Horror is a genre within creative writing that relies on one thing: instilling a sense of fear in the reader.
The horror genre is multifacetedâthere is a kind of horror for every kind of person.
For some, the most effective scare is the idea of being trapped in a haunted house. For others, itâs being chased by a serial killer on Halloween.
Some of the best horror comes from scary things that can manipulate an audienceâs feelings, creating a sensation of uneasiness and fear that stretches beyond consciousness and permeates deep within the psyche.
Horror writing is sometimes categorized within the broader category of thrillers, but not all horror follows the thriller structure.
Classic horror fictionâwhether expressed as a novel, novella, short story, or filmâwill tap into topics that reliably frighten most humans.
Common topics include ghosts, werewolves, vampires, zombies, serial killers, murderers, and the fear of the unknown.
These horror tropes can often devolve into clichés.
A downside of horrorâs popularity is that many horror books and movies recycle old content in non-creative ways, but when properly executed, horror stories can thrill audiences and even provide commentary on the human condition.
1. Apocalyptic - In this subgenre, the world is ending or society is collapsing. When this happens, itâs usually because of some creature, demon, or religious event (while climate-oriented apocalypses are more sci-fi).
2. Body Horror - Involves the mutilation, experimentation, or violation of the human body. It can focus on disease, dismemberment, infestation, sexual acts, or a complete transformation of the physical form.
3. Comedy - Horror and comedy seem so at odds with each other, but they work so well together (kind of like spice and chocolate). A trademark of comedy horror is how the protagonist somewhat stumbles through the story, arriving at the end through luck and ridiculous happenstance rather than skill or growth.
4. Cosmic/Lovecraftian - With its origins largely attributed to H.P. Lovecraft, cosmic horror makes us feel small against a threat that is ancient, massive, and incomprehensible. Cosmic horror looks at intergalactic entities, ancient gods, the machinations of the universe, and how helpless we are against it all.
5. Dark Fantasy - Another crossover, this time with the fantasy genre. In dark fantasy, you have elements of magic, fictional creatures or worlds, and everything else that makes fantasy great, plus you add in a good dose of scares. This can also involve other subgenres, like body horror.
6. Dark Romance - Another crossover genre, dark romance takes the feel-good romance genre and makes it horrific. While this subgenre can simply include morally questionable characters and a grittier tone than most romance, it can also include kidnapping, forced confinement, BDSM, psychological and physical abuse, and sexual violence or sex where there is no consent. Bear in mind that it still needs to include the tenants of romance stories, though.
7. Extreme Gore - Not for the faint of heart, this subgenre includes books that have detailed torture scenes or otherwise disturbing and depraved acts. This genre is all about shocking your audience with how awful your characters act or are treated.
8. Folk Horror - Embraces urban legends and folktales. These range from old pagan gods in the woods to weird rituals performed by isolated groups or villages. Sometimes there is a supernatural element to them, even if the âsupernaturalâ is simply perceived or believed by some characters (e.g., Midsommar).
9. Found Footage/Documentaries - Though this subgenre is more common in films than books, found footage and documentary horror stories are about a crew of people recording their experiences, usually unaware of the true danger they are about to face.
10. Gothic - The great-grandparent of modern horror, gothic horror is the brooding, atmospheric genre containing what most of us would consider classics (e.g., Dracula and Frankenstein). Sometimes you throw in a dash of romance, but these tales tackle topics like death and mortality.
11. Post-Apocalyptic - After some world-ending disaster, how horrifying have things become? Post-apocalyptic horror shows us a world without rules or structure. It can contain unrealistic elements (zombies, demons, etc.) or realistic possibilities (cannibals, gangs, and so on).
12. Psychological - Places the spotlight on trauma, mental health, manipulation, phobias, and everything else that causes you to become stressed and anxious. Home invasion stories (i.e., The Strangers) fall under this subgenre.
13. Slasher - Involves violent horror that is more about a single killer stalking and eventually killing a group of people (traditionally targeting teens and using a blade). This subgenre isnât necessarily as violent or gory as others, but uses suspense to make the reader hold their breath.
14. Splatterpunk - Is known for its disregard of limits when it comes to violenceâboth physical and sexual. Gore and depravity are grossly abundant.
15. Supernatural/Paranormal - Some folks separate these two subgenres into different categories, but there is so much overlap that theyâre basically the same. If you have to, think of supernatural horror as stories that involve werewolves, witches, vampires, and other monsters. Paranormal horror, on the other hand, involves ghosts, demons, and haunted houses.
1. Read more horror. Thereâs no better way to understand what a good story looks like than to read one for yourself. Read as much as you can so you are aware of what other horror writers are doing.
2. Focus on your own fears. Much like comedy, horror benefits from authenticity. So get personal: If you can scare yourself, you can probably scare an audience.
3. Create three-dimensional characters. Write characters whose character flaws feed the action of the story. All good literature and film contains well-wrought characters with desires, emotions, and a backstory. The more human you make the characters of your story or screenplay, the more their missteps and bad choices will resonate with an audience.
4. Recognize that the real can be scarier than the surreal. Sure, you can make up an army of googly-eyed bad guys or plant a severed head in your main characterâs bed, but will you really scare your reader? Not necessarily. In most cases, psychological horror sticks with audiences far longer than a jump scare or gross-out moment in a slasher film. Toying with peopleâs real-life fears tends to scare them much more than just grossing them out.
5. Use the environment. Scary movies and television shows can use jump-scares as an easy way to frighten an audience, but writing scary literature requires its own method of manifesting fear. Setup your environment in a vivid way to fully immerse your readers into your setting. Vividly describing an enclosed space can elicit feelings of claustrophobia. A dark and quiet house becomes more frightening when a character suddenly hears the creak of an upstairs floorboard. Being an outsider in an unfamiliar place, like a small town with no cell phone service and where everyone knows each other, is already unsettlingâand if you add a malicious paranormal force to such a setting, you can enhance the feeling of isolation and ramp up the anxiety of the scenario.
6. Write longer sentences. You can heighten your readersâ fear by writing paragraphs with longer sentences. Periods provide natural pauses for readers to take a breath, but if you stretch out your sentences, you build anticipation for the readerâwhich they might not even realize until they reach the end of the sentence. By using tactics like this, you immerse the reader into your horror story, making them feel what the main character feels and creating a heart-pounding connection.
7. Make your readers breathe faster. Whereas long sentences can amplify the intensity of a story, short one-sentence paragraphs can force your readers to take more frequent breaths while following your narrative. Crafting abrupt lines builds tension in your scary story writing, making the readersâ eyes move more quickly down the page searching for the relief that the protagonist is safe. This can make your audience breathe faster, contributing to the feeling of panic and anxiety.
8. Leverage fear of the unknown. Fear of the unknown is a common theme that can be tracked throughout many of the best stories in horror fiction and horror movies. When there is something that negatively affects us that we cannot control or properly identify, it creates a feeling of panic and dread. Teasing your readers with something not quite definable or a bad guy no one knows how to stop can increase the level of tension and fear when writing horror stories.
9. Lean into dark imagery and your readersâ collective imagination. Consider what images might be frightening to a reader (and yourself). How much of a description of a clown do you need in order to make a reader feel uneasy? How large and grotesque does a rat need to be? Leaving some of these images more general than specific will allow a reader to fill in the blanks with what is most horrifying to them. Example: If you read the word beast, what do you see in your imagination? Most words carry connotations and personal connections. Allow your words to work for you to create the maximum scare.
10. Want tension? Sprinkle in some foreshadowing. Foreshadowing is a powerful tool in your writing arsenal, but it is particularly effective in horror, especially when writing in third person. Foreshadowing is when an author alludes to a future event by showing us something now. The key to foreshadowing is to use it sparingly. We want to up the tension and the fear our readers are experiencing while they yell at the oblivious protagonist not to open the door. We donât want the reader to know every single thing thatâs going to happen.Â
11. Focus on the moment where things shift. You should consider a pivotal scene in your story idea and try to build around that scene or that moment where the plot actually âshifts.â Sometimes that could be reflected in a realization by the protagonist. Other times it can be represented in some type of ironic twist at the end. By looking at that singular element of your story idea, you cut away the fat so that the reader is left only with the most resonant part of the story.
12. Establish the mundane. Mundane is just a fancy way of saying normal, but the message still rings true. Most story structures tell you to start by establishing the Ordinary World: what our protagonistâs normal life is like. This is important for showing us how important the larger conflict is, because it threatens the protagonistâs normal. In horror, establishing the mundane is arguably more important. In a story where connecting with the character and empathizing with them over the godawful stuff you, the author, put them through, the reader needs to understand just how bad life has gotten. Then you can take both your characters and your reader from a place of comfort and familiarity and plunge them into whatever shadowy hell youâve concocted.
13. Choosing your POV. By choosing to write your story from a first-person perspective, you are putting the reader exactly where your character is. There are 2 types of third-person POVâlimited and omniscient. It is advisable to stay away from omniscient. Part of writing a good horror story is withholding information from the reader, which third-person omniscient doesnât really allow for. Considering the pros and cons of the different points of view, choose the right one for your story.
14. Avoid clichĂ©s. ClichĂ©s are boring and predictable, and a horror scene that is predictable is likely to not be scary. A good horror story can still use familiar horror tropes, but a great horror story makes them its own. Look beyond the obvious when trying to write a scary sceneâwhat is something readers wouldnât expect? How can you surprise them with fear? Use enough of the existing tropes to be identifiable as horror, but make sure you insert your own originality into the mix. One of the reasons people gravitate to genres in general is because they have certain expectations for what should happen in the story. Look for ways to flip archetypes on their heads.
15. Practice. If youâre struggling to get a handle on writing a good story thatâs scary, practice with story prompts (see some sample prompts below). Writing prompts can expand your range of thinking and open up new avenues of imagination that you hadnât thought of before.
A scary doll comes to life.
A scene from a nightmare comes true the next day.
Days go by, and your parents donât come home.
You feel yourself slowly becoming a monster.
Your friends start to disappear, and no one else notices.
Youâre lost in the woods, and you donât know how you got there.
Youâre inhabited by a ghost that controls you and makes you do crazy things.
You have no reflection in the mirror.
The teacher is a monster, but no one will believe you.
You hypnotize your brother, and you canât snap him out of it.
A fortune teller reveals that you are evil.
Someone follows you home, and itâs your exact double.
You find a diary that tells the future.
Every time you wake up, youâre a different person.
Your parents explain that you are actually an alien from another planet.
You know someone is watching you day and night from the house across the street.
You realize you are shrinking.
While reading a scary book, you realize that youâre a character in it.
Someone is living in your mirror.
Everyone knows the new neighbors are vampires, and the kids invite you over for a sleepover.
All the cats in a small town vanish in the middle of the nightâŠ.and all that remains is a set of big, scary teeth smashed into a car door.
A group of friends takes on the zombie apocalypse.
Strange things start happening after the grandfather clock starts to speak.
You finally meet your childâs imaginary friend. Who turns out to be a serial killer.
When a local police officer goes to investigate the haunted house down the street, he finds a young girl who died decades ago.
Sources: 1 2 3 4 5 6 â Writing Notes & References
