"untitled (tony) triptych" by robert mapplethorpe,
1973
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"untitled (tony) triptych" by robert mapplethorpe,
1973
Federico Federici, cumulative composition (of simultaneous conversations), (Olivetti Studio 46, pigment liner, graphite on paper), 2026 [© Federico Federici]
Federico Federici, Ensamheten, (Olivetti Studio 46, India ink, hairspray, pigment liner on paper), 2019 [© Federico Federici]
Demonology and devil-lore, 1879
Asger Jorn (Danish, 1914-1973) Das Offene Versteck. - source Bonhams.
Joan Mitchell
Bluets
(Image: Philippe Migeat / RMN-GP)
Chaïm Soutine (Bielorussian-French, 1893-1943)
The Old Actress (La vieille actrice), 1922
Oil on canvas, 92,1 × 65,1 cm
“No greater mistake can be made than to imagine that what has been written latest is always the more correct; that what is written later on is an improvement on what was written previously; and that every change means progress.”
— Arthur Schopenhauer, “On Authorship and Style”, Parerga and Paralipomena
Hildegard von Bingen Book of Divine Works, Part 3 Vision One: The City of God and the Mirror of the Angels 1230
On the elements of light and their identity with those of matter, radiant and fixed. 1838. Frontispiece.
Internet Archive
A Butcher's gravestone - Cimitirul Vesel, Săpânța, 2021
Zapotec bat god Camazotz mask.
Unsure, 2008
“Memento mori” burial robes (17th-19th centuries)