Endless Forms Most Beautiful and Most Wonderful

she/her, 20s enquiring minds want to know "Do you think I'm spooky?"

[sylvan-ingenue]

Marblehead, MA

7-31-19

[kitties-of-flickr]

SCRAM, BLACK CAT!

1979

[sacredwhores]

Orson Welles - Touch of Evil (1958)

[phibes-art]

LONELINESS October 11, 1972 Gloria calls Jerry.

endless cycles (in The Dreamtime of The Saucer People) has updated!

Catch up on previous entries here.

If you're interested in supporting my work, I have a ko-fi.

[wardengrill]

Though you are gone from me

We never can really be apart

What's written on the wind

Is written in my heart

Written on the Wind (1956)

[chicinsilk]

Mary Quant tights and shoes, about 1965.

Mary Quant Archive

[normasshearer]

MYSTERY STREET 1950, dir. John Sturges

[kafkasapartment]

Blossoming Chestnut Branches, May, 1890. Vincent van Gogh. Oil on canvas.

[endless-formsmostbeautiful]

officially reached 12,000 words on my thesis #mythesis

[endless-formsmostbeautiful]

The Petrified Forest dir. Archie Mayo (1936)

[vugnasmineralblog]

Vivianite | Tomokoni Mine, Colavi, Machacamarca, Cornelio Saavedra Province, Potosi Department, Bolivia

[sacredwhores]

Orson Welles - The Trial (1962)

[theblackparadeisdead]

Foggy day on Rainier | shot by me, ultramax 400 on canon ae-1

[endless-formsmostbeautiful]

I wonder if you would comment on the frequency of multiple mirrors that you use in a number of your films, in which a man — usually a man — but a character in distress sees himself over and over and over in these mirrors. I can give you an impressive answer which will embarrass me, and I can also remind you that I'm a magician, and that people say that everything a magician does is done with mirrors, you know, which is a frivolous answer. And then I can try to give a serious answer, which is that the camera is a peculiar kind of mirror and that turning the mirror on it seems to me a kind of magical thing to do.

CITIZEN KANE dir. Orson Welles (1941)

THE LADY FROM SHANGHAI dir. Orson Welles (1947)

THE TRIAL dir. Orson Welles (1962)

F FOR FAKE dir. Orson Welles (1973)

[herpsandbirds]

Lazuli Bunting (Passerina amoena), male, family Cardinalidae, order Passeriformes, OR, USA

photograph by Khanh Tran

[thenordroom]

A Colonial New York Farmhouse Showcases its Characterful 250-Year-History | subscribe for weekly home tours

[spockvarietyhour]

Cool Hand Luke (1967)