform their appearance similarly. Alicia stares up at Boyd from the ice and calls out to him. Later, Tara stares up at and calls out to Theo from the cold water, and will eventually climb out of the ground soaking wet to grab him.Â
Both boys are haunted by their sisters' deaths. Boyd now works at the ice rink: with every shift, he returns to the site of her disappearance.
Soon after he's poisoned with wolfsbane, he breaks through the glass of the vending machine to get what he paid for, an action that foreshadows his attempt to get Alicia out of the ice: if he could just break through, he'd find her.Â
But what really haunts Boyd is the mystery of how she disappeared. He has no idea how she disappeared, or even when he saw her last. He remembers himself asking is it my fault? He repeats the question to himself before he trudges barefoot to the tubâthe same way Theo will later wander barefoot through the hospital.
It's striking to me that Boyd chooses to drown himself when, only a few episodes later, Scott, Stiles, and Allison will all drown themselves to access bardo. For them, bardo is about revelations: that the nemeton is responsible for Scott's tattoo; that it was close by when he was bitten; that Allison was there that night. It gives Scott a greater understanding of one of the most traumatic nights of his life. I don't think the writers intended this but it fits so well that Boyd is, on some level, attempting to access bardo by similarly drowning himself. His attempted death is definitely about his sense of guilt, but I think it's also about Alicia's death as a question Boyd would do anything to answer.Â
Boyd wants to process his sister's death, but without the answers to his questions, it's impossible. It makes it all the more tragic that he dies the next episode with no answers about his sister, not even an answer to what happens to a werewolf during a lunar eclipse. In a universe where he survived, it would have been so interesting for season 5 to give him an explanation for Alicia's disappearance and, finally, an answer to his question: it wasn't his fault.
If Boyd is desperate to find Alicia, Theo is eager to keep her locked away, but he's similarly haunted. Like Boyd at the ice rink, Theo goes to the bridge where Tara died, smelling like grief (5x02).
Later, when Kira sends him to bardo, he's faced with his sister. Theo's dreamscape, like Scott's (4x08), is shaped by his own subconscious; Tara is there because subconsciously, Theo has decided to see her there, even though his conscious reaction is to run away from her.
I've argued before that Theo's dreamscape isâthough informed by guiltâultimately about grief. He's attempted to lock it away so tightly that his journey in bardo is simply to face it: that it's there, that he can't escape it, that it hurts.Â
Theo does face it, though. One of the things I like about Theo's return is that his time in bardo doesn't magically change who he is. He comes back still angry, cynical, and defensiveâbut now openly grieving, which will prove crucial to his eventual changes.
It makes me think again about a version of the show where Boyd lived and went on a journey to bardo himself: what he might have seen there, and what he might have been like afterwards.
Scott and Stiles have a sign: Do Not Separate, and this is why later seasons suffered in this essay I will
Sciles was real btw the fandom was just too enamored with Sterek to see it and Iâll die mad about that.
you put two gay bitches in a room together and they don't shut up about their boyfriends
Tramble penitentiary is a long way from Miami, Raylan.
Justified 6x13 âThe Promiseâ
i was enjoying the veil on hulu so much and then that last episode was like a totally different show đ
âit had been the oddest sensation when sheâd met him, almost as if she were a jagged puzzle piece finally finding its mate. Their first meeting hadnât been one of overwhelming love or passion, but rather filled with the most bizarre sense that sheâd finally found the one person with whom she could completely be herself...â
Two Bad Bitches who pulled each by being Autistic
Penelope and Eloise (and Marina!) are such interesting characters whoâs interpersonal situations are truly grey and I think that whoâs âsideâ fans tend to lean toward really depends on whether or not they ascribe to the individual or the greater good.
For me, I obviously lean more towards Penelopeâs perspective. This is because, as much as understand and sympathize with Eloiseâs feelings of hurt and betrayal, I also see so many of her comments and actions as ignorant and willfully naive. She does things without fully thinking through the consequences, putting both herself and her family at risk. !BOOK SPOILER START! In her story, this is literally the cause of her marrying â she decides to run off ALONE to a manâs home whom sheâs never actually met without telling her family, leaving herself stuck in the situation where she has to marry him not only to protect her own reputation but also that of her entire family. !BOOK SPOILER END!
Marina was very much the same in season 1. I sympathize with her perspective, and while I donât think her actions were as naive as Eloise, I think that she was so focused on trying to grasp the best option for herself that she refused to acknowledge that by doing so she would absolutely ruin BOTH the Featheringtonâs and Bridgertonâs with a scandal much less recoverable for either family than the one penned by Whistledown.
Meanwhile, the reason that I agree more with Penelope over the others is precisely the reason anti-Penelope fans dislike her. She is fully knowledgeable about the potential consequences of her actions. She considers all of the angles and tries to find alternatives, and even her most controversial decisions are made with such tangible regret that we see her sobbing on screen multiple times, but they are decisions that she makes the way she does because they limit the damage to all parties involved as much as possible. Now, could she have done things differently if she thought bringing in someone to her secret was an option? Absolutely! But she didnât think it was â something that, given what we see of her home environment and how her friendships are largely reliant on her supporting the other individual, makes sense for her character.
Anyway, all that is to say that I think people who tend to view these scenarios from the perspective of the individual also tend to agree with Eloise/Marina, where as those who tend to view from the perspective of the greater good also tend to agree with Penelope.
Philosophically speaking, neither perspective is âwrongâ, but I donât know that everyone contributing to the conversation fully understands that, which is where we get the black and white hot takes that blatantly attack these characters as awful people.
I agree with you! Actually, the unexpected depth of the characters is one of the things that attracted me to the show in the first place. Is not just a simple show where they add drama just for the sake of it even if the conflicts are stupid or not what "real" people would do.
I've never read the books but all of the conflicts make sense to me, you know? Not just about Marina, Penelope and Eloise, but also for the other characters.
For example, I can't exactly place blame on Daphne when she forced herself on Simon when the girl barely knew how sex works just five minutes ago nor can't I blame Simon either for not telling her why he specifically didn't want to have kids considering at the time, you first married your intended and after that you started to get to know them and be vulnerable with them.
Kate's dilemma also makes sense. If they're three women who recently lost the man who took care of them and they have nothing else, of course she's going to accept the grandparents' offer to marry Edwina to nobility and not tell her to give her a chance to fall in love.
Even Portia makes sense; with her husband being of no help and making things worse and later on, dying and leaving them to fend for themselves, I can't blame her for doing anything in her power to take care of her daughters with any means necessary.
All the woman in this show have done the best they could with the very few options given to them considering their individual circumstances and the show writers have done an incredible time showing that.
To finish this rant, of course the characters should have flaws! Eloise is a naive rich girl with little to no life experience! Marina was working against the clock to find a husband (basically the only option at the time) before her pregnancy was more obvious and she was shunned by the community! Penelope is just a teenager who, as far as she knows, has no dowry, will end up a spinster and the only way forward is to protect her only source of income!
Plus, they want to release at least enough seasons for all of the Bridgerton siblings, we need to see the characters grow otherwise its going to get really boring.
Thank yooooooou!
I cannot say how many times Iâve had to resist the urge to argue with fans about the Daphne situation is particular! So often I see it painted as black and white that Daphne assaulted Simon and thus she is an awful horrendous human being, when contextually you could argue that every. single. time. they were together until that point was an assault against her because she was participating with a lack of knowledge so significant that she could not actually consent.
I think that most often people forget the actual culture and setting when theyâre considering character actions and instead judging them on contemporary values (which totally defeats what makes historical fiction and period pieces so interesting, even in a fantastical setting like Bridgerton).
obsessed with this letterboxd review for CHALLENGERS (2024) by rocky/WAYSTIAR
so scott is okay covering for jamie (in the first season) and doesnât feel guilty, but canât cover for damian??? and now heâs GONE âčïž
okay so no i have more to say about this â
because they ALREADY had the storyline of jamie being weary of damianâs impulses, but she ends up APPROVING of him in the end!! and his departure is a few episodes jamie left so weâve lost 2 of the fly team in a short amount of time!!
scott knew from the beginning damianâs issues with authority and impulsivity, but scott said heâd be there to remind him if he ever went out of line. and damian did better under him because he respects scott.
now letâs talk about damianâs ptsd. he obviously has it and you would think itâd be mandated for him to go to therapy FROM THE BEGINNING HE SPENT FIVE (5) YEARS UNDERCOVER!!!!!! THE WHOLE ISSUE THAT MADE SCOTT LET HIM GO WAS BECAUSE OF HIS PTSD TAKING OVER
ugh iâm sorry but scott noticed and shouldâve benched him, but instead had andre (whoâs a coworker NOT a superior) âkeep an eyeâ on him
if they really wanted his characterâs arc to end, it wouldâve been much more impactful if he did go through therapy, healed and felt he missed the undercover work.
idk i just really hated how they ended itâ it seemed like they just gave up on him and his character. and it really sucks because it was with someone who had mental health issues
(p.s. his and voâs relationship was so fast and it didnât seem like anything came out of it?? like no lessons learned?? idk)
so scott is okay covering for jamie (in the first season) and doesnât feel guilty, but canât cover for damian??? and now heâs GONE âčïž
iâm rereading the hp books and sn*pe and dr*co are annoying me so bad đ i usually like villains/morally gray characters but idk man
maybe itâs cause iâm such a harry stan but i swear i sigh so loud when one of them pops up
HARRY POTTER & THE GOBLET OF FIRE (2005) dir. Mike Newell