another girl, another planet: marisha and de’airra for v magazine april 2019
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Mike Driver
he wasn't even looking at me and he found me

tannertan36
almost home
Not today Justin

bliss lane
No title available
The Bowery Presents
Cosmic Funnies

Product Placement
noise dept.

ellievsbear
h
NASA
let's talk about Bridgerton tea, my ask is open
No title available
Xuebing Du
★

roma★
seen from Azerbaijan
seen from Türkiye

seen from Australia

seen from Botswana

seen from Israel

seen from Türkiye
seen from Singapore
seen from United Kingdom
seen from Russia
seen from United States

seen from India

seen from India
seen from Indonesia
seen from India
seen from Mexico

seen from United States

seen from Indonesia
seen from Bangladesh
seen from Brazil
seen from Nepal
@electrik-feel
another girl, another planet: marisha and de’airra for v magazine april 2019
do you wonder?
Audrey Hepburn and her record collection, 1950s.
deleted shots from ’A Pearl’ - by Saad Moosajee, Danaé Gosset, & Art Camp
Rebecca Artemisa
Sister Souljah on the cover of i-D (May 1991)
I’m very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very tired.
breaking news: ur actually gonna make it through and everything will turn out just fine
Room Portraits | Menno Aden
Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.
-Miriam Nöske
If you press the clitoris and the g-spot at the same time the vagina takes a screenshot
why am i laughing so hard