I'd rather be in outer space 🛸
let's talk about Bridgerton tea, my ask is open
occasionally subtle
Not today Justin
Game of Thrones Daily
Monterey Bay Aquarium

ellievsbear
d e v o n
YOU ARE THE REASON
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hello vonnie

gracie abrams
Stranger Things
Lint Roller? I Barely Know Her

Origami Around

oozey mess
RMH

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@theartofmadeline
Xuebing Du
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@eccentricks
Cecil Beaton for long obsessed by Greta Garbo’s image, finally met Garbo in February (1932) at a party given by the Eddie Gouldings in Hollywood. He relates “A huge vase of yellow roses freshly sprayed with water had been placed on the bar”. As Garbo looked at it, she intoned “A rose that lives and dies and never again returns”. She picked a rose and kissed it, fingered it with an infinite variety of caresses and raised it above her head. (x)
Robert Fludd, Healthy man surrounded by archangels, Integrum morborum mysterium, 1631
Pierre II Dumonstier, Artemisia's right hand holding a brush, 1625, chalk drawing, 21.9 x 18 cm. British Museum, London
Courtesy Alain Truong
Giovanni Antonio Bazzi, called "Sodom", Allegory of Heavenly Love, around 1503-1504; oil on wood, 96 × 49.4 cm; Siena, Collection Chigi Saracini, Banca Monte dei Paschi di Siena, inv. 12
Courtesy Alain Truong
Sydney police photographs taken inside Rosaleen Norton's apartment in 1955, following an unlawful entry during a morality investigation.
Giovanni Antonio Bazzi called Sodom, The Nativity of Jesus, an angel and Saint John, around 1504-1505; tempera grassa on panel, diameter 111 cm; Siena, Pinacoteca Nazionale, inv. 512
Courtesy Alain Truong
Lilian Bond by George Hurrell, 1932.
Douglas Fairbanks Jr. photographed by George Hurrell, 1933
Karen Morley by George Hurrell, 1930s
Michelle Pfeiffer in a portrait by legendary old Hollywood glamour photographer George Hurrell, 1984.
Paulette Goddard - George Hurrell 1936
Pieter Schenck (1660-1718/19), Vanitas Still Life, mezzotint with touches of burin, circa 1688.
Courtesy Alain Truong
Leslie Howard, Carole Lombard and Gary Cooper, c.1930s
Jean Morin (circa 1590-1650) after Philippe de Champaigne (1602-1674), Memento Mori, circa 1645-50, etching and engraving
Courtesy Alain Truong