Hagia Sophia, Istanbul
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Hagia Sophia, Istanbul
Eames Molded Rocking Chair
Francis Alÿs
Artwork by Francis Alys pushing a block of ice for 9 hours until melted through the streets of Mexico city.
Teresa Margolles, Herida (Wound) 2008
In the floor of the gallery the artist carve a line and fill it with blood and other body fluids from corpses
Ai Weiwei, Last Cigarette of the Smoking Generation, 1988
Mixed prints on mules and hosiery at Versace SS 2019 - Milan Fashion Week .
Francis Alÿs, When Faith Moves Mountains (film still), 2002
Francis Alÿs: Night watch (2004, National Portrait Gallery). Alÿs released a fox, called Bandit, into the deserted gallery at night.
Simone Leigh
Simone Leigh, ‘Kingston’, 2013
Terracotta, colored porcelain, epoxy, glass beads and India ink
Ai Weiwei really is the most iconic artist alive
Margolles, ‘Aire/Air’, 2003
Aire/air (2003) by Mexican artist Margolles fills space with air that is both physically and emotionally charged: water that has been used to wash the bodies of murder victims in Mexico City’s morgues is either dispensed as a fine mist via humidifiers, or (in a variant presumably intended to counteract the unease of viewers confronted with a too-stickily-tangible manifestation of violent death), used to cool the air blown out of air-conditioning units.
Margolles, who studied forensic science and once worked in the morgues themselves, turned to art as a means of confronting the evidence of brutality and misery her former occupation involved: “I didn’t know how to express myself in relation to human death”. Aire serves as an unseen yet tangible testament to lives themselves rendered invisible by violent crime.
Mark Francis (Northern Irish, b. 1962), Mission, 2014. Acrylic and oil on canvas, 135.2 x 134.8 cm.
Agnès Varda, 6 chats, la Pointe Courte, 1954
Egon Schiele | The Artist’s Sister-in-Law in a Striped Dress, Seated (1917)
Laura Csocsan—Bold Type
Monochrome blocking.
Pasar la tarde.
• Edward Weston
Dody, Point Lobos (1947)