Mosquito jewelry by Les Nereides

blake kathryn

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noise dept.
🪼
"I'm Dorothy Gale from Kansas"

roma★

Janaina Medeiros
taylor price

Product Placement
Cosmic Funnies
AnasAbdin
Game of Thrones Daily
Cosimo Galluzzi
KIROKAZE
dirt enthusiast
Three Goblin Art
h

❣ Chile in a Photography ❣

Love Begins
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@themboots
Mosquito jewelry by Les Nereides
Protect him
HE PUT IT INTO WORDS💞💞💞💞💞
respect to all job quitters though
they got married btw
oh you’re not kidding
this email could've been a 4 hour makeout sesh with whimpering and groping and grinding
Fuck it, it’s Pride Month. Send this to your boss
before pride month ends does anyone wanna admit they have a crush on me
posting this on the first day of june so you all have plenty of time to gather your nerves and whatnot
my super sustainable bmw
Anti-city people are just plain fascinating to me
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
puts my uncomfortably wet hand on your shoulder. see here, gay boy- can i call you gay boy?
This album is a more typical example of the great Jimmie Tokita's work. The world of Japanese country and bluegrass has fascinated me ever since I met a Japanese banjo picker at a bluegrass festival many years ago. He spoke no English; the entire conversation was conducted through song.
ALL ABOUT EVE (1950), directed by Joseph L. Mankiewicz
You can be talking to someone and she'll be like, "Oh I made a silly mistake. Women don't deserve voting rights teehee." And you'll be like, "What." And she'll be like, "Oh I'm sorry! That must sound so bad out of context. No it's this Tiktok meme where, if you're a girl and you do something dumb, you say 'Women don't deserve voting rights teehee.'"
And you'll be like, "That sounds bad." And she'll be like, "No no. It's totally not that bad. It's just a meme. Men say it too. Like if a man does something silly he'll be like, 'I am like those women who do not deserve to vote.'" And you'll be like, "Does that make it better?" And she'll be like, "Well there was one guy who tried to make 'Men shouldn't vote' a popular meme. But it never caught on and also he got yelled at a lot."
And then you drop it there because like, you're harshing the vibe.
God this makes me think of this screenshot:
"it minimizes you as a person" really wraps up my entire discomfort with the whole "oh but i'm just a girl" thing when used in most situations.
No Doubt spinning in their graves hearing people overuse “I’m just a girl”… and they’re not even dead yet!
Beyblade heavyweight division
This is the most unsafe thing I've seen in a while
@osha-unofficial
back in the 60s they let you do this on airplanes
The future of North Sea Oil
During the 1960s, the British state managed a relatively successful transition of workers from contracting coalfields into emergent assembly-goods sectors—automobiles, commercial vehicles, household appliances. The number of miners in Britain declined from around 700,000 in the late 1950s to fewer than 300,000 in the early 1970s, but this shedding of jobs in one sector was accompanied by the creation of new industrial employment in the same communities. Hoover employed thousands in Merthyr Tydfil, South Wales, and Cambuslang in Lanarkshire, a coal and steel settlement on the edges of Glasgow. Caterpillar, the tractor and bulldozer manufacturer, operated plants in Birtley in County Durham and at Tannochside in Lanarkshire, a site which repurposed land cleared of derelict miners’ housing. Rootes was obliged to build a large car factory at Linwood outside Paisley, employing former Clydeside shipbuilders, Glasgow locomotive engineers, and Lanarkshire miners. In the 1960s and 1970s, Labour governments used the state’s capacity to compel capital to locate private investment in regions marked for manufacturing expansion. The British state stewarded investment into emergent industries where disinvestment appeared inevitable, and coordinated the transition between them. This makes these earlier decades stand apart from what followed under Tory rule and New Labour in the 1980s, 1990s and 2000s. Cumulatively, these changes created a more balanced and equitable labor market, including new centers of manufacturing and white-collar work for women in areas where such jobs had previously been scarce. The North Sea petroleum complex was itself a creation of the planning state of British social democracy. During the 1970s, the Labour governments of Harold Wilson and James Callaghan operated an Offshore Supplies Office (OSO) alongside the nationalized British National Oil Corporation. The OSO applied pressure on oil majors to place orders at British yards—including converted shipyards on the Tyne and the Clyde, and at Burntisland in Fife. In Fife, itself a contracting coalfield, a large oil rig fabrication yard was built at Methil on the former site of Wellesley colliery. This precedent demonstrates that the state capacity to direct private capital and coordinate industrial transition exists within living memory.
15 May 2026
This sick bleach shirt I made. Something to showcase my undying love for prehistoric cave art.
Some of the bleach burned thru the shirt bc this was my first time bleaching anything ever, but it kinda adds to it.
i think its so awesome that dna is a polymer. like yeah its kind of blatantly obvious, i mean its a long ass organic molecule, thats what polymers are, but theres something satisfying about it. the recipe for You is stored in this solid rubbery bullshit