From Screen Australia, an award-winning 2D animation about a duck hopelessly in love with a rock that can never love him back.
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Andulka

if i look back, i am lost
noise dept.
Misplaced Lens Cap

Kaledo Art
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Sade Olutola

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JBB: An Artblog!
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ojovivo
PUT YOUR BEARD IN MY MOUTH

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will byers stan first human second

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From Screen Australia, an award-winning 2D animation about a duck hopelessly in love with a rock that can never love him back.
More info at: https://www.benloory.com or https://twitter.com/benloory
Digital Journal Prompt #12
Our final digital journal post is about autohistoria. These are a genre of writing that is intended to blur the lines of fiction and nonfiction. It is also a genre that is often used by writers whose voice lends to social justice endeavors, as Alice Walker, Toni Morrison, and Gloria E. AnzladĂșaâs all do.Â
Autohistoria bends genres. In another essay titled ânow let us shift ... the path of conocimiento ... innerworks ... public acts,â AnzaldĂșa writes the following about this genre of essay writing, âAutohistoria is a term I use to describe the genre of writing about oneâs personal and collective history using ïŹctive elements, a sort of ïŹctionalized autobiography or memoir" (AnzaldĂșa 578). Scholar Andrea J. Pitts argues that âfrom this brief articulation, AnzaldĂșa appears to point to the manner in which the act of giving meaning to oneself provides a platform for collaborative forms of meaning-makingâ (357).*
Toni Morrisonâs Nobel Lecture also bends genre. She bends a âlectureâ or a traditional essay format to a parable. A parable can be defined as a ânarrative about human beings presented so as to stress the tacit analogy or parallel, with a general thesis or lesson that the narrator is trying to bring home to his audienceâ (Abrams 9). The bird is not intended to be a bird.
The two forms connect in that each is read for a message or a lesson. That lesson, though, is not explicit. The reader must allow themselves to be taken in by the writer and must see through the writerâs eyes in a way that helps us as readers to live anotherâs experiences, as we do when we become attached to a character we connect with strongly.Â
For this last and final digital journal, please do the following:
Choose one of either Alice Walkerâs âLooking for Zora,â Toni Morrisonâs âNobel Lecture,â or Gloria E. AnzaldĂșaâs âLe Prieta.â
Each of these pieces offers multiple possible messages and /or lessons to be learned. Identify at least one.
Citing the text you have chosen, please describe and/or explain one message you find in the piece.
Your response to this digital journal is due by class time on Wednesday, November 29.
Gloria E. AnzaldĂșa was a queer Chicana poet, writer, and feminist theorist. Her poems and essays explore the anger and isolation of occupying the margins of culture and collective identity. AnzaldĂșa has been awarded the Lambda Lesbian Small Book Press Award, a Sappho Award of Distinction, and an NEA Fiction Award, among others. She is the author of several books of poetry, non-fiction, and childrenâs fiction. Her book, Borderlands/La Frontera: The New Mestiza (1987) and her essay, âLa Prieta,â are considered to be groundbreaking works in cultural, feminist, and queer theories. With CherrĂe Moraga, AnzaldĂșa co-edited the landmark anthology This Bridge Called My Back: Writings by Radical Women of Color (1981).
Anthropologist and novelist Zora Neale Hurston was a fixture of the Harlem Renaissance before writing her masterwork, 'Their Eyes Were Watching God.'
Nobelprize.org, The Official Web Site of the Nobel Prize
Digital Journal Prompt #11
Only two more digital journals to go, #11 and #12!
In this digital journal, we are going to consider the minimalist style of Ernest Hemingwayâs âA Clean, Well-lighted Placeâ and Raymond Carverâs âWhat We Talk About When We Talk About Love.âÂ
There are some who would suggest that stories written with the minimalism of Hemingway and Carver allow a reader more control over the meaning of their own experience with the story. Because the story does not offer a lot of detail and description, our imaginations fill in the gaps. (Please see our course powerpoint for more definition of minimalism.)
My question for your consideration is one of tone. If we follow this viewpoint on minimalism and audience participation, I wonder how this affects the tone of a story.
M.H. Abrams defines tone (narratively speaking) by offering the following:Â
In an influential discussion, I. A. Richards defined tone as the expression of a literary speaker's "attitude to his listener." "The tone of his utterance reflects . . . his sense of how he stands toward those he is addressing" (Practical Criticism, 1929, chapters 1 and 3). In a more complex definition, the Soviet critic Mikhail Bakhtin said that tone, or "intonation," is "oriented in two directions:      with respect to the listener as ally or witness and with respect to the       object of the utterance as the third, living participant whom the           intonation scolds or caresses, denigrates or magnifies." ("Discourse       in Life and Discourse in Art," in Bakhtin's Freudianism: A Marxist          Critique).
The way we speak reveals, by subtle clues, our conception of, and attitude to, the things we are talking about, our personal relation to our auditor, and also our assumptions about the social level, intelligence, and sensitivity of that auditor. The tone of a speech can be described as critical or approving, formal or intimate, outspoken or reticent, solemn or playful, arrogant or prayerful, angry or loving, serious or ironic, condescending or obsequious, and so on through numberless possible nuances of relationship and attitude both to object and auditor. (A Glossary of Literary Terms 218)Â
For this prompt, please use our class discussion of minimalism, narrators, and tone to further consider the tone of either Hemingwayâs âA Clean, Well-Lighted Placeâ OR Raymond Carverâs âWhat We Talk About When We Talk About Love.âÂ
Question: How does the minimalist style of the story affect the tone of the story?
Please respond to this prompt using the following guidelines:
Begin your post by directly responding to the question above.
Use direct quotes from the text in order to illustrate your answer to this question. Be sure to use MLA guidelines in your response.
Your response should be at least two full paragraphs.
Your response to this prompt is due by 2:00 PM on Wednesday, November 22.
This is a video of author, journalist, comic book writer, and educator, Ta-Nehisi Coates, explaining the power of words in a much more eloquent way than I did last Wednesday. The video is short. If you havenât already watched this video, it is a great response to the question of words.
Digital Journal Prompt #10
I will make this announcement during class tomorrow and via an email: I have changed my mind about your reading Hayden Whiteâs âIntroduction: Historical Fiction, Fictional History, and Historical Reality.â You will still be responsible for reading Antero Garciaâs âWitnessing Race.â
By the time you respond to this prompt, my expectation is that you have completed the novel Homegoing. The work of this prompt is to ask you to grapple with the historicity of Gyasiâs novel. In a speech in 1852, Frederick Douglass stated the following, âwe have to do with the past only as we can make it useful to the present and the future.â This is in essence one of the purposes for historical fiction, at least one we have talked much about.Â
The structure of Gyasiâs novel affects the way in which we experience the arch of time she is capturing. Instead of asking you to offer an informed opinion on her choice of structure, I would like you to look back at the stories/chapters. Is there a chapter you wished had been longer? Is there a chapter or a âmain characterâsâ story you really wanted to know more about, but didnât get to?Â
In this prompt, I would like for you to either describe why you felt cut short with a characterâs story OR to look back into the novel and describe a section that offered to you a different perspective of historical events that you were previously unaware. So, essentially you are either discussingÂ
A) I wanted to know more about because . . .Â
ORÂ
B) This particular section/narrative/part of a story offered a new perspective on history that I did not know before.
Whichever way you decide to respond, please be sure to do the following:
Post at least two paragraphs of response.
Use textual evidence to support your response. (Cite the novel.)
Use MLA guidelines when citing the text or other sources.
Your response to this prompt is due before class on Wednesday, November 15.
The real question for English 211⊠Team Pond or Team Terrapin ?
Allegiances are being drawn.
Maya is claiming Team Pond. ;-)
Digital Journal Post #9
This digital journal focuses on Yaa Gyasiâs novel Homegoing: A Novel. Gyasiâs novel is structured in separate stories of people that tell a larger story of two families through generations. Each chapter focuses on one generation, more specifically one person in each generation. Each chapter offers a peek into their story, into their life.Â
During this semester, we have talked about paradigms, liminality, agency, gender and queer theory, and many other ways to look at literature (often called a âlensâ through which to discuss or come to understand a work in different ways). In your response to this prompt, I would like you to return to our course powerpoint. Itâs on Moodle. Choose one term or concept we have discussed and/or explored in this semester and use it to explore 1 character in Gyasiâs novel. (When I ask for 1 character, I am intending 1 main character. So, a character whose name titles their chapter.)
In response to this prompt, please do the following:
Choose one main character.
Choose one concept we have explored in this semester, using our powerpoint as your source.
Use that concept to explore this main characterâs story, identity, or narrative. Write at least two full paragraphs in your response.
Your response to this post is due before class on Monday, November 13.
A map of the colonized Gold Coast area of Africa.
The real question for English 211⊠Team Pond or Team Terrapin ?
From Darious. Lol!
Yaa Gyasiâs âHomegoingâ is an ambitious novel about a family divided between continents.
Yaa Gyasi's debut short story collection begins in 18th century Ghana, where the slave trade separates two half sisters. Critic Maureen Corrigan calls Homegoing a strong work with versatile language.