still film (film still)
DEAR READER
Three Goblin Art
No title available
I'd rather be in outer space 🛸
tumblr dot com
PUT YOUR BEARD IN MY MOUTH
styofa doing anything

#extradirty
he wasn't even looking at me and he found me

Janaina Medeiros
cherry valley forever
AnasAbdin

No title available

JVL
dirt enthusiast
Claire Keane

No title available

❣ Chile in a Photography ❣
TVSTRANGERTHINGS
macklin celebrini has autism
seen from United States
seen from Mexico

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States

seen from Vietnam

seen from United States

seen from United Kingdom
seen from Brazil
seen from United States
seen from Türkiye
seen from United States

seen from Russia
seen from Iraq
@dzho-andextras
still film (film still)
3 posters
Shohei Imamura - Ningen Johatsu, 1967, en subs (ήταν ευγενικός αλλά λίγο χέστης)
08/07/2018
40°05'Β 22°21'Α
Jakob Mohr
- Beweisse [Proofs],
ca. 1910.
subs 106-116 and movie stills
27 missing kisses (2000) - Nana Djordjadze
106 00:18:20,400 --> 00:18:22,400 -How many spoons of sugar? -Eight.
107 00:18:26,700 --> 00:18:31,900 One, two, three, four...
108 00:18:32,300 --> 00:18:37,200 five, six, seven, eight.
109 00:18:38,500 --> 00:18:40,400 Don't stir it! I hate it too sweet.
110 00:18:40,700 --> 00:18:43,900 Martha, don't be late for the rehearsal.
111 00:18:44,300 --> 00:18:47,100 -What's the time? -Four o'clock.
112 00:18:48,300 --> 00:18:50,500 Here's the x-ray of a man in love...
113 00:18:52,400 --> 00:18:54,400 who swallowed three forks.
114 00:18:55,600 --> 00:18:57,400 Why?
115 00:18:58,000 --> 00:19:01,800 -His lover left him for another. -Quick, let's go!
116 00:19:18,500 --> 00:19:20,200 Break's over, enough singing. Back to work.
visual fuss _loop project
συνεχής επανάληψη του ίδου πλάνου -τύπωμα, δηλαδή, του μονοπλάνου πολλές φορές. (..) αντιμετωπίζει μια επανάληψη που δεν οδηγεί πουθενά, που δεν είναι υποταγμένη στο αφήγημα. (..) εδώ η επανάληψη είναι πάντα δεμένη με την αφηγηματική δράση, αποτελεί ένα στοιχείο της συνοχής της.
(στοπ-καρέ λούπα από το καλοκαίρι του ‘14 κείμενο απ’το βιβλίο του Μ.Μωραΐτη- Για ενα διαλεκτικό αντι-ρεαλισμό στον κινηματογράφο)