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"WRITE the way into our HEARTS!"
first kiss prompts
'' you sure you wanna do this? ''
'' we can take things slow. ''
'' you're the best first kiss i've ever had. ''
'' i'm quite nervous. ''
'' you're doing good. ''
'' close your eyes. ''
'' i've never done this before. ''
'' i want [our first kiss] to be special. ''
'' no pressure or anything. ''
'' i thought [the kiss] was great. not that i have much to compare to. ''
'' wanna practice? ''
'' just get it over with. i'm tired of not knowing what it feels like. ''
'' i'm gonna remember this for a while. ''
'' i like kissing you. ''
'' that... was terrible. sorry. ''
'' do you wanna make out? ''
'' i really want to kiss you right now. ''
'' kiss me and you'll find out. ''
'' permission to lean in? '' '' permission granted. ''
'' i'm not a delicate flower. kiss me like you mean it. ''
'' if anybody were to kiss me... i would want that person to be you. ''
'' i've been wanting to kiss you for a while. ''
'' teach me how to do it. ''
'' are you nervous? ''
'' i don't want you to be disappointed. ''
'' can i get another one? ''
'' why don't you come inside? ''
'' i haven't mastered the art of kissing yet. ''
'' you're a great kisser. ''
'' teach me. ''
'' is there such a thing as love at first kiss? ''
'' kiss me again, but don't stop this time. ''
'' can i kiss you? ''
'' wanna go slow? ''
'' if you're uncomfortable, or think it's too much, pull away. ''
'' i love it when you kiss me. ''
'' it's important that you're comfortable. ''
'' it's cute, this thing you're doing. '' '' being all nervous? ''
'' how far do you wanna go tonight? ''
'' i can't have my first kiss be with some stranger, so could you please practice with me? ''
'' i don't want your first kiss to be terrible. ''
'' you've never kissed anyone before? ''
'' you're going to have to guide me through this. ''
'' do i just... close my eyes and lean in? ''
'' [our first kiss] is going to be magical. ''
'' of course i want to kiss you. ''
'' you just can't help yourself, can you? ''
'' kiss me. ''
'' i would love to kiss you, actually. ''
'' you mean—you and me? kissing? ''
'' and right now, i think you should kiss me. ''
'' this is nerve-racking! ''
'' did i do good? ''
'' you did wonderful. can't wait to do it again. ''
'' did we just kiss? ''
'' you kissed me first. '' '' i definitely didn't. ''
'' we don't have to do this if you don't want to. ''
'' you were literally all over me. not that i mind. ''
'' why won't you come here for a second? ''
'' don't speak. just kiss me. ''
'' come kiss me. ''
'' did you enjoy it? ''
'' how was it? ''
'' can we do it again? ''
'' holy shit—that was awesome! ''
'' kiss me again. ''
'' oh. my. god. ''
'' you should call me sometime. ''
'' that was pretty nice. ''
'' wow... that was unexpected. ''
'' pretty nice, huh? ''
'' one of us should probably say something. ''
'' you're blushing. '' '' i know. ''
P.S. these are not mine. I found them on a deactivated blog, and I was unable to reblog. But I really want them to be sharable, so here they are. Enjoy, use, tag me in your creations.
Nervous Quirks for your Characters
Here's a short list of nervous quirks/habits for you to give to characters in your stories! Feel free to add on with more!
Lip biting (may result in scabbed lips)
Leg bouncing
Nail biting/picking
Skin picking
Nose scrunching
Adjusting clothing
Tapping feet/hands
Rubbing hands together
Rubbing feet together
Pacing
Stuttering/stammering
Losing track of time
Forgetting what they were talking about
Laughing
Nausea
Going silent/refusing to talk
Picking at face/skin
Constantly readjusting clothes
Rambling
Itching
Sweating/feeling hot
Distracting themselves
Shout-out to all the stories that didn't make it out of the shower with us in time to be actually written down.
- like or reblog if you use
- like and reblog if you use
- Like or reblog if you use
TV PAPER DOLLS MONTH!
Dialogue Prompt #263
“You’ll lose everything.”
“That’s the difference between you and me. I’ve got nothing left to lose.”
I watched the life drain from her eyes and drip away in jagged strands leaking from her skeletal cheeks that once blushed red when she saw me.
I know the look of fear and despair in his eyes will stay with me for years to come.He was out of energy to fight and just stared down at the girl. “You'll lose everything,” he states in a low, shaky voice.
I grin a bit, “That’s the difference between you and me. I’ve got nothing left to lose.”
Types Of Story Endings
https://www.scribophile.com/academy/how-to-end-a-story1. Circular ending
Sometimes called a tied ending or a full circle ending, a circular ending brings the story “full circle” back around to where it began—with subtle differences that show how your characters have grown within their world. Most stories that follow the Hero’s Journey story archetype have a circular plot structure. The protagonist goes on a grand adventure, learns and experiences new things, and then returns to the life they once had, but changed.
You can use themes, settings, literary devices, or turns of phrase to link your beginning to your end and create a circular story. This is sometimes called the “Bookend Effect.” In a short story, it’s an almost foolproof way to give the reader a sense of completion. For instance, you could open with your main character coming in out of the rain, and then close with them snuggling under the covers listening to the rain fall. The image of the rain “bookends” the story and makes the reader feel they’ve reached a satisfying conclusion.
In larger works, such as a novel, your bookends can be a place where your story starts and stops, a thematic idea that your character was working to understand at the beginning of the story, or a metaphor that has taken on new meaning.
2. Resolved ending
A resolved ending ties up all the loose ends in your story. Shakespeare was a big fan of resolved story endings; so was Jane Austen. Readers of the romance genre have grown to expect resolved endings, which usually involve everyone living happily ever after (except the villain, who slinks off into obscurity).
Your resolved ending doesn’t necessarily have to be a happily ever after, but it should give the reader a sense of fulfillment. For now, at least, everyone’s story has reached its finish line and there’s nothing left to say. This means tying off all your artfully crafted subplots, addressing all of the dramatic questions raised at the beginning of the story, and ensuring that any lingering secrets have been laid to rest.
Giving your story a resolved ending doesn’t mean that your characters’ lives won’t go on beyond the last page in the book. It means that this particular chapter of their lives has come to a close, and now they can embrace a blank slate from which to begin a new one.
3. Unresolved ending
The unresolved story ending leaves loose threads so that the story can continue after the book is closed. This is especially popular with books in a longer series. When you end your story on a cliffhanger, your readers remain engaged with your story until they get a chance to read what happens in the next one.
Even when you use an unresolved ending to close your story, it should still have that essential sense of completion by the end. You wouldn’t finish the entire book the way you’d finish a chapter. By the time you reach the ending to a story, the major, central conflicts of the plot should be resolved and your characters should reach a resting place between battles. However, an unresolved ending will leave some questions unanswered, and raise new ones about the future of your characters and their world. It’ll always give the reader the feeling that the story continues after the last page.
4. Ambiguous ending
The purpose of an ambiguous ending is to make your readers think. Like an unresolved ending, the ambiguous story ending leaves some lingering questions at the end of the book. The difference is that with an unresolved ending, the reader needs to wait to get the answers from the writer later on. With an ambiguous ending, the reader can reflect on the story and look for answers within themselves.
The best ambiguous endings offer two or more equally conceivable possibilities. For example, your story may end with a separated couple agreeing to meet for coffee. Do they get back together? Or do they get the closure they need so they can move on? Both are within range, and it’s up to the reader to decide what they believe the real truth to be.
Ending the story ambiguously is also a great way to bring your readers together. It will make them want to compare ideas in forums, discussion groups, or with friends. Ambiguous endings engage the reader in a creative and cognitive way.
5. Unexpected ending
Commonly known as the “twist ending,” this ending gives the story one dramatic, final turn as it reaches its close. This works like a literary sleight-of-hand—you tell the reader, “Look, here, at this perfectly incongruous hat!” while your story mechanics are working to create something much more powerful and surprising.
Even though your story ending may be unexpected, it still has to make sense within the world you’ve created. This means laying the groundwork in bits and pieces through plot, character, and setting in a way that slips beneath the reader’s notice, but that they can easily refer back to in their memory as they consider the ending of your story.
This type of ending is the cornerstone of mystery novels. Through genre convention, readers have grown to expect an ending that will shock and delight them, but in a way that feels like a natural progression of the story. Done skillfully, the unexpected ending can pack a huge emotional punch and secure you a fan for life.
6. Expanded ending
Also known as an epilogue, this is a second, smaller story built out of your story’s ending. This gives the writer space to explore what happens after the story’s close, and to address any last questions the reader may have. Do the hero and heroine ever see each other again after they save the world? Does the little girl really grow up to be a doctor like she always wanted? Does the misogynistic young pilot ever grow out of his flaws and become a better person? These are all things that you may not have space for inside your story, but you still want to share with the reader to give them a fuller understanding of your story world.
The expanded story ending gives your readers a little more time with your characters before they have to say goodbye. As readers, we understand that their story goes on even after our role of observer has ended. This isn’t meant to be a resolution to your plot, but rather a window into what the next chapter of life holds in store for the characters we’ve grown to love.
7. Reflective ending
A reflective ending happens when the protagonist is able to look back at their experiences and consider them through the lens of their growth over the course of the story. They may ask themselves, “Was it really worth it, in the end? Did I do the right thing? How different does the world appear, now that I know the things I do?” This creates one final, intimate connection with the reader as they explore these ideas together.
This reflection might happen if the character is looking back at an event from their youth, or if their circumstances have changed dramatically through the events of the plot. This type of ending is popular in fantasy and science fiction—for instance, if the character returns to the “real world” after a period of intense fantastical experiences—as well as in creative nonfiction, where the author may be reflecting on some formative events in their life.
SOURCE:
https://www.scribophile.com/academy/how-to-end-a-story
Nick & Charlie - Heartstopper
this is so cute, she actually drew them 🥺
So freaking cute omg