another girl, another planet: marisha and de’airra for v magazine april 2019
Alisa U Zemlji Chuda
Peter Solarz

pixel skylines
todays bird
No title available
almost home

Discoholic 🪩

Kaledo Art

Origami Around
d e v o n
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ

roma★

No title available
Today's Document

shark vs the universe
dirt enthusiast
styofa doing anything
Claire Keane
Sade Olutola
seen from Malaysia
seen from United States
seen from Brunei
seen from Türkiye

seen from Malaysia
seen from Malaysia
seen from Malaysia

seen from United States

seen from United States

seen from Japan

seen from Malaysia
seen from South Africa
seen from Argentina

seen from United States

seen from United States
seen from United States

seen from United States

seen from United States

seen from Canada
seen from Chile
@electrik-feel
another girl, another planet: marisha and de’airra for v magazine april 2019
do you wonder?
Audrey Hepburn and her record collection, 1950s.
deleted shots from ’A Pearl’ - by Saad Moosajee, Danaé Gosset, & Art Camp
Rebecca Artemisa
Sister Souljah on the cover of i-D (May 1991)
I’m very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very tired.
breaking news: ur actually gonna make it through and everything will turn out just fine
Room Portraits | Menno Aden
Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.
-Miriam Nöske
If you press the clitoris and the g-spot at the same time the vagina takes a screenshot
why am i laughing so hard