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KIROKAZE
occasionally subtle
Show & Tell

roma★

❣ Chile in a Photography ❣
we're not kids anymore.
YOU ARE THE REASON
$LAYYYTER
Game of Thrones Daily
Mike Driver
Not today Justin

Product Placement
Today's Document
Lint Roller? I Barely Know Her
Cosimo Galluzzi
RMH

⁂

Andulka
DEAR READER

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@dykerealism
Ocean, 19
“My boots are thrifted from France, shorts are thrifted Zara, tee is J.Crew, jewelry is custom or vintage, bag is thrifted, sunnies are from Linea Roma and tie is from the dollar store. I always wear an oversized silhouette and a lot of accessories. I take inspiration from anything and everything!”
Nov 5, 2022 ∙ Dumbo
“Plants and animals don’t fight the winter; they don’t pretend it’s not happening and attempt to carry on living the same lives that they lived in the summer. They prepare. They adapt. They perform extraordinary acts of metamorphosis to get them through. Winter is a time of withdrawing from the world, maximising scant resources, carrying out acts of brutal efficiency and vanishing from sight; but that’s where the transformation occurs. Winter is not the death of the life cycle, but its crucible.”
– Katherine May, Wintering: The Power of Rest and Retreat in Difficult Times
[ID 1, 2: But that actually only gets us so far when it comes to young people and actually, a lot of the problems that trans youth face, although they would be greatly improved if we could deal with some of that anti-trans hatred at the core of the world we live in, it actually wouldn’t be fully resolved. Because a lot of the problems trans youth face have to do with being children, and their transness sort of accelerates the way that adults are used to mistreating, disliking, and even abusing and manipulating them in the name of taking care of them and loving them. This is how modern American, really Anglo-American culture invented childhood in the late 19th century as this protectable, idealized, innocent space that therefore it is ignorant and incapable and inferior to adults. And we like—we can just slow this down for a second to think about how bizarre the West is about some things, okay? It’s like this is truly—okay. Everyone in theory is a child, right? So it’s like, this social status that we’re all supposed to come through, but that we’re like, “Everyone is a child, but children are absolutely less valuable than adults.” So everyone is supposed to go through this debased period in their life.
ID 3: And then if you survive it, you get to be an adult. And kind of the most amazing trick Western culture ever came up with is like, “Then you will have childhood amnesia and you’ll actually never remember what it was like to be a child,” right? Like we can’t actually remember truly how fucked up it was to be treated like we didn’t know shit about ourselves, to be thrown into a world where we didn’t have a hand in writing any of the rules, where adults lied to our faces and are hypocrites all the time and are constantly mistreating us and we’re like, “Wait.” And also our point of view does not matter whatsoever. We’re constantly being told, “You don’t know anything. You are ignorant. You are innocent. I have to protect you.” And where adults are like, “Anyways, so I’m gonna protect you by hurting you.” Right? And then you’re supposed to roll over and be like, “Thank you so much. Oh my god.”
ID 4: And I think that I tend to be pretty polemic about this when I talk about this because I am, you know, a historian of childhood. It’s like, you have to do a little bit of deprogramming, right? We have actually all been taught since before we could consent, to accept being mistreated, to accept being harmed in the name of being cared. We are told that it’s okay to infantilize and make people vulnerable and put them in situations where they’re at the whim of institutional adult power because it’s good for them. It’s literally all victim blaming! Right? And so when that situation is rigged, and every single one of us has been put through a kind of brainwashing, right, because we’re all raised in that culture, right. And then we’re asked to perpetuate it. I mean, it’s just staggering, right? I mean, it’s really, it’s intense, right.
ID 5: But I think one of the lessons that I thought a lot about, right, is like if we could just cut through the fake moral panics around trans people, then we’d get to the real heavy lifting, which is why do we dehumanize and mistreat children on such a widespread scale that we actually have to actively lie to ourselves and mislead ourselves as a culture every second of every day? end ID]
the text above is from jules gill-peterson's gender reveal podcast episode but one of the other things i can't stop thinking about re: paper girls is how it functions as a critique of the way that childhood is lived for adulthood. childhood comes with so much abuse, as described above, and the way that it's justified is in large part by encouraging kids to have huge dreams for their futures -- president, ceo, celebrity -- that will make the years of hardship worth it and turn it all into the first chapter in a story of rags to riches that they'll be proud to tell; the more broad, bootstrappy idea that you have to go through something hard to get to something great operates in the context of childhood in a powerful way. but what happens when the child shows up to confront the adult and finds that their future is not exceptional after all? how is the child supposed to justify their suffering-filled present if not with the mirage of the perfect future where suffering has been transformed into hard-earned success? the kids in paper girls judge their future selves so harshly, and their adult selves have no answers for them as to why they have not become what they dreamed of as children. it is an extremely powerful thing to watch a child ask their grown-up self, why did i suffer this way? and come to understand that there was no justification at all, that the adults who told them it was necessary in service of who they would later become were selling them a lie.
Knitted Spock Socks - A True Classic! Bonus: Free Star Trek Charts! 👉 https://buff.ly/2RMGevE 🖖
eobrownart
i am so excited abt this sweater
The phenomenon of tumblr re-imagining Judaism as this ultra radical leftist religion and not what it is, which is a complex religious community with conservative, reactionary, liberal, and leftist subcommunities, is that we've ended up with this sort of social media understanding of Judaism among young leftish types which gets really awkward when its pasted over the ambient Christian antisemitism of mainstream American culture. Like the idea that the "Old Testament God" is uniquely angry and mean and hurtful is something people absorb in this country through the popular culture, and then they grow up and become like a lefty social media tran and hear about this sick religion called Judaism where you yell at God and are an anarchist (bc that's the only idea of Judaism anybody ever told them about), but they still think the Bible is this book about a really mean guy called God and his chill son Jesus.
1. An olive yellow glass amulet circa 4th-5th century C.E.
2. A Byzantine amber glass bottle late 6th/Early 7th century C.E.
2023 resolutions
Jake, housefly from "The Bug"
Theater Waidspeicher e.V. Puppet Theatre Erfurt (1979-) - Puppet figures
SKD
Thinking of Deep Space Nine as "the Dark Star Trek" without digging into what made Deep Space Nine work is so reductive. Like when people discuss Star Trek being "dark" now people bring up "DS9 was Dark and you loved that! Trekkies would hate it now!"
Deep Space Nine didn't work bc it was Dark and it wasn't Dark out of nowhere. Deep Space Nine is intimately tied to TNG in a way no other series is with another (Voyager could've been just as rooted in DS9, but. Y'know. Wasn't). Not only in characters, but that the show is so devoted to exploring deep cuts from TNG: the Bajorans, but also the Ferengi, long dismissed as failed villains, and the Trill, one-off aliens-of-the-week who DS9's writers turned into one of Trek's major species. The central thesis of DS9 isn't that the Trek Universe Is Fucked Up Actually. It's that things get more messy and complicated when Starfleet has to stick around and not dash off to another planet at the end of the episode
DS9 is darker than other Treks, yes, but DS9 is also the warmest, with the most grounded, human characters, not in spite of the fact that two-thirds of the cast are aliens but because of it. The writers treat alien characters as not representatives, but individuals. They treat everyone as individuals, with foibles and flaws, not as perfect, straitlaced future people. DS9's dark episodes are darker than other Treks, but also it's more willing to get silly and emotional. Only DS9 could do the "Sisko confesses to a conspiracy to get the Romulans in the war" episode, but also only DS9 could do the "a holographic lounge singer tries to get Odo and Kira together" episode right after it. Boiling the entire series down to "Deep Space Nine was the Dark Star Trek! Grimdark!" is...just not it
People who only see Deep Space Nine as "dark" are missing out on how much DS9 truly loves the ideals that Star Trek represents. Enough to really dig into what they *mean*, how they would look in practice, the pitfalls in upholding them. It's all well and good to end an episode with a moral message about imperialism, but DS9 got into the species-wide, long-term trauma it created on both sides.
As fascism becomes more mainstream globally, I think any art that explores the difficulty and need to maintain our values is the epitome of hope.
happy sparkle on its wednesday monday
Morgan Gwenwald, Butch/Fem Picnic