if i look back, i am lost
hello vonnie
Sade Olutola
Kaledo Art
No title available
shark vs the universe
Cosimo Galluzzi
will byers stan first human second
DEAR READER
★
No title available
sheepfilms
Product Placement
Lint Roller? I Barely Know Her
Discoholic 🪩
AnasAbdin
Three Goblin Art
oozey mess
PR's Tumblrdome
izzy's playlists!
seen from Canada
seen from Canada
seen from Uzbekistan
seen from T1
seen from United States
seen from Türkiye
seen from United States
seen from China
seen from Italy
seen from United States
seen from United States
seen from Malaysia
seen from United States
seen from Malaysia
seen from United States
seen from Netherlands
seen from United States
seen from United States
seen from United States
seen from United States
@drlyrt
Tsarskiy Kurgan, Kerch, Crimea, 4th century BCE.
The structure features a unique corbelled system, where each successive layer of stone protrudes slightly inward to create a vault. This specific 36-meter-long entrance passage is called a dromos.
It is widely believed to have been the final resting place of a ruler of the Bosporan Kingdom, Leukon I.
Lenochka Nox Photography
Malice@Doll concept art by Yasuhiro Moriki Taken from here!
roane of mistmire, 9th to hold the flame.
sitting for a portrait. she's not usually dressed so fancy.
たすっ
Shield of Gore 🦪🩸
Fiona Finnegan (Irish, 1979) - The Seat (2025)
Carry my sacrifice past this land of sleep
[Personification of the city Najaf, Iraq, for my friend (based on their design)]
Šabac by dragansabas (panoramio)
シンゴジラ
A kobold and an elf demonstrate their reloading techniques during target practice
Fragmentary head of king, Upper Egypt, Thebes, reign of Thutmose IV,
ca. 1400-1390 B.C.
Fragmentary head of king, Upper Egypt, Thebes, reign of Thutmose IV,
ca. 1400-1390 B.C.
Ponder, Loci- Helvetica Blanc; 2021
concept for a game i want to make one day. player is an agent of the demiurge, a tool forced into human shape to correct perceived wrongs.
this is what a lightweight outfit might look like. it's been very cathartic to get these ideas on paper.
Bow Guard (Ketoh), Navajo, 1900, Art Institute of Chicago: Arts of the Americas
During the 1860s and early 1870s, Navajos (Diné) learned silversmithing from Hispanic artisans in New Mexico, and Plains Indian craftsmen whose own metalwork stemmed from Colonial sources in the eastern United States. Mexican pesos, U.S. American dollars, and ingot silver were melted down and recast in molds carved from soft volcanic tufa. Navajo silversmiths employed steel tools and punches to develop decorative patterns. Early concho belts, bow guards, bracelets, necklaces, horse headstalls, and other items of silver jewelry display massive forms and simple ornamentation. By the 1890s turquoise was increasingly used; although most turquoise was obtained from Southwestern sources, some was imported from China and Iran. Navajo silversmiths rapidly established a distinctive elegant style that has become one of the classic hallmarks of Native American art in the greater Southwest. Today, Navajo jewelry, like that of their neighboring Pueblo neighbors, exhibit much greater complexity of design and the use of diverse semiprecious stones, shell, and a variety of metals. Mrs. Leonard Florsheim Fund Size: Appro×. 10.2 × 6.4 cm (4 × 2 ½ in.) Medium: Silver, leather, turquoise, and copper alloy
https://www.artic.edu/artworks/198335/
