dzem c:

any pronouns | 22yo | pl/eng | 🏳️‍🌈 | i do art sometimes

[dzdzem]

vampire buck biting eddie c:

prompt fill for goldenbcnes on twitter as part of @911actions gotcha for gaza!

while the event is over, you can still help by donating to the families in need (you can check out 911action's carrd for some helpful links)

[dzdzem]

bit bloody

[dzdzem]

honorary polish boy <3

[the-fucking-cannibal]

Aziraphale and Crowley's last kiss explained (by a European) ✨❤️

I shall jump straight to the point: people online did NOT seem pleased with Aziraphale and Crowley's last kiss. However, unlike them, i believe this was a deeply meaningful, touching and romantic moment for us to see and i thought I'd give my two cents about it too.

For starters: this was an APOLOGY kiss. That's right people, not a simple "I love you" or "I like you back" kiss but a PROPER apology kiss. Aziraphale reaches for it first, it's the first thing that comes to his mind when he realizes this might actually just be the last time they ever get to see each other. He wants to start over, do it better, and in order to do that he needs Crowley's forgiveness for everything that has happened in the past few years for things to finally be RIGHT.

He also touches his lips the same way he did when he first got kissed by Crowley at the end of season 2, except this time he does it to "give it back". It simbolizes Crowley's feelings being reciprocated, a tender act of apology for not kissing him back the first time but finally doing it right this time. He no longer thinks of that touch to his lips with sorrow or hatred or confusion, but rather as an answer, as something beautiful, as the love he's always felt but could never find the courage to openly reciprocate until now.

As for a possible additional meaning, here in Europe a kiss given by the fingertips can symbolize many things. One of them is "farewell" (and given the context of this scene i might add this kiss was the perfect choice), it's a sign of respect and profound admiration, it's a tender act to say goodbye in a polite and innocent way: it's pure, just like them.

Additionally, in my country, a kiss by the fingertips is most commonly known as a religious act, a sign of devotion and adoration done to the feet of sacred statues and holy sculptures; it symbolizes complete submission to our deepest love for the holy and to surrender to the greatness of the saint we behold, to give them our complete and undoubted faith.

it's loyal, It's devoted and faithful, It's endlessly filled with love and respect, it's playful and innocent but also clever and bold: it represents Aziraphale PERFECTLY. ❤️

i believe we were very lucky to be able to see the different ways these two characters express their love for one another, we get to see how Crowley expresses his love through a kiss and we get to see how Aziraphale does it in his own way. They both come straight from the heart, both dripping with need and affection and love, but each in their own, unique ways.

Their kiss is THEM, it's a reflection of what they think of one another, how they see each other, and how they perceive their relationship. And i think it's the single most beautiful thing I've ever seen in a very, VERY long while.

[goodbyevanny]

I just think that the versions with all the trauma, suffering and history deserved a happy ending. I don’t think the take away should be that the only way to get a happy ending is for those things to have never happened to you.

[highlyincorrect]

Honest (SPOILER) thoughts regarding the GO finale, I think a valuable piece of writing people are kinda overlooking is the INCREDIBLE subversion of their main motivations

Like we as the audience are lead to believe from the start that Crowley is this jaded, cynical little fucker who’s fond of one person and one person only. The typical “nothing in this world matters except you” grumpy who doesn’t give a shit about a universe that rejected him. Aziraphale, likewise, is pretty easily seen as the bigger picture guy, it’s obvious he loves Crowley deeply but it’s the mission of the larger world, the good of the people, that draws his time and energy- he chooses that responsibility more than Crowley. These are the roles we’ve seen them play and the archetypes we’ve kinda locked them in to. It matches with their grumpy vs sunshine attitudes, their aesthetics etc

Then in s2 we started noticing some cracks in it. We’ve met Angel Crowley who is a beautiful sunshiny dreamer who cares so deeply about the gorgeous world around him. Aziraphale starts to get a bit wrapped up in his own self interest from time to time, caring more about his bookshop or Crowley or even Jim than his larger mission. These little moments added depth to their characters, but ultimately didn’t shake our ideas of them. But THEN-

When they were asked by God what they would save, everything in the world has been stripped from them. The universe is lost- all that remains is each other and the final question of “what in the whole of existence matters to you most?” And we think we know what they’ll say, we think the way we’ve been taught all this time- Crowley is the selfish lover and Aziraphale is the heartbroken rejector.

But instead we meet their cores. We meet the truest stripped down versions of themselves and we learn the truth. Aziraphale picks Crowley. His lover, his life, the being that completes him. He makes the selfish, or loving, choice, no matter what it means to the world. And Crowley- Crowley is crying for the world. He is so utterly helplessly desperate for humanity to have their chance that he’s willing to throw away everything out of his sheer love for them. We’ve met the old part of him again, the artist and the lover, the selfless one he’s had within him all along. And for Aziraphale we’ve finally met the lover in him too, the one who’s finally willing to put his love for Crowley above all else.

I don’t know but I think it’s absolutely beautiful to get to know characters that you thought had these black and white motivations, only to discover that when it all comes down to it, they are capable of throwing everything we assumed about them out the window. There’s no black and white or even grey, but a whole world of mixed up colours and choices that make them whole. The sinful Angel and the selfless demon to the last.

[drizzledrawings]

Haymitch Abernathy, my poor boy

[anniewananie]

katniss everdeen . yay!

[darkthare]

More footieball Adder inspired by @delosion

Sweet Adder strikes again (that’s like kind of a football pun, right??)

[coldarena]

while im speirsposting

[loveridden1999]

[cannibalchicken]

[zluty-spendlik]

[geeseareassholes]

[zestoflemon]

theyre so special to me

(transfem judblanc inspired by @ceramicbeetle 's fic!)

[a-mel0n]

reblog if you’ve had an online friendship that’s lasted more than 2 years

[iwillnever-beyourfriend]

COVEY GIRLS!!! COVEY GIRLS!!! COVEY GIRLS!!!

[mistershoestied]

knives out: be gay, solve crime

glass onion: be gay, do crime

wake up dead man: be gay, stop confessing to crime— no, jud, i said stop it, get back here

[gardeninthevoid]

the charm of jud is that he is incongruently precious for a man with his background, and it just makes you wanna chuck him at a wall, not even in a horny way (though sure), but in a cute aggression way, like he's a stress toy that you expect to squish or stick to it.

the charm of blanc is that he sees this and immediately wants to protect it, and spends the rest of the movie dedicated to this task, but simultaneously he does go "i wonder what would happen if i chucked him at a wall. i bet he would stick to it" and tests the hypothesis.